Zhuo-Ning Su Movie Reviews & Previews - Rotten Tomatoes

Zhuo-Ning Su

Zhuo-Ning Su
Zhuo-Ning Su's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): The Film Stage

Movie Reviews Only

Rating T-Meter Title | Year Review
A- 100% Foxtrot (2018) Thoughtful, melodic, and devastating.‐ The Film Stage
Read More | Posted Sep 7, 2017
C+ 88% Zama (2017) You might stumble upon brilliant insights amidst the confusion. The big picture, however, proves elusive.‐ The Film Stage
Read More | Posted Sep 2, 2017
B- 83% Mr. Long (Ryu san) (2017) As if Johnnie To suddenly decides to pay homage to Nancy Meyers.‐ The Film Stage
Read More | Posted Feb 16, 2017
C 71% Spoor (Pokot) (2017) Nothing about it screams gross ineptitude, but the universal below-averageness proves grating.‐ The Film Stage
Read More | Posted Feb 13, 2017
B 91% On Body and Soul (A Teströl és Lélekröl) (2018) A combination of Terrence Malick, Michel Gondry and Woody Allen with its mix of the meditative, fantastical and neurotic.‐ The Film Stage
Read More | Posted Feb 11, 2017
B+ 89% Hounds of Love (2017) There's no denying the level of craft and performance involved that probes human depravity so compellingly.‐ The Film Stage
Read More | Posted Feb 1, 2017
B+ 85% I Am Not Madame Bovary (2016) A genuinely funny, slyly observant diagnosis of contemporary China complete with lush, absurdist flair.‐ The Film Stage
Read More | Posted Nov 16, 2016
C- No Score Yet Crosscurrent (2016) Crosscurrent represents quite a remarkable blunder considering how much effort and noble aspirations go to waste because its maker forgot to tell a good story first.‐ The Film Stage
Read More | Posted Oct 31, 2016
B 100% The Age of Shadows (2016) In short, mainstream audiences should get a kick out of this polished, often exciting patriotist drama.‐ The Film Stage
Read More | Posted Sep 9, 2016
B- 90% Frantz (2017) As enticing as it is to get lost in its dazzling sleight of hand, there's too little to be found at the end to enlighten or even satisfy.‐ The Film Stage
Read More | Posted Sep 5, 2016
B+ 99% The Wailing (Goksung) (2016) Visually speaking, the lurid spookfest is an absolute stunner.‐ The Film Stage
Read More | Posted May 25, 2016
B+ 81% Sweet Bean (An) (2016) A well-crafted mainstream effort with accessible emotions and that whiff of Kawase-que zen.‐ The Film Stage
Read More | Posted Feb 22, 2016
A 80% The Assassin (2015) The Assassin is a singular vision realized with absolute mastery of style and a lightness of touch that's to die for.‐ The Film Stage
Read More | Posted Feb 22, 2016
A- 87% Dheepan (2016) A muscularly directed dramatic thriller about the difficulties of starting over and the inevitability of violence.‐ The Film Stage
Read More | Posted Feb 22, 2016
C+ 70% The Wait (L'attesa) (2016) L'attesa evokes feelings associated with bereavement effectively but has nothing substantial to add to the whole psychology of loss.‐ The Film Stage
Read More | Posted Feb 21, 2016
B 68% The Danish Girl (2015) [An] earnestly told, splendidly visualized film that could please the masses but will likely electrify few.‐ The Film Stage
Read More | Posted Feb 21, 2016
B+ 89% The Clan (El Clan) (2016) The limitations of a biographical film are still palpable towards the end, but the pure, visceral satisfaction of seeing an exciting story expertly told cannot be denied.‐ The Film Stage
Read More | Posted Feb 21, 2016
B+ 89% A Bigger Splash (2016) A sweaty, kinetic, dangerously unpredictable ride of a film.‐ The Film Stage
Read More | Posted Feb 21, 2016
B+ 88% Afternoon (Na Ri Xia Wu) (2015) A fascinating look at the chemistry between the inspiration and the inspired.‐ The Film Stage
Read More | Posted Feb 21, 2016
A- 79% From Afar (Desde Allá) (2016) From Afar delivers an incisive, poignant, surgically precise character study that deals a fatal blow in one crisp, clean stab.‐ The Film Stage
Read More | Posted Feb 20, 2016
C+ 80% Mr. Six (Lao Pao Er) (2015) Plotted with limited imagination and directed with atypical flatness, Mr. Six features a strong central performance.‐ The Film Stage
Read More | Posted Feb 20, 2016
C+ 83% Les démons (The Demons) (2015) The result is something almost psychedelically meandering - or simply arbitrary and incoherent.‐ The Film Stage
Read More | Posted Feb 20, 2016
B 88% Neon Bull (Boi Neon) (2016) Cunningly ambivalent and stickily atmospheric, Neon Bull is an impressive exercise in style that further broadens the possibility of queer filmmaking.‐ The Film Stage
Read More | Posted Feb 20, 2016