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Jennie Kermode

Tomatometer-approved critic
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Reviews

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Never After Dark (2026) 4/5 EDIT “With a cleverly signposted plot twist which ratchets up the tension towards the end, the film makes room for one or two j-horror tropes which should please the home audience, but doesn’t rely on them. ” – Eye for Film Mar 14, 2026 Full Review Edie Arnold Is a Loser (2026) 3.5/5 EDIT “The plot here isn’t particularly sophisticated, but there are some great moments, and the filmmakers find clever ways to play with the form. ” – Eye for Film Mar 14, 2026 Full Review Kill Me (2026) 100% 3.5/5 EDIT “The story goes to some difficult places and is by no means all about laughs, but its comedic elements will likely appeal most strongly to those with lived experience.” – Eye for Film Mar 13, 2026 Full Review A Pale View of Hills (2025) 60% 3.5/5 EDIT “All of this fine work has potential, but too often the deeper ideas in the book are teased only to be abandoned."” – Eye for Film Mar 13, 2026 Full Review First Light (2025) 4/5 EDIT “A thoughtful and lyrical film unafraid to do things differently.” – Eye for Film Mar 13, 2026 Full Review Psalms of the People (2026) 4/5 EDIT “It’s in the moment, in the process, in the commingling of voices that something divine is found.” – Eye for Film Mar 12, 2026 Full Review Effi o Blaenau (2026) 5/5 EDIT “Such is the force in Gwenllian’s performance that it would be almost impossible not to root for her.” – Eye for Film Mar 11, 2026 Full Review Turner & Constable (2026) 4/5 EDIT “At one point there’s a a clever shot where the camera eases back and moves between rooms, bringing out the three-dimensionality of the paintings in the process.” – Eye for Film Mar 10, 2026 Full Review In the Land of Lost Angels (2018) 100% 4/5 EDIT “The story is simple. Mashbat’s approach to it is much more sophisticated.” – Eye for Film Mar 9, 2026 Full Review Red Riding (2026) 3.5/5 EDIT “A first stab at directing for actor Craig Conway, Red Riding scores high on atmosphere and is grounded by a strong central performance.” – Eye for Film Mar 9, 2026 Full Review The Wizard of the Kremlin (2025) 52% 2.5/5 EDIT “Dano has chosen to use the same flat vocal expression throughout, a technique well suited to satire which might have worked if only the rest of the film had been a bit more lively.” – Eye for Film Mar 6, 2026 Full Review Unidentified (2025) 4/5 EDIT “This is a film with a deep interest in women’s lives, in the effects of continued inequality, and in the various means that women use to exercise agency despite this.” – Eye for Film Mar 5, 2026 Full Review The Dutchman (2025) 62% 3/5 EDIT “There’s a lot of very good work in The Dutchman.” – Eye for Film Mar 5, 2026 Full Review OBEX (2025) 96% 4/5 EDIT “If you’re looking for a witty and heartfelt story with characters you can care about, you may find yourself falling head over heels.” – Eye for Film Mar 3, 2026 Full Review Babystar (2025) 4/5 EDIT “With a past working for a management company used by YouTube stars, Bongard knows his subject matter well.” – Eye for Film Mar 2, 2026 Full Review Nirvanna the Band the Show the Movie (2025) 98% 5/5 EDIT “The underlying formula is a simple one but the chaos around it is managed magnificently so that you can never be sure what will happen next.” – Eye for Film Mar 2, 2026 Full Review The Mortuary Assistant (2026) 38% 3/5 EDIT “Holland does an impressive job of keeping viewers on her side despite becoming an unreliable narrator.” – Eye for Film Feb 25, 2026 Full Review The Baltimorons (2025) 93% 4.5/5 EDIT “The connection that forms between them feels more real because it’s so unlikely. Duplass, co-writing with Strassner, has the skill to pull it off, and both lead actors are up to the task.” – Eye for Film Feb 25, 2026 Full Review Eli Roth Presents: Jimmy and Stiggs (2024) 64% 3.5/5 EDIT “The pace is so manic, the action so intense, that it’s easy to be fully immersed in Jimmy’s experience.” – Eye for Film Feb 23, 2026 Full Review The Dreadful (2026) 39% 3.5/5 EDIT “A character-focused drama in a setting usually reserved for adventure, The Dreadful finds elements of horror in the psychological landscape.” – Eye for Film Feb 20, 2026 Full Review Splitsville (2025) 83% 2/5 EDIT “It’s hard to care about a film when those involved don’t appear to have done so themselves.” – Eye for Film Feb 20, 2026 Full Review The Day the Earth Blew Up: A Looney Tunes Movie (2024) 86% 3/5 EDIT “The film feels obliged to explain itself, indulging the audience too much.” – Eye for Film Feb 19, 2026 Full Review Mr. Nobody Against Putin (2025) 100% 4.5/5 EDIT “Despite the depressing nature of what’s happening at the school, Talankin’s affection for his students and his resilient sense of humour ensure that the film is always engaging.” – Eye for Film Feb 9, 2026 Full Review 100 Nights of Hero (2025) 68% 2.5/5 EDIT “Where the film succeeds is in the visual design of its world.” – Eye for Film Feb 6, 2026 Full Review Bowels of Hell (2026) 3.5/5 EDIT “The production values here are a cut above what one would normally expect for something with this theme and these characters.” – Eye for Film Feb 6, 2026 Full Review
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