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Matthew Smith

Matthew Smith's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
American Hardcore (2006) 72% EDIT “Struggles under the weight of its own ambition.” – Film Journal International Mar 1, 2007 Full Review Mongolian Ping Pong (2004) 83% EDIT “Affecting feature from first-time director is an exercise in restraint.” – Film Journal International May 19, 2006 Full Review Untold Scandal (2003) 87% EDIT “Untold Scandal, the latest screen adaptation of Choderlos de Laclos' novel Les Liaisons Dangereuses is a stylish, cool and detached interpretation of an overworked text.” – Film Journal International Oct 27, 2005 Full Review Machuca (2004) 87% EDIT “A visually stirring film that asks many questions about Chile's 1973 coup, without providing any easy answers.” – Film Journal International Oct 27, 2005 Full Review Minimal Stories (2002) 88% EDIT “Vacuous road movie in which vacant characters receive rewards that far outweigh their uninspired goals.” – Film Journal International Oct 27, 2005 Full Review 15: The Movie (2003) 50% EDIT “Visually arresting film proves that Singaporean kids just want their MTV.” – Film Journal International Oct 27, 2005 Full Review The Great Water (2004) 71% EDIT “Macedonian blockbuster is more successful as a technical accomplishment than as an engaging narrative.” – Film Journal International Oct 27, 2005 Full Review Rize (2005) 84% EDIT “David LaChapelle's documentary is a spirited but less-than-insightful look at contemporary youth culture in south-central Los Angeles.” – Film Journal International Oct 27, 2005 Full Review We Jam Econo: The Story of the Minutemen (2005) 94% EDIT “Largely conventional documentary lovingly portrays the brief life of '80s California band The Minutemen.” – Film Journal International Oct 27, 2005 Full Review Three... Extremes (2005) 85% EDIT “Cross-cultural Asian horror triptych is a bloody good time.” – Film Journal International Oct 22, 2005 Full Review Stella Street (2004) 13% EDIT “The story and tone are so confused and the caliber of impersonations so inconsistent, the film will please only the most Anglophilic of audiences.” – Film Journal International Oct 20, 2004 Full Review
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