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      Ed Whitfield

      Ed Whitfield

      Tomatometer-approved critic
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      http://theoohtray.com/

      Movies reviews only

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      Rating T-Meter Title | Year Review
      Guardians of the Galaxy Vol. 3 (2023) Gunn falls prey to franchise imperatives and Marvel cultural mores. More is more, leaving less and less screen time for the human story. - The Ooh Tray
      Read More | Posted May 09, 2023
      Dungeons & Dragons: Honor Among Thieves (2023) We probably have Strange Things 4 to thank for this revival, but if it has birthed a new film franchise, that’s no chore if each instalment is as colourful and good natured as this one. - The Ooh Tray
      Read More | Posted Apr 02, 2023
      John Wick: Chapter 4 (2023) There’s something about the relentlessness of Wick’s ordeal that stands above the generic action pictures that clog up the contemporary market place. These movies are superficial but they have a personality and an intensity that lingers in the memory. - The Ooh Tray
      Read More | Posted Mar 26, 2023
      Scream VI (2023) One’s left with the sense that the series has some untapped potential. - The Ooh Tray
      Read More | Posted Mar 19, 2023
      Creed III (2023) You can replicate the character dynamics of the original series & its story beats – you can chuck in an exhilarating montage, and direct the climatic showdown with style. But without the heart that powered the original movies, it’s a mechanical pastiche. - The Ooh Tray
      Read More | Posted Mar 19, 2023
      Babylon (2022) If anything, Babylon is too good a recreation of late-silent era Hollywood – it’s self-indulgent, overwrought, underwritten, and following a full-frontal assault on the senses, peters out into irrelevance. - The Ooh Tray
      Read More | Posted Jan 22, 2023
      Avatar: The Way of Water (2022) A fortune has been spent to return the movies to where they were a century ago. - The Ooh Tray
      Read More | Posted Dec 31, 2022
      Glass Onion: A Knives Out Mystery (2022) It’s a high-end game – a marble chess set. - The Ooh Tray
      Read More | Posted Dec 31, 2022
      Blonde (2022) An artful – sometimes pretentiously overwrought, and palpably aggressive attack on the male gaze and the portrait of a woman destroyed by the lust she induced in overstimulated males. - The Ooh Tray
      Read More | Posted Oct 02, 2022
      Jurassic World Dominion (2022) All concerned have made the audacious decision to relegate the dinosaurs – the marquee attractions, to the status of background extras. - The Ooh Tray
      Read More | Posted Jun 12, 2022
      Top Gun: Maverick (2022) Top Gun’s appeal is built on US exceptionalism, on competitive machismo, on bread and butter heroics. The sequel offers it polished and unreconstructed. - The Ooh Tray
      Read More | Posted Jun 06, 2022
      Doctor Strange in the Multiverse of Madness (2022) Once rampant, the movie cannot be tamed. - The Ooh Tray
      Read More | Posted May 07, 2022
      The Batman (2022) If the film falls short of greatness, because Reeves didnt know when to cut and run, it is, in its final extended form, a superior comic book adaptation and brooding thriller in its own right. - The Ooh Tray
      Read More | Posted Mar 05, 2022
      Scream (2022) Signals we've moved into a new era where legacy sequels, in a bid to keep the wolf of audience weariness from the door of indifference, refer to their conception while sticking to the strategy point for point. This, as Scream '22 notes, is fooling no one. - The Ooh Tray
      Read More | Posted Jan 16, 2022
      The Matrix Resurrections (2021) One of the most passive aggressive mainstream movies of recent years - a film that both mocks the expectations of its imagined audience and the crude franchise revival imperative of its financial backers. - The Ooh Tray
      Read More | Posted Dec 23, 2021
      Spider-Man: No Way Home (2021) It's all part of a knowing scheme that repurposes what came before to create an Endgame sense of anticipation and payoff. It's wholly unearned, but you have to give producer Kevin Feige credit - recycling has never been this profitable. - The Ooh Tray
      Read More | Posted Dec 19, 2021
      West Side Story (2021) West Side Story's the same old story and the same old tunes. It looks and sounds great - a stylistic upgrade - but it's still a movie struggling to make the case for its existence. - The Ooh Tray
      Read More | Posted Dec 11, 2021
      House of Gucci (2021) A vulgar picture is painted. Its resemblance to its subjects is a matter of debate. - The Ooh Tray
      Read More | Posted Dec 06, 2021
      Resident Evil: Welcome to Raccoon City (2021) Fans of the game will say it's an acceptable diversion. For the rest of us there is nothing. - The Ooh Tray
      Read More | Posted Dec 06, 2021
      Ghostbusters: Afterlife (2021) Jason Reitman, with the best intentions, has inherited the mantle but misunderstood the appeal of his Dad's film. He's turned Seinfeld into Family Ties. - The Ooh Tray
      Read More | Posted Nov 20, 2021
      Eternals (2021) What might have been a fascinating interplay of psychologies and ideas, is rendered in broad, lifeless strokes. - The Ooh Tray
      Read More | Posted Nov 13, 2021
      Halloween Kills (2021) Excess not success. - The Ooh Tray
      Read More | Posted Oct 23, 2021
      Dune (2021) Put the word out - someone at Warners has a gambling problem. - The Ooh Tray
      Read More | Posted Oct 22, 2021
      The Last Duel (2021) It's funny that The Last Duel should be a film about bravery...because on the issue the story explores, namely truth, it dare not trust its audience. - The Ooh Tray
      Read More | Posted Oct 17, 2021
      No Time to Die (2021) A kind of pastiche of the series proper - with Craig's mirthless, fragile Bond, out of place as well as time. - The Ooh Tray
      Read More | Posted Sep 30, 2021
      Shang-Chi and the Legend of the Ten Rings (2021) Shang-Chi, from its flat composition and mechanical editing, to its low-key score, is a curiously muted offering. - The Ooh Tray
      Read More | Posted Sep 04, 2021
      The Suicide Squad (2021) James Gunn has spiced the broth but it's still thin and no substitute for a decent meal. - The Ooh Tray
      Read More | Posted Jul 31, 2021
      F9 The Fast Saga (2021) The lack of human interest stalls the engine and flips the vehicle. - The Ooh Tray
      Read More | Posted Jul 13, 2021
      Black Widow (2021) It's as if someone ripped out the movie's uterus. - The Ooh Tray
      Read More | Posted Jul 13, 2021
      Godzilla vs. Kong (2021) It's barely a movie. - The Ooh Tray
      Read More | Posted Apr 04, 2021
      Zack Snyder's Justice League (2021) The irresistible conclusion is that the film didn't need to be restored so much as remade; the first and most important stage in that reimagining being a new screenplay. - The Ooh Tray
      Read More | Posted Mar 22, 2021
      Wonder Woman 1984 (2020) A breezy blockbuster, lacking any edge or character, is unlikely to convince millions to forsake the comfort of their living room and the known irritants in their household, for the unknowns of the multiplex. - The Ooh Tray
      Read More | Posted Dec 17, 2020
      The Godfather, Coda: The Death of Michael Corleone (1990) Its sin, in keeping with the religiosity that permeates it, is that it pulls us in to a psychodrama centred on Michael's autumn years and the ties that bind, only to leave us exactly where Part II did, decades earlier. What then, was the point? - The Ooh Tray
      Read More | Posted Dec 11, 2020
      Mank (2020) It took a bold impresario, naïve enough to be brave, to make Citizen Kane, but it required the kind of guy who vomits up an expensive dinner and placates his host with the line, "relax, the white wine came up with the fish", to write it. - The Ooh Tray
      Read More | Posted Dec 11, 2020
      Bill & Ted Face the Music (2020) Turns out that whatever Rufus told them, or whatever we were led to believe, back when men could be heroes, the Wyld Stallyns' real contribution to history were two lucky acts of ejaculation. - The Ooh Tray
      Read More | Posted Sep 19, 2020
      Cuties (2020) The audience may have some growing up to do. - The Ooh Tray
      Read More | Posted Sep 13, 2020
      Unhinged (2020) An unshoed nag with two broken legs that improbably became the star attraction on derby day. - The Ooh Tray
      Read More | Posted Aug 29, 2020
      Tenet (2020) If big entertainments want to be respected as intelligent entertainments, they must communicate with audiences clearly, not flit between the abstract and pretentious. - The Ooh Tray
      Read More | Posted Aug 29, 2020
      Peter's Friends (1992) What felt sincere and reassuring in 1992, seems indulgent and stilted today. - The Ooh Tray
      Read More | Posted Mar 29, 2020
      The Invisible Man (2020) A well-plotted thriller with horror trappings that deserves praise for finding a new and unsettling spin on an old premise. - The Ooh Tray
      Read More | Posted Feb 29, 2020
      Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020) Content to be nihilistic and mean-spirited as an end in itself... it gives the audience not one character it can engage with emotionally or psychologically, leaving them adrift in a world of sensory overload and fetishized violence. In short, it's trash. - The Ooh Tray
      Read More | Posted Feb 09, 2020
      Bad Boys for Life (2020) I preferred the Boys when they were young and care free, and the characters understood it was better to burn out than fade away. Filmmakers used to understand that too. It's that understanding I'm nostalgic for. - The Ooh Tray
      Read More | Posted Feb 09, 2020
      The Lighthouse (2019) A gloriously bonkers two-hander. - The Ooh Tray
      Read More | Posted Feb 09, 2020
      Parasite (2019) One's left to wonder who's parasitically living off whom? The Kims off the Parks, or the Americans off their anti-communist allies? - The Ooh Tray
      Read More | Posted Feb 09, 2020
      Bombshell (2019) Bombshell does a reasonable job of telling the tale like a Fox story - establish the villain, castigate those involved for moral cowardice and political pragmatism, signal righteousness - but that extends to the synthetic ire. - The Ooh Tray
      Read More | Posted Jan 06, 2020
      1917 (2019) Will have broad appeal and a long afterlife on Sunday afternoon TV, subject to the odd trim for language. - The Ooh Tray
      Read More | Posted Jan 06, 2020
      Jojo Rabbit (2019) Waititi opts to forego the affected solemnity usually associated with period, substituting it with something closer to the truth; a false consciousness and heightened acceptance of the absurd. - The Ooh Tray
      Read More | Posted Jan 06, 2020
      Cats (2019) You'll never forget it - though you will try. - The Ooh Tray
      Read More | Posted Dec 22, 2019
      Star Wars: The Rise of Skywalker (2019) Who'd have thought the filmmakers had so little confidence in their audience? Who'd have imagined the finished film would mirror the creative lethargy underpinning it so perfectly? It's slapped together, half-hearted, cynical and tired. - The Ooh Tray
      Read More | Posted Dec 19, 2019
      Jumanji: The Next Level (2019) Next level breezy. - The Ooh Tray
      Read More | Posted Dec 17, 2019
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