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Beatrice Loayza

Beatrice Loayza's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Return to Silent Hill (2026) 18% EDIT ““Return to Silent Hill” aims for a similar uncanniness — sometimes the actors look like digital doubles — but the result is less phantom realm, more jumbled assembly of cutscenes.” – New York Times Jan 22, 2026 Full Review A Private Life (2025) 81% EDIT “...A Private Life has a title suitably generic for the filmmaker’s latest trip through the female psyche. But for a director whose classy realism can often feel like art-house vanilla, the movie unfolds with a much-warranted wink and a nudge.” – 4Columns Jan 16, 2026 Full Review Night Patrol (2025) 59% EDIT “The lumbersome conspiracy-building in the front half, paired with flashy visuals and some performances fitting for a crude stoner comedy, make this a bleary experience overall.” – New York Times Jan 15, 2026 Full Review OBEX (2025) 96% EDIT “There’s something smarter between the lines about the way technology warps our (self-) perception, but maybe that’s giving too much credit to a film so giddy about its warping.” – New York Times Jan 8, 2026 Full Review Challengers (2024) 88% EDIT “Luca Guadagnino takes some big swings in this witty, frenetic three-hander starring Zendaya, Josh O’Connor and Mike Faist, where the sexual tension plays out on and off the tennis court. ” – Sight & Sound Dec 31, 2025 Full Review Furiosa: A Mad Max Saga (2024) 90% EDIT “Even with an original like George Miller at the wheel, this fuelled-up franchise is losing steam. ” – Sight & Sound Dec 31, 2025 Full Review The Apprentice (2024) 82% EDIT “A mildly amusing, profoundly forgettable saga about the rise of Donald Trump.” – Sight & Sound Dec 31, 2025 Full Review Marty Supreme (2025) 93% EDIT “For all its similarities to the Safdies’ previous works, Marty Supreme stands apart for its epic sweep and blockbuster aspirations.” – The New Republic Dec 30, 2025 Full Review Anaconda (2025) 48% EDIT “For all its talk about departing from the original, the film gets sucked in by the gravitational pull of I.P. And however crafty it is about integrating its cameos and Easter eggs, a hard truth remains: Its namesake snake is kind of a dud.” – New York Times Dec 24, 2025 Full Review If I Had Legs I'd Kick You (2025) 92% EDIT “Instead, the film shines as a character study. As alienating as it is recognizable, Linda’s fickle behavior makes her a poor symbol for all mothers, refreshingly so. ” – The Nation Dec 17, 2025 Full Review Silent Night, Deadly Night (2025) 77% EDIT “Nelson may be throwing too much at the wall, but he does manage to make you feel something beyond just gross-out thrills.” – New York Times Dec 11, 2025 Full Review Five Nights at Freddy's 2 (2025) 16% EDIT “The story -- overworked and drained of tension -- is a watered-down cocktail of damaged childhoods and parental neglect, and whatever attempts at humor are mustered (save for the scenes involving the impish Ulrich) land awkwardly. ” – New York Times Dec 4, 2025 Full Review Arco (2025) 91% EDIT “Like a cross between a Studio Ghibli joint and “Interstellar,” “Arco,” by the French comic-book artist turned filmmaker Ugo Bienvenu, strikes a lovely balance between fantastical kid-friendly wholesomeness and real-world bleakness. ” – New York Times Nov 13, 2025 Full Review Belén (2025) 95% EDIT “It’s eye-opening, even though it’s hitting the same old beats.” – New York Times Nov 6, 2025 Full Review Fire of Wind (2024) EDIT “The film’s intriguing symbolism diminishes over time, but remaining is an elegant portrait of solidarity; a vision of workers enmeshed in the land that sustains them.” – New York Times Oct 30, 2025 Full Review Dream Eater (2025) 68% EDIT “Williams’s eerie performance flip flops from lovable goofball to raving ghoul, but Drumm’s artificial delivery only brings out the script’s clumsiness. ” – New York Times Oct 24, 2025 Full Review Urchin (2025) 96% EDIT “Urchin doesn’t break the mold, but it’s a confident, quietly affecting drama that strikes above the standard character study.” – New York Times Oct 9, 2025 Full Review HIM (2025) 30% EDIT “For too long, we're like players stuck in a dark stadium tunnel, retreading the same concepts and fending off opaque threats, when all we wanted was some action.” – New York Times Sep 18, 2025 Full Review Dreams (2024) 90% EDIT “The secret sauce here is the remarkable Overbye, who turns from a knot of desperation into something of a maverick by the end of the film. ” – New York Times Sep 11, 2025 Full Review The Conjuring: Last Rites (2025) 58% EDIT “As it stands, the film is a disappointing send-off; more an eccentric family drama than a real chiller.” – New York Times Sep 4, 2025 Full Review Highest 2 Lowest (2025) 83% EDIT “I can’t say that Highest 2 Lowest stands among Lee’s greatest hits, but it certainly preserves the idiosyncrasies that distinguish his filmmaking.” – The New Republic Sep 2, 2025 Full Review Motel Destino (2024) 78% EDIT “The payoff feels somewhat slight, but the foreplay — the will-they-or-won’t-they and the will-he-find-out — builds up with energy and flare. ” – New York Times Aug 28, 2025 Full Review Honey Don't! (2025) 45% EDIT “In its best moments — which usually include Qualley and Plaza — Honey Don’t! strikes a balance between sincere and silly. ” – New York Times Aug 21, 2025 Full Review The Knife (2024) 91% EDIT “With its twists and rug-pulls, “The Knife” makes for an absorbing drama, but it’s also deeply exasperating in that it feels less like a social commentary grounded in reality than an edgy play on emotions.” – New York Times Aug 14, 2025 Full Review My Mother's Wedding (2023) 41% EDIT “Flashbacks to Katherine’s childhood are visualized with crude black-and-white animation, feeding into the film’s bland sentimentality.” – New York Times Aug 7, 2025 Full Review
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