Tony Hinds

Tony Hinds
Tony Hinds's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): The Film Stage
Publications: The Film Stage

Movie Reviews Only

T-Meter Title | Year
C 79% Cielo (2017) Individual images are truly a sight to behold, but the film never comes together to form anything cohesive in the end, beyond an eye-popping look at the Chilean night sky. - The Film Stage EDIT
Read More | Posted Aug 15, 2018
C- 94% Hitler's Hollywood (2018) Suchsland's verbose essay film never successfully surpasses the realm of mere academic curiosity. - The Film Stage EDIT
Read More | Posted Apr 12, 2018
B- 88% 78/52: Hitchcock's Shower Scene (2017) 78/52 is at its best when the shower is running and we're engaged with the making of this notorious murder scene. - The Film Stage EDIT
Read More | Posted Oct 18, 2017
B+ 89% The Force (2017) The Force examines one of the most talked about issues in America from an ideal vantage point, revealing disheartening complexities with an intriguing momentum. - The Film Stage EDIT
Read More | Posted Jun 15, 2017
B- 100% The Apology (2016) Alternately enraging and sorrowful, Hsiung's film sheds much needed light on a powerful and deeply important story of injustice. - The Film Stage EDIT
Read More | Posted Jun 8, 2017
C+ 75% Killing Ground (2017) It's sub-Eli Roth. - The Film Stage EDIT
Read More | Posted Jan 25, 2017
C+ 100% Peter and the Farm (2016) Dunning is a documentarian's wet dream, as honest and forthcoming as he is eagerly collaborative, which makes for a wildly entertaining, if occasionally self-indulgent experience. - The Film Stage EDIT
Read More | Posted Nov 3, 2016
B+ 82% By Sidney Lumet (2016) It's an enthralling film, very much worthy of its skillful subject. - The Film Stage EDIT
Read More | Posted Oct 27, 2016
B 96% I Called Him Morgan (2017) I Called Him Morgan hooks you from the first moments and glides effortlessly toward an emotionally impacting and enigmatic conclusion. - The Film Stage EDIT
Read More | Posted Sep 12, 2016
D- 42% Kickboxer: Vengeance (2016) There's unquestionably an audience here, but it even lacks the so-bad-it's-good quality found in those fun '80s guilty pleasures, leaving us bored to tears. - The Film Stage EDIT
Read More | Posted Aug 24, 2016
C- 28% Five Nights in Maine (2016) The film's reluctance to sully its hands in schmaltzy Nicolas Sparks-esque digressions leaves us with a threadbare and anticlimactic narrative. - The Film Stage EDIT
Read More | Posted Aug 3, 2016
B+ 90% Miss Sharon Jones! (2016) A poignantly uplifting triumph, Miss Sharon Jones! is a deeply moving and often tearful victory lap after a life-altering struggle. - The Film Stage EDIT
Read More | Posted Jul 28, 2016
86% Sisters (1973) A perfectly orchestrated exercise in style, a staging of some of the finest suspense sequences since Alfred Hitchcock was above ground. - The Film Stage EDIT
Read More | Posted Jul 20, 2016
D+ 15% The Girl In The Photographs (2016) In a sense, it's a horror picture for the selfie generation - fitting, as the narrative is utterly vapid and shallow. - The Film Stage EDIT
Read More | Posted Mar 31, 2016
B- 90% The Confirmation (2016) Bob Nelson's screenwriting voice is unpretentious, approaching earnestly grounded characters with a deliberate lack of sentimentality. - The Film Stage EDIT
Read More | Posted Mar 15, 2016
C 55% Hyena Road (2016) The explosions are so wonderfully photographed; if only we actually cared about the characters exploding. - The Film Stage EDIT
Read More | Posted Mar 9, 2016
D+ 26% Anesthesia (2016) A puzzling and uneven tonal mess. - The Film Stage EDIT
Read More | Posted Feb 24, 2016