The Thursday Murder Club (2025)
77%
EDIT
“It may be a film rather than a series, but it understands the assignment — and the zeitgeist.” –
Washington Post
Sep 2, 2025
Full Review
Caravan of Courage: An Ewok Adventure (1984)
39%
EDIT
“This is truly a hero's journey: It's rich in symbolic gifts, ungrateful boys, sudden alliances, and animal feedings — and pleasantly unmarred by chatty cathys like Harrison Ford.” –
The Week
Apr 28, 2025
Full Review
John Mulaney: Baby J (2023)
86%
EDIT
“The show in its current iteration is extremely funny, but traces remain of a version that dug a little deeper.” –
Washington Post
Apr 26, 2023
Full Review
Jerrod Carmichael: Rothaniel (2022)
100%
EDIT
“Rothaniel is short, fascinating, mildly claustrophobic, and pleasurably loose.” –
Slate
Apr 13, 2022
Full Review
Avengers: Infinity War (2018)
85%
EDIT
“This is why I find the movie's belief that it's doing something experimental and unprecedented more than uncomfortable: Infinity War gambles dangerously with the way people process real deaths, never mind fictional ones.” –
The Week
May 2, 2018
Full Review
Paterno (2018)
69%
EDIT
“Such a brutal referendum on how deflections, euphemisms, and clichés keep us from having to know what victims went through.” –
The Week
Apr 6, 2018
Full Review
Chappaquiddick (2017)
80%
EDIT
“We need more movies like this: Films that revisit "legends" of the past and interrogate the ugly blind spots that allowed America to not see what was happening and hail as Great Men people who deserved to be remembered quite differently.” –
The Week
Apr 5, 2018
Full Review
Ready Player One (2018)
71%
EDIT
“I'm here to report that you can still have a good time at Ready Player One even if you don't get most of the references.” –
The Week
Mar 30, 2018
Full Review
A Wrinkle in Time (2018)
43%
EDIT
“A Wrinkle in Time is a big deal for many reasons worth celebrating. It also isn't perfect. And that's okay.” –
The Week
Mar 9, 2018
Full Review
Half Magic (2018)
62%
EDIT
“The movie's honesty about how inured its characters have become to anything like straightforward desire is its greatest strength.” –
The Week
Feb 23, 2018
Full Review
Black Panther (2018)
96%
EDIT
“Black Panther's failures, like its triumphs, are more Shakespearean than superheroic.” –
The Week
Feb 15, 2018
Full Review
Condorito: The Movie (2017)
33%
EDIT
“The movie painlessly smooths so much that's rough in the original that it bears hardly any relation to its origin. For all that Condorito smashed Walt Disney's tendency to prettify, Condorito: La Pelicula does just that.” –
The Week
Jan 18, 2018
Full Review
Jumanji: Welcome to the Jungle (2017)
77%
EDIT
“You won't feel much, you probably won't forget you're sitting in a theater watching a group of people play a game, but it's fun, and funny.” –
The Week
Dec 20, 2017
Full Review
Star Wars: The Last Jedi (2017)
91%
EDIT
“This delightful if overlong film has so many arcs and subplots that you'll find yourself parsing them later... not because they don't work, but because the film packs so many scenes that reward closer-than-normal observation.” –
The Week
Dec 15, 2017
Full Review
The Disaster Artist (2017)
90%
EDIT
“If you strip the fiddly premise out, this is an immensely silly movie about an immensely silly person. Watch it. You'll be glad you did.” –
The Week
Dec 7, 2017
Full Review
Justice League (2017)
39%
EDIT
“That this setup feels both rushed and tedious is a shame, because these figures have potential to be genuinely interesting.” –
The Week
Nov 17, 2017
Full Review
Murder on the Orient Express (2017)
60%
EDIT
“Instead of meticulously matching clues to revelations, it turns Hercule Poirot, Agatha Christie's famous detective, into an unappealingly emotional Holmes.” –
The Week
Nov 9, 2017
Full Review
Suburbicon (2017)
27%
EDIT
“Suburbicon might be the most contemporary period piece I've ever seen.” –
The Week
Oct 26, 2017
Full Review
Marshall (2017)
80%
EDIT
“It's a fascinating and somewhat obscure and laudatory slice of Marshall's professional life, and that's all, and that's fine. But there's room for another Marshall picture.” –
The Week
Oct 19, 2017
Full Review
Blade Runner 2049 (2017)
88%
EDIT
“This is a stunning film that somehow makes you homesick for the original.” –
The Week
Oct 12, 2017
Full Review
20th Century Women (2016)
88%
EDIT
“20th Century Women is really more mixtape than movie.” –
The Week
Aug 28, 2017
Full Review
The Great Wall (2016)
35%
EDIT
“The most important takeaway of The Great Wall is that it doesn't work: not as a defense system, and not as a film.” –
The Week
Aug 28, 2017
Full Review
Bright Lights: Starring Carrie Fisher and Debbie Reynolds (2016)
100%
EDIT
“The burden of care is on both sides, and so, in Bright Lights, is its beauty.” –
The Week
Aug 28, 2017
Full Review
The Sense of an Ending (2017)
75%
EDIT
“[Sense of Ending] is a diffuse and less invasively memoiristic version of the Barnes story. This is a tremendous cast: Walter, Dockery, and Mortimer give great performances here.” –
The Week
Aug 28, 2017
Full Review
Beauty and the Beast (2017)
71%
EDIT
“By acknowledging the stranger aspects of the original, Bill Condon's live-action adaptation is an appropriately uncomfortable delight.” –
The Week
Aug 28, 2017
Full Review
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