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Jeffrey Bloomer

Jeffrey Bloomer's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
It: Chapter Two (2019) 62% EDIT “It's obvious that the filmmakers failed to fully reckon with what they've put on the screen, and the results are grim.” – Slate Sep 6, 2019 Full Review Rocketman (2019) 89% EDIT “Rocketman never quite finds the wild momentum its characters seem to chase around in all those musical numbers.” – Slate May 31, 2019 Full Review Boy Erased (2018) 80% EDIT “Boy Erased feels mostly honorable and fit for its mantle.” – Slate Nov 1, 2018 Full Review The Predator (2018) 34% EDIT “On the matter of action, Black knows the trade, and it shows: This is by far the best-looking and most pyrotechnic movie in the franchise, with an impressive array of vehicles and hacked-off limbs soaring lovingly through the frame.” – Slate Sep 14, 2018 Full Review The Miseducation of Cameron Post (2018) 86% EDIT “A handsomely retrofitted after-school movie.” – Slate Aug 6, 2018 Full Review Book Club (2018) 54% EDIT “Everyone who goes to this movie will leave satisfied, mostly just because it exists.” – Slate May 18, 2018 Full Review Lean on Pete (2017) 90% EDIT “This is not a movie about a boy and his horse. It is something far more grueling and merciless, and as the film reveals itself in an increasingly jaw-dropping series of vignettes, it's likely to leave you in tatters.” – Slate Apr 7, 2018 Full Review Fifty Shades Freed (2018) 11% EDIT “These movies are derivative, often ridiculous, and, in the case of Fifty Shades Freed, unquestionably hilarious, but they're also the overheated comfort food I crave.” – Slate Feb 14, 2018 Full Review BPM (Beats Per Minute) (2017) 99% EDIT “Campillo has taken his own experience as an ACT UP organizer and turned it into the best kind of cinematic memoir, a cathartic invocation of a lost moment.” – Slate Oct 22, 2017 Full Review Pirates of the Caribbean: Dead Men Tell No Tales (2017) 30% EDIT “I found Dead Men Tell No Tales to be passably fun and certainly no harder to watch than any of the better-pedigreed blockbusters this year.” – Slate May 25, 2017 Full Review Colossal (2016) 82% EDIT “Though the film never quite abandons its absurdist comedy and its boyish glee for romping monsters, Colossal also becomes a brutal psychological horror movie, more unforgiving and savage by the minute.” – Slate Apr 4, 2017 Full Review Raw (2016) 93% EDIT “Raw is the French cannibal sex movie to end all French cannibal sex movies, a truly fearless descent into total degradation. I recommend it highly.” – Slate Mar 10, 2017 Full Review Split (2017) 79% EDIT “Shyamalan has made the straightest thriller of his career, nearly free of the misguided detours and bonkers twists that made him famous. You wish it were messier.” – Slate Jan 20, 2017 Full Review Blair Witch (2016) 38% EDIT “Barrett and Wingard slavishly reprise the beats of the original movie and suffer gravely by comparison.” – Slate Sep 17, 2016 Full Review Swiss Army Man (2016) 73% EDIT “Swiss Army Man opens as a desert-island fantasy and morphs into a disturbingly intimate buddy movie-hilarious, deranged, and always alive with possibility.” – Slate Jun 24, 2016 Full Review Green Room (2015) 90% EDIT “Green Room proves to be an exquisitely crafted love letter to John Carpenter, and the rare horror ensemble that gives as much care to the villains as to the victims.” – Slate Apr 15, 2016 Full Review 127 Hours (2010) 93% B+ EDIT “The camera soars through canyons and beyond, and the picture is often split into two screens or more, probably because [Boyle] simply couldn't contain himself.” – Stylus Magazine Dec 25, 2010 Full Review I Love You Phillip Morris (2009) 71% EDIT “The beguiling warmth Carrey and McGregor generate becomes muddled with the carefree irreverence of Steven's crimes.” – Stylus Magazine Dec 25, 2010 Full Review Client 9: The Rise and Fall of Eliot Spitzer (2010) 90% C+ EDIT “The movie is at once angry and serious, lurid and glib.” – Stylus Magazine Nov 23, 2010 Full Review Bug (2006) 62% A- EDIT “Bug has a simpler, more primal, and basically as honorable intention: It wants to drive us out of our heads.” – Stylus Magazine Jul 6, 2010 Full Review Brooklyn's Finest (2009) 44% 73/100 EDIT “Fuqua indulges the rather unfortunate belief that movies with multiple characters need to Come Together and Mean Something.” – Paste Magazine Mar 8, 2010 Full Review I Sell the Dead (2008) 71% 74/100 EDIT “McQuaid recalls Terry Gilliam with his flights into the absurd and his penchant for choking dry humor.” – Paste Magazine Nov 3, 2009 Full Review The Time Traveler's Wife (2009) 38% 68/100 EDIT “A fastidiously old-fashioned love story with sloppy, soppy existential ideas and more than enough droll narrative tricks to see it through to the end.” – Paste Magazine Aug 25, 2009 Full Review G.I. Joe: The Rise of Cobra (2009) 33% 30/100 EDIT “The movie is finally just too frivolous to elicit any real reaction, bemusement, anger, whatever. It's almost quaint.” – Paste Magazine Aug 10, 2009 Full Review Surveillance (2008) 55% 50/100 EDIT “Riffs on noir influences with an inquisitive visual style that often drifts from the plot at hand.” – Paste Magazine Jun 26, 2009 Full Review
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