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Haleigh Foutch

Haleigh Foutch's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Saint Maud (2019) 92% A- EDIT “Saint Maud's impact only gets stronger as it brews, building to a stunning, shocking finale that knocks whatever wind you have left out of you right before the credits roll.” – Collider Feb 14, 2021 Full Review The Dark and the Wicked (2020) 91% B+ EDIT “Sinister and certainly one of the scariest movies of the year, elevated by Ireland's outstanding performance and Bertino's skill for plunging head-first into some of the darkest spectrums of the human experience.” – Collider Sep 11, 2020 Full Review VHYes (2019) 79% B EDIT “VHYes shares some DNA with the type of oddball sketches you'd find on Adult Swim, but Robbins has something to say beneath his chaos, and most importantly, a whole lot of heart.” – Collider Oct 15, 2019 Full Review In the Tall Grass (2019) 36% B- EDIT “"A nice piece of adaptation that adds to and enhances rather than diminishing."” – Collider Sep 27, 2019 Full Review It: Chapter Two (2019) 62% B- EDIT “Delivers the emotional catharsis King's epic horror tale deserves.” – Collider Sep 3, 2019 Full Review Extreme Job (2019) 83% A EDIT “Original, endlessly amusing, and ultimately gratifying, Extreme Job is a contender for feel-good movie of the year.” – Collider Sep 3, 2019 Full Review The Gangster, the Cop, the Devil (2019) 97% B- EDIT “Lee delivers a thrilling crime actioner, bolstered by his eye for livening up the screen with pops of color, some brutal fight scenes, one very solid car chase, and another commanding performance from Ma Dong-seok.” – Collider Sep 3, 2019 Full Review Come to Daddy (2019) 87% B+ EDIT “Funny and F'ed in the head with a cartoonish sense of humor that borders on magical realism, Come to Daddy is a strange brew, but it's a good one.” – Collider Sep 3, 2019 Full Review Vivarium (2020) 73% B+ EDIT “Come for the striking set design and killer performances, stay for the immersive mystery, and leave with a crippling fear of children and nagging concerns about the universe's cruel indifference.” – Collider Sep 3, 2019 Full Review Sadako (2019) 23% C- EDIT “A routine sequel determined to pluck away at the same stale material, a cover of the greatest hits, rather than redefining the franchise for a new era.” – Collider Sep 3, 2019 Full Review Blood on Her Name (2019) 96% B- EDIT “A gripping watch, even through the weaker moments.” – Collider Aug 9, 2019 Full Review Annabelle Comes Home (2019) 64% B+ EDIT “"One of the best entries in the Conjuring series."” – Collider Jun 28, 2019 Full Review Midsommar (2019) 83% A- EDIT “Midsommar presents a ruthless take on the rituals of processing grief and letting go, excavating the caverns of broken relationships and the nauseous truths of why we stay in them.” – Collider Jun 20, 2019 Full Review Brightburn (2019) 57% B- EDIT “As a gory, pulpy superhero horror story, Brightburn delivers exactly what it's selling, so if you like what's on the menu, you'll probably enjoy the meal.” – Collider Jun 20, 2019 Full Review The Curse of La Llorona (2019) 26% C+ EDIT “It lacks the punch and pure terror that a stronger script and more visceral approach could achieve with the legendary weeping woman.” – Collider Jun 20, 2019 Full Review High Life (2018) 83% A EDIT “High Life tangles up horniness and desperation in an existential nightmare, where we are all blood, and semen, and mother's milk - just bodies floating through space towards the unknowable and unavoidable, desperate for another warm body to cling to.” – Collider Jun 20, 2019 Full Review Rust Creek (2018) 85% B- EDIT “By taking the time to breath life into these characters, Rust Creek makes a unique and worthwhile entry in the genre that puts a premium on heart and humanity over horror.” – Collider Apr 1, 2019 Full Review Piercing (2018) 72% A- EDIT “Piercing is a propulsive, intricately crafted thriller that plays like the twisted lovechild of American Psycho and Phantom Thread. Slick and sick, sometimes sexy, and surprisingly sweet.” – Collider Nov 12, 2018 Full Review Between Worlds (2018) 33% C- EDIT “There's so much to like about Between Worlds, and on paper it sounds like exactly the right movie to channel Cage's late-career mayhem, but in practice it's flat and flimsy.” – Collider Nov 12, 2018 Full Review Knuckleball (2018) 83% B EDIT “Knuckleball isn't looking to reinvent the wheel, and it doesn't have to.” – Collider Nov 12, 2018 Full Review Luz (2018) 88% B+ EDIT “It's a sensual, hellish vision of demonic obsession that's ambiguous and artsy without ever forgetting to be entertaining.” – Collider Nov 12, 2018 Full Review Keep an Eye Out (2018) 86% B+ EDIT “By the time the film's end rolls around, Dupieux fully unleashes his zany absurdism and turns the tables on the audience entirely, creating a certifiably insane ending that's not much of an ending at all, actually.” – Collider Nov 12, 2018 Full Review You Might Be the Killer (2018) 60% B- EDIT “You Might Be the Killer can't quite match the greatness of Cabin in the Woods or the heart of The Final Girls, but it's a solid if slight piece of slasher comedy that's made with love, for the people who love the genre.” – Collider Nov 12, 2018 Full Review Level 16 (2018) 83% B+ EDIT “Level 16 is a sharp little sci-fi thriller that does dystopia right, and like all the best bleak visions of a future world, it offers commentary worth sinking your teeth into.” – Collider Nov 12, 2018 Full Review Blumhouse's Truth or Dare (2018) 16% B- EDIT “[Truth or Dare] has its own brand of soapy, giggling thrills to deliver, even if it sometimes has you wondering if you're laughing at the movie or with it.” – Collider Nov 12, 2018 Full Review
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