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Sarah Marloff

Sarah Marloff's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Biography:

Sarah Marloff is an award-winning reporter who covers queer culture and LGBTQ rights, as well as sexual assault, D.C culture, and women and queers in entertainment. As Arts editor, she’s always on the lookout for off-beat events and upcoming creators. Prior to joining City Paper in June 2021, Sarah was the associate news & Qmmunity editor for the Austin Chronicle. Her work has appeared in the Texas Observer, Smithsonian Magazine, The Counter, Curbed, and more. Sometimes, she throws queer parties in her spare time.

Official Website:

https://washingtoncitypaper.com/sarah-marloff/

Reviews

Movies TV Shows
Wes Craven's New Nightmare (1994) 78% EDIT “A masterpiece in tastemaking.” – Washington City Paper Sep 15, 2025 Full Review Go (1999) 91% EDIT “Told from the perspective of several characters, you’ll get rave scenes, car chases, Breakfast Club references, a killer soundtrack, and even a talking cat. It’s fun, chaotic, and an oddly poignant capturing of life on the brink of Y2K.” – Washington City Paper Sep 23, 2024 Full Review Psycho (1960) 97% EDIT “...remains one of the most unnerving moments in film history and Norman Bates still gets under your skin in the creepiest ways...” – Washington City Paper Sep 23, 2024 Full Review Sorry/Not Sorry (2023) 82% EDIT “There's also an attempt to answer the everlasting question of how we all move forward from survivors sharing their stories to perpetrators returning (or never leaving) the public eye. Is it definitive? No, but it's a start. ” – Washington City Paper Nov 3, 2023 Full Review A Haunting in Venice (2023) 76% EDIT “Kenneth Branagh’s A Haunting in Venice blends mystery with the paranormal for an exhilarating watch and lingering eeriness.” – Washington Post Sep 14, 2023 Full Review The Little Mermaid (2023) 67% EDIT “Some poor, unfortunate souls will want more from Disney’s latest remake, but Halle Bailey shines even if the script stays pretty true to the animated original.” – Washington City Paper May 24, 2023 Full Review M3GAN (2022) 93% EDIT “Gerard Johnstone’s movie is proof that, in 2023, Chucky and Annabelle don’t need an evil spirit to be possessed, they just need endless access to the internet.” – Washington City Paper Jan 6, 2023 Full Review She Said (2022) 88% EDIT “Maria Schrader’s film, adapted from Jodi Kantor and Megan Twohey’s book, cares more about breaking a story than the people at the heart of the story.” – Washington City Paper Nov 17, 2022 Full Review The Janes (2022) 100% EDIT “Tia Lessin and Emma Pildes’ documentary about the women activists who helped thousands of people access abortions before they were legal offers a chilling look at what’s possibly to come.” – Washington City Paper Apr 22, 2022 Full Review Belly of the Beast (2020) 100% 3.5/5 EDIT “Visually, the first half of the film provides eye-catching contrasts - expansive green fields and semi-trucks, bright days and dark early mornings, inside versus outside.” – Austin Chronicle Nov 16, 2020 Full Review The State of Texas vs. Melissa (2020) 83% 3.5/5 EDIT “Though it's a gut-wrenching story, The State of Texas vs. Melissa, works hard to offer viewers the smallest semblance of hope.” – Austin Chronicle Oct 23, 2020 Full Review Almost Adults (2016) 80% EDIT “Is it a life-altering movie? Probably not, but that doesn't make it any less relatable or enjoyable to watch.” – Austin Chronicle May 6, 2020 Full Review Maleficent: Mistress of Evil (2019) 40% 2.5/5 EDIT “Yet, where the first managed to put an intricate new spin on an old tale, the sequel, despite its strong cast, can't help but feel a bit like a tired storyline being retold for a quick cash-in.” – Austin Chronicle Oct 17, 2019 Full Review Lez Bomb (2018) 90% 3.5/5 EDIT “While rarely feeling heavy-handed, Lez Bomb manages to be both over-the-top funny and yet incredibly realistic, sans the doom and gloom of yesteryear.” – Austin Chronicle Nov 9, 2018 Full Review Signature Move (2017) 100% EDIT “Shines a small, but much-needed light on non-white queer love.” – Austin Chronicle Mar 14, 2017 Full Review
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