Russell Scott Smith
Russell Scott Smith's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Face (2002)
63%
2.5/4
EDIT
“It's a tale worth telling again -- especially if you feel the material as strongly as recent Columbia film-school grad Bertha Bay-Sa Pan seems to.” –
New York Post
Mar 13, 2021
Full Review
2.5/4
EDIT
“It's a tale worth telling again -- especially if you feel the material as strongly as recent Columbia film-school grad Bertha Bay-Sa Pan seems to.” –
New York Post
Oct 20, 2018
Full Review
Stalin's Wife (2004)
64%
2/4
EDIT
“Unless you're already into this stuff, it'll be hard to stay awake.” –
New York Post
Apr 29, 2005
Full Review
Enron: The Smartest Guys in the Room (2005)
97%
3/4
EDIT
“The story is fascinating, infuriating and even laugh-out-loud funny at times.” –
New York Post
Apr 22, 2005
Full Review
Dead & Breakfast (2004)
53%
3/4
EDIT
“It's hard not to like a movie in which the leader of the zombies uses a decapitated head as a hand puppet.” –
New York Post
Apr 20, 2005
Full Review
Perlasca (2002)
57%
3/4
EDIT
“A well-made and heart-rending Italian Schindler's List.” –
New York Post
Apr 15, 2005
Full Review
It's All Gone Pete Tong (2004)
75%
3/4
EDIT
“Has the same propulsive, punk-rock vibe as Trainspotting and 24 Hour Party People.” –
New York Post
Apr 15, 2005
Full Review
Raging Dove (2002)
80%
3/4
EDIT
“[A] moving documentary.” –
New York Post
Apr 13, 2005
Full Review
Voices in Wartime (2005)
81%
3/4
EDIT
“A moving documentary about poetry inspired by combat.” –
New York Post
Apr 8, 2005
Full Review
David Hockney: The Color of Music (2005)
57%
3/4
EDIT
“Looking at the art and listening to the music is wonderful just on its own, but hanging out with Hockney is also a treat. He's a delightful companion.” –
New York Post
Apr 6, 2005
Full Review
In Satmar Custody (2004)
80%
0/4
EDIT
“Infuriating, but not for the reason filmmakers want it to be.” –
New York Post
Apr 6, 2005
Full Review
Odessa Odessa (2005)
67%
2/4
EDIT
“Sometimes beautiful to look at but ultimately too poetic for its own good.” –
New York Post
Mar 30, 2005
Full Review
Naked Fame (2004)
50%
2.5/4
EDIT
“This is ultimately a sunny movie full of likable characters.” –
New York Post
Mar 25, 2005
Full Review
Lipstick & Dynamite (2004)
61%
2/4
EDIT
“Unfortunately, the filmmakers let the ladies prattle on too long about issues that would only matter to the most rabid wrestling aficionados.” –
New York Post
Mar 25, 2005
Full Review
Beyond the Sea (2003)
60%
2.5/4
EDIT
“It's ultimately a shallow effort.” –
New York Post
Mar 23, 2005
Full Review
Face (1997)
38%
2.5/4
EDIT
“” –
New York Post
Mar 18, 2005
Full Review
Mail Order Wife (2004)
61%
3/4
EDIT
“A remarkably smart and weird film, even if it's sad and sometimes difficult to watch, with jokes designed to make you cringe.” –
New York Post
Mar 11, 2005
Full Review
The Boys From County Clare (2003)
48%
2/4
EDIT
“Isn't a total loss, but neither does it have the charm of The Full Monty or other feel-good indie Brit flicks it emulates.” –
New York Post
Mar 11, 2005
Full Review
Sheriff (2004)
57%
2.5/4
EDIT
“An admirably realistic portrait of police life, pointedly different from the sensationalism of TV's Cops.” –
New York Post
Mar 10, 2005
Full Review
2/4
EDIT
“There's a story here, but the film doesn't tell it.” –
New York Post
Mar 3, 2005
Full Review
The Best of Youth (2002)
94%
3/4
EDIT
“All the pieces converge in a powerful rush during the second half.” –
New York Post
Mar 3, 2005
Full Review
The Other Side of the Street (2004)
74%
3/4
EDIT
“A mystery that isn't suspenseful so much as realistic, in which the detective's motivation is understandable and the story moves the way life does, instead of as a thrill ride.” –
New York Post
Feb 25, 2005
Full Review
Cinévardaphoto (2004)
94%
2/4
EDIT
“Two documentaries too many.” –
New York Post
Feb 17, 2005
Full Review
The Wild Parrots of Telegraph Hill (2003)
95%
3/4
EDIT
“By the end of the movie, you might find yourself so wrapped up in Bittner and the parrots that you have tears in your eyes.” –
New York Post
Feb 11, 2005
Full Review
The Letter (2003)
93%
3/4
EDIT
“In the last 20 minutes, the film moves as breathlessly as a Hollywood thriller -- only it's much more frightening, because it's true.” –
New York Post
Feb 9, 2005
Full Review
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