The Invisible Man (2020)
92%
EDIT
“Whannell uses stillness and empty spaces against the audience expertly. But it's Moss who most sells this new, self-consciously serious take on a hammy monster movie premise.” –
Newsweek
Mar 2, 2020
Full Review
Come to Daddy (2019)
87%
EDIT
“For anyone who can suppress the urge to gag, Come To Daddy's enthusiasm can be catching.” –
Newsweek
Feb 7, 2020
Full Review
The Lodge (2019)
75%
EDIT
“The causes of the strange happenings in The Lodge, when revealed, are deflating.” –
Newsweek
Feb 7, 2020
Full Review
Combat Obscura (2018)
100%
EDIT
“Depicts the war beneath the narratives, capturing the soldier's experience with an immediacy that explodes political abstraction, placing it in a more humanist context.” –
Newsweek
Mar 21, 2019
Full Review
Silencio (2018)
38%
EDIT
“With the stone, the zone and its powers kicked into the background, Silencio becomes a muddle of melodrama and thriller pretensions.” –
Newsweek
Oct 26, 2018
Full Review
Suspiria (2018)
65%
EDIT
“Not just an arthouse exploration of a horror aesthetic, but a down-and-dirty body horror as visceral as anything in Cronenberg's output.” –
Newsweek
Oct 26, 2018
Full Review
Halloween (2018)
79%
EDIT
“2018's Halloween isn't a deconstruction, but a slasher movie down to its knife-scraped bones.” –
Newsweek
Oct 18, 2018
Full Review
An Evening With Beverly Luff Linn (2018)
52%
EDIT
“We are all more like characters in An Evening with Beverly Luff Linn than anyone is likely to admit.” –
Newsweek
Oct 18, 2018
Full Review
Apostle (2018)
79%
EDIT
“Apostle gets too bound up in the island cult it's meant to be escaping.” –
Newsweek
Oct 12, 2018
Full Review
The Predator (2018)
34%
EDIT
“Whatever its weaknesses, The Predator gets its titular aliens right, offering a sampler of violent, extraterrestrial skirmishing that works more often than it doesn't.” –
Newsweek
Sep 14, 2018
Full Review
Mandy (2018)
91%
EDIT
“Every shot is composed with a directorial conviction heavy with hermetic knowledge and occult power.” –
Newsweek
Sep 14, 2018
Full Review
Let the Corpses Tan (2017)
74%
EDIT
“A deluge of technique ... which washes over the viewer in successive waves, alternately breathtaking, tiresome, breathtaking, repetitive.” –
Newsweek
Sep 6, 2018
Full Review
The Nun (2018)
24%
EDIT
“Rather than grandiose and ponderous, The Nun is workaday, lunch pail gothic, getting the job done with the energy of a factory floor.” –
Newsweek
Sep 5, 2018
Full Review
Calling All Earthlings (2018)
63%
EDIT
“It's all faintly ridiculous, but charming, like people talking about the afterlife right before last call.” –
Newsweek
Aug 29, 2018
Full Review
Support the Girls (2018)
91%
EDIT
“Regina Hall so fully inhabits Lisa's life we hardly feel apart from her, tugged by the same frustrations, goodwill, minor satisfactions and disappointments.” –
Newsweek
Aug 24, 2018
Full Review
What Keeps You Alive (2018)
82%
EDIT
“The dead center of the movie is a protracted rowboat chase no amount of thumping music can rescue. What Keeps You Alive barely picks up from there.” –
Newsweek
Aug 24, 2018
Full Review
Puppet Master: The Littlest Reich (2018)
70%
EDIT
“The Littlest Reich is not just a clockwork puppet slasher, but a gleeful gore movie situated somewhere between Peter Jackson's Dead Alive and Troma.” –
Newsweek
Aug 20, 2018
Full Review
The Meg (2018)
47%
EDIT
“The Meg is oddly charming, more pulp than cheese, like the sci-fi pumped out in the 1950s.” –
Newsweek
Aug 10, 2018
Full Review
Slender Man (2018)
8%
EDIT
“Slender Man feels as used up as any years-old meme, like trying to explain what's funny about dat boi a decade late.” –
Newsweek
Aug 9, 2018
Full Review
Hereditary (2018)
90%
EDIT
“Hereditary feels like an endless drawing out of that queasy, shocking, falling dream sensation, as the ground beneath the Graham family, and the viewer, crumbles.” –
Newsweek
Aug 7, 2018
Full Review
Damsel (2018)
67%
EDIT
“Damsel spends its second half literally wandering in the woods, with no clear destination or objective in mind.” –
Newsweek
Aug 7, 2018
Full Review
Unfriended: Dark Web (2018)
60%
EDIT
“Despite characters whose individual plights would be just as boring to describe as they are to watch, Dark Web is just weird and ingenious enough to recommend.” –
Newsweek
Aug 7, 2018
Full Review
Mission: Impossible - Fallout (2018)
98%
EDIT
“Mission: Impossible - Fallout is an unrelentingly consistent action movie, with not a single sequence wasted before the next big stunt.” –
Newsweek
Aug 7, 2018
Full Review
Veronica (2017)
86%
EDIT
“There's nothing in it that will surprise horror movie aficionados.” –
Newsweek
Jun 11, 2018
Full Review
The Ravenous (2017)
88%
EDIT
“An interesting take on the zombie genre, but its laid-back indie narrative, which never really bothers with a plot, can make enjoying its occasional splatters of blood a bit of a slog.” –
Newsweek
May 23, 2018
Full Review
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