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Javier Acevedo

Javier Acevedo's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Ghost Elephants (2025) 100% 5/5 EDIT “Herzog always looks further: his naturalism is the result of a meticulous study of each of his characters. [Full review in Spanish]” – El antepenúltimo mohicano Jan 21, 2026 Full Review Worth (2020) 81% 2/5 EDIT “Audiovisual presentism prevents Worth from establishing itself as a judicial? biographical? political? drama? that can spur committed political imaginary alternatives to the current res publica. [Full review in Spanish]” – El antepenúltimo mohicano Sep 13, 2021 Full Review Riders of Justice (2020) 96% 3/5 EDIT “[A] balance between frivolity and humanism. [Full review in Spanish]” – El antepenúltimo mohicano Aug 13, 2021 Full Review Let Him Go (2020) 85% 3/5 EDIT “In the conspiracy of nostalgia [filmmaker Thomas Gordon Bezucha] finds a valuable reflection on generic immobility and the contemplation of the aesthetic past from a place of utmost humility and respect. [Full review in Spanish]” – El antepenúltimo mohicano May 27, 2021 Full Review Those Who Wish Me Dead (2021) 63% 2/5 EDIT “Everything is a western, except when it can't be one. [Full review in Spanish]” – El antepenúltimo mohicano May 27, 2021 Full Review The Mauritanian (2021) 75% 3/5 EDIT “Macdonald is able to show the great American tragedy of the present, the one that Simone Weil attributed to the Roman Empire, but that can well be applied to the current pax americana. [Full review in Spanish]” – El antepenúltimo mohicano Mar 19, 2021 Full Review The Midnight Sky (2020) 49% 1/5 EDIT “[George Clooney] wanders in an eternal and circular thaumatrope of characters, roles and performances that, deep down, give the impression of being the same. [Full review in Spanish]” – El antepenúltimo mohicano Dec 28, 2020 Full Review Summerland (2020) 78% 3/5 EDIT “[Director Jessica Swale] galvanizes her story about lost and forbidden love, as well as updating the mythical substrate with images that stylize and question the validity... of a story that supports current British identity. [Full review in Spanish]” – El antepenúltimo mohicano Sep 14, 2020 Full Review 3/5 EDIT “[Writer and Director Emma] Tusell's commitment to what Brea defined as a promise of memory is witnessed... It is a commitment that freezes and stops time and that is strangely accessible to everyone. [Full review in Spanish]” – El antepenúltimo mohicano May 4, 2020 Full Review
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