Christina Tucker
Christina Tucker's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s):
Slate
Film Inquiry
Movies reviews only
| Rating | T-Meter | Title | Year | Review |
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Stockholm (2018) |
Stockholm is successful in doing the impossible - making the viewer understand and even empathize with the interpersonal connection between a hostage and her captor, and vice versa. - Film Inquiry
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| Posted Apr 09, 2019
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Ash Is Purest White (2018) |
Ash is Purest White is a simmering, heartbreaking story of a connection that perseveres, for better or for worse. - Film Inquiry
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| Posted Mar 16, 2019
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The Kid (2019) |
The Kid feels alternatively rushed and too slow - short on characterization and motivation but dense with meaningless, trite conversations that try and fail to say something interesting about trauma. - Film Inquiry
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| Posted Mar 16, 2019
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Serenity (2019) |
It is riveting, it is absurd, and it is original. It demands the viewer's attention in its defiance of expectations, not only within its own narrative but on a meta level. - Film Inquiry
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| Posted Jan 31, 2019
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Close (2019) |
Close is frustratingly shallow, and in its breakneck pace leaves some of its character development in the dust, while trying to wring every bit of emotion out of its quieter moments whenever it can. - Film Inquiry
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| Posted Jan 23, 2019
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Rust Creek (2018) |
Rust Creek, in addition to its success as a thriller, also has a strong emotional core in its consistent admonishment of amorality and apathy, a deceptively layered thriller that touches upon the inherent horror in being a woman. - Film Inquiry
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| Posted Jan 09, 2019
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Bird Box (2018) |
As it stands, it is a film with a cast better than it deserves, a schmaltzy ending it hasn't earned, and very little to say about the nature of fear and survival. - Film Inquiry
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| Posted Jan 02, 2019
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If Beale Street Could Talk (2018) |
If Beale Street Could Talk is an ode to young love, a tragedy about injustice and social mores, a poetic depiction of the loss of innocence and naïveté inherent with maturation, and much more. - Film Inquiry
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| Posted Dec 18, 2018
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Outlaw King (2018) |
While well-shot, aesthetic choices can do little for an emotionally vacant film, where scenes seem to proceed arbitrarily and technical prowess is without meaning. - Film Inquiry
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| Posted Nov 14, 2018
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Nappily Ever After (2018) |
There is a strangely regressive feminism that drives Violet's journey, and almost mockingly critiques her behavior. - Film Inquiry
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| Posted Oct 20, 2018
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Private Life (2018) |
Surprises and disappointments arise for Rachel and Richard, and they must confront themselves and their choices in a way that is heartbreaking, inspiring, and beautifully acted. - Film Inquiry
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| Posted Oct 20, 2018
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