Carlos Losilla
Carlos Losilla's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s):
Sensacine
Caimán Cuadernos de Cine
Movies reviews only
| Rating | T-Meter | Title | Year | Review |
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Mother and Son (2022) |
It never commits deep, formal infamies, and yet it never tries to avoid them. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Jan 11, 2023
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Leonora Addio (2022) |
Leonora Addio is not a good film, but it may be that very insufficiency that makes that universe closed in on itself, valuable. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 11, 2022
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Will-o'-the-Wisp (2022) |
Contemplates reality as a delusion worth living and, therefore, as a privilege that no one has the right to take away from us. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 10, 2022
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Vera (2022) |
A game between reality and fiction that skips all borders to build an artifact of inexhaustible complexity, both narrative and self-aware. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 10, 2022
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My Love Affair with Marriage (2022) |
Becomes a somewhat one-dimensional film, which creates characters but does not give them the option to evolve spontaneously before the eyes of the audience. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 10, 2022
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A Couple (2022) |
A film as insufficient as – in its own way – fascinating and enigmatic. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 09, 2022
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Holy Spider (2022) |
Holy Spider is one of those films that achieve effects diametrically opposed to what is proposed, and not exactly for the better. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 09, 2022
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Fairytale (2022) |
Fairytale is not so much a phantasmagoria as a reality inevitably deformed by wear and tear, an impossible fiction that never fully starts, or that constantly restarts, because it no longer even finds its place in time. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 09, 2022
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When the Waves Are Gone (2022) |
A film conceived from atmospheres and environments continually pierced by indiscriminate perfusions and sudden gestures of rupture and change of tone. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 09, 2022
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Forever Young (2022) |
Ended with an indefinable feeling of bewilderment, something I've come to appreciate more and more in today's cinema. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 09, 2022
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Close (2022) |
Goes in search of brilliance without any shame and therefore falls into a dazzling immodesty. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 09, 2022
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Sonne (2022) |
An even more conservative film than those social models it tries to question. [Full review in Spanish]
- Caimán Cuadernos de Cine
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| Posted Nov 08, 2022
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The Eternal Daughter (2022) |
Should be seen as a definitively classic object, an artifact built on a certain British tradition of the genre, both as melodrama and fantasy. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 08, 2022
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Rodeo (2022) |
This is a debut as powerful and reckless as the machines on wheels that run through it. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 08, 2022
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Scarlet (2022) |
A film with multiple ups and downs, which sometimes even intentionally dismembers itself, as if fiction were like the logs that the protagonist dismembers or the toys that he makes. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 08, 2022
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Other People's Children (2022) |
This is a film of flat images, almost non-existent because of their hackneyedness, whose plot has no choice but to stand out above it in such a flabby and soft way that sometimes it seems to melt before our very eyes. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 07, 2022
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Both Sides of the Blade (2021) |
Its failures seem to me much more stimulating than the presumed achievements of other films, more measured and premeditated, more calculated and predictable. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Sep 30, 2022
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Great Freedom (2021) |
Franz Rogowski's prodigious performance leaves everything else in the shadows. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 18, 2021
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Paris, 13th District (2021) |
Tries with little success to marry the traditional ways of the director with certain new forms of French auteur cinema. - Caimán Cuadernos de Cine
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| Posted Nov 18, 2021
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Ahed's Knee (2021) |
If Ahed's Knee is an amazing film... it's because it shows the process of making the film that it would want to be, or that Lapid himself would have wanted to have made. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 18, 2021
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Il buco (2021) |
This operation gives rise to a timeless time that is actually the time of the cinema, [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 18, 2021
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Costa Brava, Lebanon (2021) |
A more than promising debut film. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 17, 2021
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Memoria (2021) |
The first part is exemplary. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 17, 2021
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A Chiara (2021) |
The artifice gains ground, exhausting the viewer's visual patience. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 17, 2021
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The Sacred Spirit (2021) |
An unclassifiable mix blend of comedy and tragedy. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 17, 2021
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Bergman Island (2021) |
A very remarkable film, perhaps the best of the festival so far, despite its flagrant imperfections, or perhaps because of them. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 17, 2021
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What Do We See When We Look at the Sky? (2021) |
Could already be defined, from now on, as a vocationally revolutionary film in the strictest sense of the word. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 17, 2021
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Medea (2021) |
There are several interesting visual discoveries in this journey. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 17, 2021
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Ali & Ava (2021) |
Resolved in a way so familiar that it ends up being harmless. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 17, 2021
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The Tsugua Diaries (2021) |
This may be a film about nothing. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 17, 2021
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Memory Box (2021) |
Memory Box raises dilemmas that challenge us as viewers. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 17, 2021
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Three Floors (2021) |
Intelligent and moving. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 17, 2021
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Onoda: 10,000 Nights in the Jungle (2021) |
Onoda is not a great film... But it's desire to find a style at the center of that inextricable plot is something of a metaphor for the greatest films seen this year in the official section of the Seville Festival. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 17, 2021
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Fabian: Going to the Dogs (2021) |
Ends up being a much less dizzying roller coaster than it promises at the beginning, also more cautious and calculated. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 17, 2021
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Saving One Who Was Dead (2021) |
[Overwhelming scenes]... are not easily forgotten and reveal a true filmmaker. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 17, 2021
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Cow (2021) |
Arnold seems to be constantly playing it safe, making very clear from the beginning what she means. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Nov 17, 2021
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The Crossing (2021) |
A formally attractive film but with hardly any narrative bellows. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Sep 28, 2021
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Haruhara-san's Recorder (2021) |
[Haruhara-san's Recorder] proceeds poetically, through an accumulation of scenes that provide hardly any information. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Sep 27, 2021
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Unclenching the Fists (2021) |
Unfortunately, Kira Kovalenko's feature debut oscillates between an attractive fragmentary structure and a more conventional dramaturgy, never quite finding a tone that makes sense of either. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Sep 24, 2021
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Vortex (2021) |
Vortex may be, for now, [Gaspar Noé's] best film. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Sep 23, 2021
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They Carry Death (2021) |
Revolutionizes specific assumptions about the more academic Spanish cinema from many points of view. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Sep 22, 2021
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Playground (2021) |
[Filmmaker Laura] Wandel combines, effortlessly, brutality and understanding, detachment and delicacy. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Sep 22, 2021
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The Souvenir Part II (2021) |
The incessant return to what happened... a hellish but healing loop. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Sep 22, 2021
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The Great Movement (2021) |
The Great Movement turns excess into chaos and failure during staging into a triumph of cinema. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Sep 21, 2021
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Returning to Reims (2021) |
Much of the honesty and dignity of Périot's film is that it never falls for the easy answer or the banality of the complacent gesture. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Sep 20, 2021
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Bad Luck Banging or Loony Porn (2021) |
If asceticism triumphs in [director Cristi] Puiu's case, in [director Radu] Jude's it's excess and sarcasm that win the game. And I will not be the one to reproach him. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Sep 20, 2021
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107 Mothers (2021) |
Ends up raising Insoluble and, therefore, fascinating questions. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Sep 20, 2021
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Petrov's Flu (2021) |
A film capable of giving meaning to a festival section like the one that hosts it on its own. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Sep 20, 2021
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Mi Iubita Mon Amour (2021) |
[Director Noémie Merlant demonstrates] skills that makes us anticipate future projects with interest. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Sep 20, 2021
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The Whistlers (2019) |
[Fulfills] all the promises of the genre. [Full review in Spanish] - Caimán Cuadernos de Cine
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| Posted Mar 23, 2021
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