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      Andrew Whalen

      Andrew Whalen

      Andrew Whalen's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s): Newsweek
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      Movies reviews only

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      Rating T-Meter Title | Year Review
      The Invisible Man (2020) Whannell uses stillness and empty spaces against the audience expertly. But it's Moss who most sells this new, self-consciously serious take on a hammy monster movie premise. - Newsweek
      Read More | Posted Mar 02, 2020
      Come to Daddy (2019) For anyone who can suppress the urge to gag, Come To Daddy's enthusiasm can be catching. - Newsweek
      Read More | Posted Feb 07, 2020
      The Lodge (2019) The causes of the strange happenings in The Lodge, when revealed, are deflating. - Newsweek
      Read More | Posted Feb 07, 2020
      Combat Obscura (2018) Depicts the war beneath the narratives, capturing the soldier's experience with an immediacy that explodes political abstraction, placing it in a more humanist context. - Newsweek
      Read More | Posted Mar 21, 2019
      Silencio (2018) With the stone, the zone and its powers kicked into the background, Silencio becomes a muddle of melodrama and thriller pretensions. - Newsweek
      Read More | Posted Oct 26, 2018
      Suspiria (2018) Not just an arthouse exploration of a horror aesthetic, but a down-and-dirty body horror as visceral as anything in Cronenberg's output. - Newsweek
      Read More | Posted Oct 26, 2018
      Halloween (2018) 2018's Halloween isn't a deconstruction, but a slasher movie down to its knife-scraped bones. - Newsweek
      Read More | Posted Oct 18, 2018
      An Evening With Beverly Luff Linn (2018) We are all more like characters in An Evening with Beverly Luff Linn than anyone is likely to admit. - Newsweek
      Read More | Posted Oct 18, 2018
      Apostle (2018) Apostle gets too bound up in the island cult it's meant to be escaping. - Newsweek
      Read More | Posted Oct 12, 2018
      The Predator (2018) Whatever its weaknesses, The Predator gets its titular aliens right, offering a sampler of violent, extraterrestrial skirmishing that works more often than it doesn't. - Newsweek
      Read More | Posted Sep 14, 2018
      Mandy (2018) Every shot is composed with a directorial conviction heavy with hermetic knowledge and occult power. - Newsweek
      Read More | Posted Sep 14, 2018
      Let the Corpses Tan (2017) A deluge of technique ... which washes over the viewer in successive waves, alternately breathtaking, tiresome, breathtaking, repetitive. - Newsweek
      Read More | Posted Sep 06, 2018
      The Nun (2018) Rather than grandiose and ponderous, The Nun is workaday, lunch pail gothic, getting the job done with the energy of a factory floor. - Newsweek
      Read More | Posted Sep 05, 2018
      Calling All Earthlings (2018) It's all faintly ridiculous, but charming, like people talking about the afterlife right before last call. - Newsweek
      Read More | Posted Aug 29, 2018
      Support the Girls (2018) Regina Hall so fully inhabits Lisa's life we hardly feel apart from her, tugged by the same frustrations, goodwill, minor satisfactions and disappointments. - Newsweek
      Read More | Posted Aug 24, 2018
      What Keeps You Alive (2018) The dead center of the movie is a protracted rowboat chase no amount of thumping music can rescue. What Keeps You Alive barely picks up from there. - Newsweek
      Read More | Posted Aug 24, 2018
      Puppet Master: The Littlest Reich (2018) The Littlest Reich is not just a clockwork puppet slasher, but a gleeful gore movie situated somewhere between Peter Jackson's Dead Alive and Troma. - Newsweek
      Read More | Posted Aug 20, 2018
      The Meg (2018) The Meg is oddly charming, more pulp than cheese, like the sci-fi pumped out in the 1950s. - Newsweek
      Read More | Posted Aug 10, 2018
      Slender Man (2018) Slender Man feels as used up as any years-old meme, like trying to explain what's funny about dat boi a decade late. - Newsweek
      Read More | Posted Aug 09, 2018
      Hereditary (2018) Hereditary feels like an endless drawing out of that queasy, shocking, falling dream sensation, as the ground beneath the Graham family, and the viewer, crumbles. - Newsweek
      Read More | Posted Aug 07, 2018
      Damsel (2018) Damsel spends its second half literally wandering in the woods, with no clear destination or objective in mind. - Newsweek
      Read More | Posted Aug 07, 2018
      Unfriended: Dark Web (2018) Despite characters whose individual plights would be just as boring to describe as they are to watch, Dark Web is just weird and ingenious enough to recommend. - Newsweek
      Read More | Posted Aug 07, 2018
      Mission: Impossible - Fallout (2018) Mission: Impossible - Fallout is an unrelentingly consistent action movie, with not a single sequence wasted before the next big stunt. - Newsweek
      Read More | Posted Aug 07, 2018
      Veronica (2017) There's nothing in it that will surprise horror movie aficionados. - Newsweek
      Read More | Posted Jun 11, 2018
      The Ravenous (2017) An interesting take on the zombie genre, but its laid-back indie narrative, which never really bothers with a plot, can make enjoying its occasional splatters of blood a bit of a slog. - Newsweek
      Read More | Posted May 23, 2018
      The Titan (2017) The body horror genre thrives on disgust, shame and goo, all qualities lacking in The Titan. - Newsweek
      Read More | Posted May 23, 2018
      Ghost Stories (2017) Ghost Stories has more genuine scares than most horror movies, so it almost seems a bit unfair when it's funny too. - Newsweek
      Read More | Posted May 23, 2018
      The Devil and Father Amorth (2017) The Devil and Father Amorth starts to feel slippery, as Friedkin uses the sliver offered by psychologists and neurologists as a pry bar to crack open space for the supernatural. - Newsweek
      Read More | Posted May 23, 2018
      Revenge (2017) What happens next is expected-a roaring rampage of revenge, with each of the three hunters confronted like a video game boss-but Fargeat has some fun tricks to deploy. - Newsweek
      Read More | Posted May 23, 2018
      Cargo (2017) Cargo doesn't often satisfy on the genre's more sensational vectors. There are no hordes, few gouts of creative gore and a limited sense of danger. - Newsweek
      Read More | Posted May 23, 2018
      Upgrade (2018) By merging Deus Ex cyberpunk, third-person action games and the dirty old bones of 70s exploitation, Upgrade earns installation in your memory core. - Newsweek
      Read More | Posted May 23, 2018
      Outside In (2017) Director Lynn Shelton brings a high empathic bar to Outside In, then dares the audience to clear it. - Newsweek
      Read More | Posted Apr 05, 2018
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