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Monica Dorenkamp

Monica Dorenkamp's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
Thelma & Louise (1991) 87% EDIT “It's difficult to decide which of these girls you like better. With their red, red hair matching the red desert landscape that surrounds them through most of the film, Sarandon and Davis are the sexiest couple to come out of Hollywood in years.” – OutWeek Mar 2, 2023 Full Review Nocturne (1990) EDIT “...a beautifully sensuous film...” – OutWeek Nov 12, 2020 Full Review Crocodiles in Amsterdam (1990) EDIT “Unfortunately, the promise of [Crocodiles in Amsterdam] is never realized...” – OutWeek Jun 9, 2020 Full Review Blue Steel (1990) 75% EDIT “Bigelow reinforces narrative conventions even as she disrupts them.” – OutWeek May 21, 2020 Full Review Pump Up the Volume (1990) 80% EDIT “If you don't mind (or even like) the standard teen fare that is the stuff such movies are made of, there are a couple of good reasons to see this one.” – OutWeek May 21, 2020 Full Review Mo' Better Blues (1990) 71% EDIT “We are left with a film that could have been about so many things but ultimately isn't about much.” – OutWeek May 21, 2020 Full Review Sweetie (1989) 90% EDIT “The film becomes more and more of a Freudian fantasy that ultimately only reinforces Images of women as inevitably repressed and borderline hysterical.” – OutWeek May 20, 2020 Full Review The Handmaid's Tale (1990) 35% EDIT “The film is good insofar as it questions and provides no easy answers.” – OutWeek May 19, 2020 Full Review Without You I'm Nothing (1990) 73% EDIT “It is, like much of the best visual, film and performance art being done today, entertaining on a mass-appeal level and radical, subversive and challenging.” – OutWeek May 19, 2020 Full Review The Sheltering Sky (1990) 45% EDIT “Insufferably dull.” – OutWeek May 19, 2020 Full Review The Silence of the Lambs (1991) 95% EDIT “[Foster and Hopkins's] scenes together are, to my mind, the best in a recent Hollywood film.” – OutWeek May 19, 2020 Full Review Switch (1991) 26% EDIT “From the Lite FM version of Both Sides Now that accompanies the opening credits to the absolutely hellish heterosexual closure, the movie rejects any possibility of taking its own risks in order to comfortably remain within Hollywood conventions.” – OutWeek May 19, 2020 Full Review
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