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Mary Angela Rowe

Mary Angela Rowe's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies TV Shows
Valley of Shadows (2017) 80% EDIT “Beautifully shot and scored, this deliberately paced mood piece should not be missed.” – Seventh Row Sep 18, 2017 Full Review Ville-Marie (2015) 71% 3.5/5 EDIT “Guy doin's Ville-Marie is a visually striking film with a curiously dispassionate core.” – Seventh Row Aug 14, 2017 Full Review How Heavy This Hammer (2015) 83% 4/5 EDIT “Canadian director Kazik Radwanski's sophomore feature How Heavy This Hammer is a sympathetic yet unsentimental portrait of contemporary masculinity in crisis.” – Seventh Row Aug 14, 2017 Full Review Jack (2015) EDIT “Elisabeth Scharang's Jack manages to make a clock-watcher out of this dramatic material by being high on style but low on story.” – Seventh Row Aug 14, 2017 Full Review The Whispering Star (2015) 83% EDIT “Though its scanty narrative and creeping pace hindered my engagement with the film, The Whispering Star is a well-crafted addition to Sono's oeuvre.” – Seventh Row Aug 14, 2017 Full Review Legend (2015) 60% EDIT “Director Brian Helgeland lays everything on with a trowel, but subtlety isn't why we're here. The flash, the violence, and Tom Hardy's twin performances make Legend a fun ride.” – Seventh Row Aug 14, 2017 Full Review Song of Songs (2015) EDIT “Warm, lyrical, and sweetly sad, Song of Songs reminds us that coming of age is as much about what we lose as what we gain.” – Seventh Row Aug 14, 2017 Full Review Demon (2015) 92% EDIT “Demon skips from climax to credits without much in the way of denouement. It feels abrupt, like treading on a step that isn't there.” – Seventh Row Aug 14, 2017 Full Review Crimson Peak (2015) 72% EDIT “Guillermo Del Toro's richly atmospheric film Crimson Peak is a fresh step toward the resurrection of old-school horror.” – Seventh Row Aug 14, 2017 Full Review I Am Not Madame Bovary (2016) 85% EDIT “It clocks in at just over two hours, and we feel every minute, even with regular laughs.” – Seventh Row Jul 20, 2017 Full Review Daguerrotype (2016) 55% EDIT “Good horror must resist the temptation to explain everything to death, but Daguerrotype swings too far in the opposite direction: Kurosawa simply doesn't offer us enough information to draw any conclusions.” – Seventh Row Jul 20, 2017 Full Review The Invitation (2015) 90% EDIT “We've spent an hour and a half trying to figure out their secrets. Once all is revealed, they're no longer very interesting.” – Seventh Row Jul 14, 2017 Full Review April and the Extraordinary World (2015) 97% EDIT “April and the Extraordinary World doesn't turn away from the darkness of the world - in fact, that darkness is integral to the plot. But our final impression is one of hope and wonder.” – Seventh Row Jul 14, 2017 Full Review Therapy for a Vampire (2014) 63% EDIT “Sadly, the story itself is rather dull. None of the characters are well-developed enough to invoke sympathy.” – Seventh Row Jul 12, 2017 Full Review Zoom (2015) 61% EDIT “Well-acted, well-written, and engaging throughout, Zoom is entertaining and thought-provoking. That's more than enough.” – Seventh Row Jul 12, 2017 Full Review The Beguiled (2017) 79% EDIT “The film's greatest treat is Miss Martha herself, whose graceful exterior conceals a core of steely self-sufficiency and resolve. Nicole Kidman can do more with less than any actress working.” – Seventh Row Jun 30, 2017 Full Review Little Sister (2016) 94% EDIT “The Quirky Family Dramedy is a familiar genre, but director-screenwriter Zach Clark has made a charming and well crafted version of it in Little Sister.” – Seventh Row Jun 30, 2017 Full Review Raw (2016) 93% EDIT “Marillier's command of her character is such that the creepiest shot in the film doesn't involve any blood or body parts; instead, it's Justine sitting in a corner at a house party.” – Seventh Row Jun 30, 2017 Full Review The Bad Batch (2016) 45% EDIT “We're left with the feeling of something polished but half-finished, like the script had a few full chapters cut from it before production.” – Seventh Row Jun 29, 2017 Full Review
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