Nick Pinkerton Movie Reviews & Previews - Rotten Tomatoes

Nick Pinkerton

Nick Pinkerton
Nick Pinkerton's reviews (from any publication) always count toward the Tomatometer because this critic is a Tomatometer-approved critic.

Movie Reviews Only

Rating T-Meter Title | Year Review
100% Ex Libris: New York Public Library (2017) Ex Libris is nothing short of emancipatory.‐ Artforum
Read More | Posted Sep 15, 2017
5 67% mother! (2017) With this brash, ludicrous, bludgeoning film Aronofsky has made a work that embodies the pervasive feeling that no domestic fortifications can hold the day against what's on the horizon.‐ Sight and Sound
Read More | Posted Sep 14, 2017
16% The Dark Tower (2017) No one involved in The Dark Tower seems to have given a damn about what they turned out, so why should anybody else?‐ Sight and Sound
Read More | Posted Sep 4, 2017
93% Logan Lucky (2017) Logan Lucky feels like the work of a filmmaker with nothing to prove, neither sententious seriousness of purpose nor technical knowhow.‐ Artforum
Read More | Posted Aug 24, 2017
87% Mutual Appreciation (2006) If much of what I dislike in Bujalski's filmmaking must be accounted for by my objection to the milieu his films travel in, this shouldn't suggest that the filmmaking itself is anything close to competent.‐ Stop Smiling
Read More | Posted Aug 24, 2017
82% Detroit (2017) Detroit succumbs to problems endemic to "Based on Real Events" prestige properties, films that too often are preoccupied with the truth while not feeling entirely honest-the latter being what we should demand of art.‐ Reverse Shot
Read More | Posted Aug 4, 2017
No Score Yet Mister Universo (2016) [A] warm and worthy film ...‐ Artforum
Read More | Posted Jul 21, 2017
92% A Ghost Story (2017) A Ghost Story fairly pulses with a tender regard for the precious fragility of any domestic shelter, from the frontier to the high-rise.‐ Artforum
Read More | Posted Jul 13, 2017
100% My Journey Through French Cinema (Voyage À Travers Le Cinéma Français) (2017) A magisterial piece of cinema criticism: three hours out of the day, though offering months of viewing fodder.‐ Reverse Shot
Read More | Posted Jun 22, 2017
28% King Arthur: Legend Of The Sword (2017) Ritchie's movie is handicapped by its obedience to the rules of modern franchising, putting aside much of the most potent Arthurian lore to instead tell a protracted Round Table origin story.‐ Sight and Sound
Read More | Posted May 19, 2017
76% A Woman's Life (Une vie) (2017) Defined by a blind obeisance to its own template of stylistic choices-one generation's liberated cinema now degraded to a stereotyped, pre-chewed naturalism.‐ Reverse Shot
Read More | Posted May 5, 2017
62% Slack Bay (Ma loute) (2017) For all the talk of Dumont's rebirth, Slack Bay is of a piece with a larger oeuvre that feels at once grandly uncompromised and absent of any passionate belief to compromise ...‐ Reverse Shot
Read More | Posted Apr 27, 2017
87% By the Time It Gets Dark (Dao khanong) (2017) Suwichakornpong achingly recognizes the gulf between pseudo-knowledge and lived wisdom, and it is in this liminal zone that she has chosen to work.‐ Artforum
Read More | Posted Apr 20, 2017
87% The Lost City of Z (2017) Gray's cinema is intractable in its devotion to direct petition of the emotions through classical storytelling, and a belief in the powers of collective intoxication and, yes, beauty.‐ Reverse Shot
Read More | Posted Apr 20, 2017
75% All These Sleepless Nights (2017) A movie which consists of a Dionysian revel slowly devolving into a desperation-tinged dance of death.‐ Artforum
Read More | Posted Apr 13, 2017
66% Free Fire (2017) "I forget whose side I'm on," one of the cringing combatants hollers at one point, as if to reassure the viewer that they're not alone in their disorientation.‐ Film Comment Magazine
Read More | Posted Mar 7, 2017
47% The Human Surge (El auge del humano) (2017) It makes for an exhilarating, boldly paradoxical experience-a headlong dive into the rich, knotty, sticky undergrowth amid a proliferation of tidy, well-lit paths.‐ Artforum
Read More | Posted Mar 3, 2017
99% Get Out (2017) It plays and it creates an effective admixture of comedy and intrigue, and it takes dead aim at the zeitgeist in a way that's sure to garner attention ...‐ Reverse Shot
Read More | Posted Mar 2, 2017
95% Manchester by the Sea (2016) With an outstandingly icy Casey Affleck as a mournful loner drawn back into his old fold, Kenneth Lonergan's New England community study is a masterful, darkly American account of a heart in the dead of January.‐ Sight and Sound
Read More | Posted Jan 20, 2017
No Score Yet Journey, The - V. 1 (1991) The Journey isn't made to be seen by the greatest number of people, but to be really seen by those who do brave it.‐ Artforum
Read More | Posted Jan 12, 2017
92% Toni Erdmann (2016) Lacking anything to disturb its basic binary or to put a complacent viewer momentarily on their back foot, there's little here that lifts the ongoing game of farcical imposture and father-daughter sparring above briskly repetitive actor's exercises.‐ Artforum
Read More | Posted Dec 30, 2016
35% Live By Night (2017) An outright catastrophe as historical drama, it gets halfway to redeeming itself as camp.‐ Reverse Shot
Read More | Posted Dec 21, 2016
92% The Son of Joseph (Le fils de Joseph) (2017) What a pleasure it is to step into the light.‐ Sight and Sound
Read More | Posted Dec 18, 2016
88% Jackie (2016) Though Larraín sometimes fails entirely to convince on that emotional level... his talent and intelligence have never really been in question. And then there was Jackie.‐ Reverse Shot
Read More | Posted Dec 7, 2016
100% Things to Come (L'avenir) (2016) Hansen-Løve's film is operating outside the schematic categories of fulfillment and frustration, while her heroine is beyond the illusion of eternal renewal.‐ Film Comment Magazine
Read More | Posted Nov 3, 2016
91% A Quiet Passion (2017) Davies has honored the enormous gravity with which she viewed the events and personages that made up her domestic sphere-"I can't imagine myself beyond my family," as she puts it.‐ Reverse Shot
Read More | Posted Oct 12, 2016
79% American Honey (2016) Maybe this movie is a mess because America is too? Maybe there are better ways to spend your time?‐ Reverse Shot
Read More | Posted Oct 4, 2016
85% Sully (2016) It is a professional's tribute to professionalism, and as with any job well done, there's love in it.‐ Reverse Shot
Read More | Posted Sep 14, 2016
100% Happy Hour (Happî awâ) (2015) Happy Hour commands respect through the audacity of its conception and scale, and it earns affection through its humane attentiveness.‐ Reverse Shot
Read More | Posted Aug 31, 2016
70% Café Society (2016) Café Society is a movie of plush period trappings, generously spritzed with wistful, bittersweet mistiness.‐ Reverse Shot
Read More | Posted Jul 21, 2016
93% Our Little Sister (Umimachi Diary) (2016) There is a great deal to be said for simple dishes, prepared well.‐ Artforum
Read More | Posted Jul 12, 2016
90% No Home Movie (2016) It's not hard to imagine having a hostile reaction to this piece of work, so convincing is it in giving the impression of being tossed off that anyone not paying attention might overlook its calm control and the deep core of pain hidden in plain sight.‐ Sight and Sound
Read More | Posted Jun 27, 2016
57% The Neon Demon (2016) The Neon Demon is as lethargic as it is elegant.‐ Reverse Shot
Read More | Posted Jun 24, 2016
100% Feng ai ('Til Madness Do Us Part) (2013) It is almost imperative to see [Wang's] latest in a cinema setting; in the comfort of home, the temptation to hit the release valve would be too great.‐ Artforum
Read More | Posted Jun 15, 2016
87% Django Unchained (2012) The horror that Django Unchained expresses isn't of slavery, finally, but of a filmmaker attempting historical tragedy while shackled by his own supercilious persona.‐ Sight and Sound
Read More | Posted Jun 14, 2016
91% Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006) For better or for worse, Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan is unique, an important movie, a multiplex comedy that doubles as a conceptual art epic.‐ Stop Smiling
Read More | Posted Jun 8, 2016
60% High-Rise (2016) Ben Wheatley's High-Rise bowdlerizes a queasily mesmerizing piece of fiction into dystopian nostalgia; apparently even the apocalypses were sexier in the 1970s.‐ Reverse Shot
Read More | Posted May 18, 2016
98% Love & Friendship (2016) One of the most ingenious movies of recent memory and also the funniest.‐ Reverse Shot
Read More | Posted May 12, 2016
76% Last Days In The Desert (2016) Replacing the kitschy pieties of Son of God with art-house arthritis and a fretful string section doesn't go far toward revivifying the Greatest Story Every Retold.‐ Film Comment Magazine
Read More | Posted May 3, 2016
77% Keanu (2016) It's not visionary as advertised, but roundly competent -- and I'm afraid that's rare enough.‐ Reverse Shot
Read More | Posted May 2, 2016
90% Green Room (2016) A total and abject cop-out, artfully composed and utterly comatose.‐ Reverse Shot
Read More | Posted Apr 15, 2016
86% Everybody Wants Some!! (2016) [Linklater's] latest is, to borrow from Henry Miller, an "incurably healthy" film, about nothing so much as the pure pleasure of having a body and a mind to play with, and a smorgasbord of opportunities for putting both to work.‐ Film Comment Magazine
Read More | Posted Mar 17, 2016
46% Knight of Cups (2016) Terrence Malick's Knight of Cups is an adventure in perception, a city symphony, and an excruciatingly lavish crucible.‐ Reverse Shot
Read More | Posted Mar 4, 2016
85% Hail, Caesar! (2016) Joel Coen and Ethan Coen's Hail, Caesar! is the most deliriously enjoyable photoplay to open wide in what's thus far been a pretty barren new year -- and also a seriously funny comedy of ideas.‐ Artforum
Read More | Posted Feb 5, 2016
87% The Club (El Club) (2016) Pablo Larraín's The Club is a purgatorial piece of work -- I say this as a recommendation.‐ Artforum
Read More | Posted Feb 4, 2016
31% Mojave (2016) There are pleasures to be had in Mojave, but it doesn't succeed in summoning up the pathos or menace or uncanny mystery that every cue of Andrew Hewitt's score indicates it's straining for.‐ Reverse Shot
Read More | Posted Feb 2, 2016
94% Hard to be a God (2015) A profoundly, wilfully destabilising experience.‐ Sight and Sound
Read More | Posted Jan 15, 2016
81% The Revenant (2015) It is overwhelming but unmoving, a rush of brute force that leaves the nagging afterthought, "Is that all there is?"‐ Sight and Sound
Read More | Posted Jan 15, 2016
86% In The Shadow of Women (2016) The importance of love, the deceptive lure of political nostalgia, and the problems of two people in a room-what Philippe Garrel's art lacks in variety, it makes up for in crystalline focus.‐ Film Comment Magazine
Read More | Posted Jan 4, 2016
92% Anomalisa (2015) The evident work that went into rendering the details of every banal gesture complements the material, for crabbed Michael is a man for whom every piece of common courtesy is an agonizing chore.‐ Reverse Shot
Read More | Posted Jan 1, 2016