Bob Aulert
Bob Aulert's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Half Past Autumn (2001)
EDIT
“It's a sumptuous feast for the eyes, but never gives one's mind more than a few tantalizing appetizers to savor.” –
culturevulture.net
Feb 14, 2005
Full Review
Dinosaur (2000)
65%
EDIT
“The audience is left with a beautiful setting populated by predictable and largely uninteresting characters.” –
culturevulture.net
Jan 13, 2004
Full Review
Death to Smoochy (2002)
42%
EDIT
“Collapses under its own meager weight.” –
culturevulture.net
Mar 29, 2002
Full Review
Panic Room (2002)
76%
EDIT
“Tries to think 'outside the box,' but instead ends up being trapped in one.” –
culturevulture.net
Mar 28, 2002
Full Review
The Rookie (2002)
84%
EDIT
“Takes a simple premise and carries it to unexpected heights.” –
culturevulture.net
Mar 28, 2002
Full Review
Ice Age (2002)
76%
EDIT
“... a pleasant enough way to spend a matinee afternoon with the children in life.” –
culturevulture.net
Mar 15, 2002
Full Review
Showtime (2002)
25%
EDIT
“[A] placebo of a film, bland and inert.” –
culturevulture.net
Mar 15, 2002
Full Review
Harrison's Flowers (2000)
49%
EDIT
“A violent and implausible fairy tale.” –
culturevulture.net
Mar 15, 2002
Full Review
The Time Machine (2002)
28%
EDIT
“little to recommend it beyond ... special effects technology.” –
culturevulture.net
Mar 8, 2002
Full Review
40 Days and 40 Nights (2002)
40%
EDIT
“A smart sex comedy that revels more in the gray matter than the groin.” –
culturevulture.net
Mar 1, 2002
Full Review
We Were Soldiers (2002)
63%
EDIT
“Sledgehammer-simplistic... piling on the Technicolor carnage and employing just about every stock war film clich imaginable.” –
culturevulture.net
Feb 28, 2002
Full Review
Dragonfly (2002)
7%
EDIT
“...visual novocaine...” –
culturevulture.net
Feb 21, 2002
Full Review
A Rumor of Angels (2000)
30%
EDIT
“The actors don't inhabit their roles -- they're trapped by them, forced to change behavior in bizarre unjustified fashion and spout dialog that consists mostly of platitudes.” –
culturevulture.net
Feb 1, 2002
Full Review
A Walk to Remember (2002)
30%
EDIT
“The only surprises are how quickly and unoriginally the banalities mount.” –
culturevulture.net
Jan 24, 2002
Full Review
The Count of Monte Cristo (2002)
74%
EDIT
“Its swashes are effectively buckled in all the right places.” –
culturevulture.net
Jan 23, 2002
Full Review
Black Hawk Down (2001)
77%
EDIT
“A memorable paean to the human spirit.” –
culturevulture.net
Jan 18, 2002
Full Review
Orange County (2002)
47%
EDIT
“Consistently funny and surprisingly inventive, it...serves up a much more rewarding stew than the swill normally targeted at 13-24 year olds.” –
culturevulture.net
Jan 11, 2002
Full Review
Ali (2001)
69%
EDIT
“Ali does the unthinkable: making its complex and dynamic subject smaller than life.” –
culturevulture.net
Dec 24, 2001
Full Review
The Majestic (2001)
42%
EDIT
“A warm and loving ode to the magic of film and the golden age of movie making.” –
culturevulture.net
Dec 20, 2001
Full Review
Vanilla Sky (2001)
41%
EDIT
“Writer/director Crowe's screenplay is quite faithful to the original story, but he makes a confusing story even more so.” –
culturevulture.net
Dec 14, 2001
Full Review
Amélie (2001)
90%
EDIT
“An effervescent world of unrequited love, suicidal goldfish, photo booth intrigue and elaborate courtship schemes.” –
culturevulture.net
Dec 12, 2001
Full Review
The Business of Strangers (2001)
81%
EDIT
“Powerful performances from Stockard Channing and Julia Stiles are saddled with a slow-developing story.” –
culturevulture.net
Dec 10, 2001
Full Review
Behind Enemy Lines (2001)
36%
EDIT
“Takes a simple premise and simplifies it even further; it's a comic book with very few of the frames colored in.” –
culturevulture.net
Nov 29, 2001
Full Review
Shallow Hal (2001)
49%
EDIT
“Lives up to its title, an inch wide and an inch deep.” –
culturevulture.net
Nov 9, 2001
Full Review
Domestic Disturbance (2001)
23%
EDIT
“A small and fuzzy blip in an already very bad film year, as nondescript and uninvolving as its title.” –
culturevulture.net
Nov 2, 2001
Full Review
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