The Big Fake (2026)
3/5
EDIT
“...Castellitto, in a fine performance, portrays [Antonio Chichiarelli] with tact and flexibility, embodying his ambiguities. He is a magnetic character, but also profoundly empty. [Full review in Spanish]” –
La Nación (Argentina)
Feb 4, 2026
Full Review
Young Hearts (2024)
92%
3/5
EDIT
“[The film's] uniqueness, however, lies in the subtlety with which it warns of how a neutral situation can become just as harmful as a decidedly hostile one. [Full review in Spanish]” –
La Nación (Argentina)
Jan 29, 2026
Full Review
Damned If You Do, Damned If You Don't (2025)
3/5
EDIT
“Ultimately, this is a film that deals with well-worn cinematic themes—love, old age, second chances—with naiveté, devoid of any cynicism. [Full review in Spanish]” –
La Nación (Argentina)
Jan 22, 2026
Full Review
No Other Choice (2025)
97%
4/5
EDIT
“The framing, camera movements, and editing in No Other Choice work in complete harmony with the operatic ambitions of a film that always reflects feverish dreams...[Full review in Spanish]” –
La Nación (Argentina)
Jan 15, 2026
Full Review
Evil Influencer: The Jodi Hildebrandt Story (2025)
4/5
EDIT
“...the documentary goes beyond exposing a morbid case and warns about the risks of romanticizing sacrificial motherhood...and the unquestionable authority given to “therapeutic” figures. [Full review in Spanish]” –
La Nación (Argentina)
Jan 12, 2026
Full Review
Sentimental Value (2025)
97%
4/5
EDIT
“...everyone performs admirably and manages to imbue the film with the emotional depth it requires: the "sentimental value" of the title, in short. [Full review in Spanish]” –
La Nación (Argentina)
Dec 29, 2025
Full Review
Los Renacidos (2025)
3/5
EDIT
“Instead of explaining everything in great detail...Esteves skillfully uses insinuation as a narrative tool and immerses us in a plot that requires an active attitude, integrating us into its logic. [Full review in Spanish]” –
La Nación (Argentina)
Dec 4, 2025
Full Review
It Was Just an Accident (2025)
98%
4/5
EDIT
“Above all else, Panahi is a talented and imaginative director who knows how to use the multiple resources that cinema offers to capture the viewer's attention for 103 breathless minutes...[Full review in Spanish]” –
La Nación (Argentina)
Dec 4, 2025
Full Review
Undercover (2024)
83%
3/5
EDIT
“That permanent state of threat and paranoia that Spanish society suffered for years...is palpable in a dynamic and captivating narrative that balances action and conspiratorial atmospheres well...[Full review in Spanish]” –
La Nación (Argentina)
Dec 3, 2025
Full Review
Two Prosecutors (2025)
95%
4/5
EDIT
“...Loznitsa manages to create a very special, at times almost hypnotic, atmosphere, reflecting the paranoia, the persecutions and the repression that characterized the regime in the Stalin years...[Full review in Spanish]” –
La Nación (Argentina)
Nov 20, 2025
Full Review
Modi: Three Days on the Wing of Madness (2025)
50%
2/5
EDIT
“What could have been a profound portrait of creative genius often ends up trapped in tropes already well-explored in cinema...[Full review in Spanish]” –
La Nación (Argentina)
Nov 14, 2025
Full Review
A Missing Part (2024)
100%
3/5
EDIT
“A Missing Part clearly reflects the complexities of this type of drama, so common in Japan but also occurring in other parts of the world, affecting many adults, but especially children who are taken hostage. [Full review in Spanish]” –
La Nación (Argentina)
Oct 30, 2025
Full Review
Miroirs No. 3 (2025)
94%
4/5
EDIT
“From the outset, Miroirs No. 3 creates an atmosphere steeped in mystery. [Full review in Spanish]” –
La Nación (Argentina)
Oct 9, 2025
Full Review
The Baby (2023)
2/5
EDIT
“Forced to make a commercial and necessarily light-hearted film about a controversial and contentious subject, the director chose a tone that doesn't quite work as either a drama or a comedy. [Full review in Spanish]” –
La Nación (Argentina)
Oct 2, 2025
Full Review
All We Imagine as Light (2024)
100%
5/5
EDIT
“Payal Kapadia's portrayal of Mumbai is remarkable [Full review in Spanish]” –
La Nación (Argentina)
Sep 18, 2025
Full Review
Auction (2024)
90%
4/5
EDIT
“As dynamic as it is caustic, the film sharply captures the insurmountable class conflict provoked by the capitalist system, sometimes even projecting it into the grotesque...[Full review in Spanish]” –
La Nación (Argentina)
Sep 11, 2025
Full Review
The Woman in the Line (2025)
3/5
EDIT
“...[La mujer de la fila] serves as a very valuable work because it sheds light on a tpoic that is little-discussed...[Full review in Spanish]” –
La Nación (Argentina)
Sep 4, 2025
Full Review
Godland (2022)
92%
3/5
EDIT
“...Godland is a project marked by the challenge of filming in a hostile environment. Hylnur Pálmason has successfully brought this difficulty to the forefront of a story where the setting plays a decisive role. [Full review in Spanish]” –
La Nación (Argentina)
Aug 14, 2025
Full Review
When Fall Is Coming (2024)
97%
3/5
EDIT
“...[When Fall Is Coming is a] mostly melancholic story with hints of acid humor that crosses the solemn family drama with the dark thriller with a style very similar to that masterfully patented by Claude Chabrol. [Full review in Spanish]” –
La Nación (Argentina)
Aug 1, 2025
Full Review
Thank You for Banking with Us! (2024)
4/5
EDIT
“[Laila] Abbas manages to transform the family drama into a political piece without rhetoric. A sharp critique of the Islamic bureaucracy's rigidity, tinged with dark humor. [Full review in Spanish]” –
La Nación (Argentina)
Jul 20, 2025
Full Review
Three Friends (2024)
90%
4/5
EDIT
“With clean shots, symmetrical framing, and subdued dialogue,...Mouret captures an atmosphere of empty harmony and a period mood where passions no longer burn, they slowly evaporate. [Full review in Spanish]” –
La Nación (Argentina)
Jul 11, 2025
Full Review
Hot Milk (2025)
37%
4/5
EDIT
“...[Rebecca Lenkiewicz] has risen to the occasion with this film that is at times elusive, always full of suggestion, and undoubtedly effective in its purpose. [Full review in Spanish]” –
La Nación (Argentina)
Jul 3, 2025
Full Review
Sons (2024)
78%
2/5
EDIT
“There are too many scenes in which Möller resorts to clichés and underlining to convey what he wants to say, as if he lacks confidence in an attentive and even minimally astute viewer. [Full review in Spanish]” –
La Nación (Argentina)
Jun 26, 2025
Full Review
Vermiglio (2024)
93%
4/5
EDIT
“Vermiglio's evocative atmosphere is, in fact, one of its greatest strengths. And its emotional landscape is just as foggy as that of the setting in which the story unfolds...[Full review in Spanish]” –
La Nación (Argentina)
Jun 6, 2025
Full Review
Gloria! (2024)
90%
3/5
EDIT
“...it thrives when the director's own imagination is reflected in less obvious, lighter, and more daring decisions...However, it flattens out in its most solemn passages, which render it empty, monotonous, and predictable. [Full review in Spanish]” –
La Nación (Argentina)
May 15, 2025
Full Review
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