Ruth Lewis
Ruth Lewis's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Blonde Venus (1932)
71%
EDIT
“Dietrich never performed better, and "Blonde Venus"...is really an attraction.” –
Austin American-Statesman
Feb 4, 2026
Full Review
Camille (1936)
96%
EDIT
“Camille is magnificently produced... with a generous supporting cast. ” –
Austin American-Statesman
Feb 4, 2026
Full Review
The Bitter Tea of General Yen (1933)
86%
EDIT
“Anyone who can enjoy love, battle, heart chills and hate in a picture, will like this one.” –
Austin American-Statesman
Apr 24, 2023
Full Review
The Lady Eve (1941)
99%
EDIT
“The Lady Eve is Sturges' third creation and conclusively marks Sturges as a top-flight master in light, ingratiating, clever comedy.” –
Austin American-Statesman
Dec 29, 2022
Full Review
Snow White and the Seven Dwarfs (1937)
97%
EDIT
“Much has been said and written about some of the more frightening sequences and their probable effect on young children. I can't pose any great knowledge of child psychology, but I know I'd hate to see them miss Snow White.” –
Austin American-Statesman
Dec 21, 2022
Full Review
The Maltese Falcon (1941)
99%
EDIT
“When Mr. Greenstreet speaks, you are in for a treat. ” –
Austin American-Statesman
Nov 11, 2022
Full Review
Mr. Smith Goes to Washington (1939)
97%
EDIT
“I submit Mr. Smith Goes to Washington as the best bracer democracy has had in this land in many a moon.” –
Austin American-Statesman
Nov 9, 2022
Full Review
The Shop Around the Corner (1940)
99%
EDIT
“Shop Around the Corner demonstrates how feather-weight material can be deftly handled for the best effects. It is excellently done.” –
Austin American-Statesman
Nov 8, 2022
Full Review
The President's Mystery (1936)
80%
EDIT
“It all adds up to a topical mystery that may snare a lot of public interest at this time with entertainment qualities about average.” –
Austin American-Statesman
Oct 25, 2022
Full Review
The Life of Emile Zola (1937)
92%
EDIT
“Should there be any doubt about Hollywood's greatest actor, Mr. Muni stifles such quibbling with his human, dignified, honest portrayal of the French novelist.” –
Austin American-Statesman
Aug 3, 2022
Full Review
How Green Was My Valley (1941)
93%
EDIT
“Young Roddy McDowall is a lad of inestimable charm as Huw. Wide-eyed, sensitive, he is just the boy for the part. The cast is an altogether worthy one.” –
Austin American-Statesman
Jul 26, 2022
Full Review
Mrs. Miniver (1942)
93%
EDIT
“Greer Garson, whose playing is superb, is the central character, but this is more nearly a picture of ensemble playing than one of stars.” –
Austin American-Statesman
Jan 5, 2022
Full Review
The Great Ziegfeld (1936)
72%
EDIT
“For the greater part, The Great Ziegfeld is sentiment; for the remainder, spectacle. It is an unbeatable combination and MGM has seen fit to give it a more substantial claim in good casting.” –
Austin American-Statesman
Dec 3, 2021
Full Review
The Wizard of Oz (1939)
98%
EDIT
“If The Wizard of Oz, taken from the American fairy story by Frank Baum, carries to its adult audience the theme of conquest of fear, it could scarcely have been released to the world at a more propitious hour.” –
Austin American-Statesman
Oct 14, 2021
Full Review
His Girl Friday (1940)
99%
EDIT
“Miss Russell's lively interpretation is good and the repartee between her and Cary Grant fun.” –
Austin American-Statesman
Oct 14, 2021
Full Review
The Philadelphia Story (1940)
100%
EDIT
“Story unquestionably will woo the Hepburn fans back into the moviehouses. It is a blue-ribbon, A-1 film, the first smash comedy success of 1941.” –
Austin American-Statesman
Jun 10, 2021
Full Review
The Women (1939)
94%
EDIT
“The Women fairly bristles with rapid-fire dialogue. Get your ears tuned to keep up with the pace or some of it will fly by in the rush.” –
Austin American-Statesman
May 25, 2021
Full Review
Rebecca (1940)
98%
EDIT
“In her first starring role Miss Fontaine achieves greatness. Laurence Olivier plays the part of de Winter with quiet sureness. Not always symphathetic in the earlier passages, his is a difficult task. Yet he is skilled and true in his interpretation.” –
Austin American-Statesman
Apr 12, 2021
Full Review
Citizen Kane (1941)
99%
EDIT
“Whether the story of Charles Foster Kane is a biography of one man or a composite of many, as Orson Welles claims, matters not so much as the fact that here we have a completely new approach to film biography.” –
Austin American-Statesman
Mar 2, 2021
Full Review
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