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4/5
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Anatomy of a Fall
(2023)
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Anna Miller
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Triet and Harari’s screenplay is on absolute fire with authentic, intriguing dialogue, story beats that continuously pique interests and keep an audience guessing, and an intensity that is realistic, natural and unpredictable in the best way.
Posted Aug 14, 2023
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3/5
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Firebrand
(2023)
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Anna Miller
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Firebrand drags its feet, stumbling around the decision to either retell the historical events as we know it, fill in the blanks from what's missing from the history books, or completely turn the film into an ultra modern feminist “you go girl” flick...
Posted Aug 14, 2023
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4/5
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May December
(2023)
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Anna Miller
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The film relies on ambiguity, letting the audience draw their own conclusions and opinions, which makes the film all the more frustratingly vague but satisfyingly authentic. We are but subjective observers to the world, happenings and events around us...
Posted Aug 14, 2023
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4.5/5
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The Zone of Interest
(2023)
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Anna Miller
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Glazer's unique approach is unlike anything ever seen before, as he examines the darkness of humans and history in such an unassuming manner that reminds us of just how quiet and subtle human horror most oftentimes can be.
Posted Aug 14, 2023
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4/5
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Asteroid City
(2023)
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Anna Miller
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Through alien invasion, inventors, playwrights and camp kids, Anderson supplies a gorgeously fresh and touching tale of humans trying to do their “thing” right, whatever that may be... every audience member should be able to relate, pastels and all.
Posted Aug 14, 2023
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4/5
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Bottoms
(2023)
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Anna Miller
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Bottoms is a bit of everything: violent and bloody to gutsy, incredulous hilarity and a sprinkle of genuinely touching moments... Bottoms is a breath of fresh air, straight from the school gymnasium.
Posted Aug 13, 2023
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4/5
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Killers of the Flower Moon
(2023)
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Anna Miller
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Killers of the Flower Moon is an excellent and twisty retelling of an abhorrent and brutal time in our history. Scorsese is masterful at creating tension — a sense of uneasiness — and holding it for the majority of the deeply engaging runtime.
Posted Aug 13, 2023
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4.5/5
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The Worst Person in the World
(2021)
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Anna Miller
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Through Reinsve's depiction of Julie combined with a resounding script to work with, she shares with us the realization that life is fleeting, confusing, unfair and excruciating, but so incredibly beautiful.
Posted Jul 26, 2023
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3.5/5
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The Princess
(2022)
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Anna Miller
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The Princess is a well executed documentary that tackles the tragedy of Diana Spencer. It shines a light on the beauty she brought into the world, as well as the beauty she ultimately left in her wake.
Posted Jul 26, 2023
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4/5
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Am I OK?
(2022)
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Anna Miller
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Notaro and Allynne’s Am I Ok? is an authentic and heart-warming story of self discovery and friendship. It is a wonderful little reflection of the human experience: sweet, awkward, touching, beautiful… all of the above really, as is life.
Posted Jul 26, 2023
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4/5
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The Menu
(2022)
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Anna Miller
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In a unique pairing with the palpable tension comes the dark humor of the film— two facets that usually do not go hand in hand in film as laughter famously diffuses any built up tension, but The Menu cooks up a balance that really works.
Posted Jul 26, 2023
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4/5
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Monster
(2023)
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Anna Miller
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We never truly know what one another may have experienced or are currently going through, and this film is a gentle reminder of that very idea. Monster is yet another poignant tale handled with care and delicacy by Kore-eda, that is not to be missed.
Posted Jul 26, 2023
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5/5
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Women Talking
(2022)
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Anna Miller
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The film features strong women with a sense of self determination who choose the terrifying path of self liberation as they attempt to unlearn oppression and make a stand – a cry, of defiance for themselves, their loved ones and their future.
Posted Jul 26, 2023
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Moxie
(2021)
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Carson Timar
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While Moxie might not be a masterpiece, it cannot be stated enough how important films like this are. Celebrating girlhood with a clear and empowering voice, this is the type of content that needs to be made.
Posted Sep 27, 2022
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The Quiet Girl
(2022)
|
Sarah Manvel
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An Cailín Ciúin’s depiction of growing up is mostly how someone learns to find safety within their own thoughts while going about an ordinary day. Peeling potatoes, fetching water, sweeping, having a bath. It all builds to a devastatingly emotional finale
Posted Jun 09, 2022
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Paris, 13th District
(2021)
|
Sarah Manvel
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A joyous film about the kind of human connections we should all be so fortunate to have.
Posted Mar 05, 2022
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Pom Poko
(1994)
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Carson Timar
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Pom Poko might fly under the radar for most when it comes to the works of Studio Ghibli, but really should be considered one of their best works.
Posted Feb 12, 2022
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First Cow
(2019)
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Carson Timar
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First Cow might not be the most impactful film of the year, but it absolutely is one of the most joyful and charming.
Posted Feb 12, 2022
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Greyhound
(2020)
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Carson Timar
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As is, Greyhound is a competent war film with some decent ideas sprinkled throughout that sadly becomes dull with bland action and visuals.
Posted Feb 12, 2022
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Palm Springs
(2020)
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Carson Timar
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With an incredibly smart screenplay and cast, it is a film that not only provides plenty of laughs, but also some legitimate heart and soul.
Posted Feb 12, 2022
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Little Women
(1994)
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Carson Timar
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There is plenty to love in 1994s Little Women, and at worst the flaws hold it back from being a masterpiece, subjecting it to the title of being really good.
Posted Feb 12, 2022
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Crazy Samurai: 400 vs 1
(2020)
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Carson Timar
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For those who love samurai action films and dont need a ton of character or story to captivate them, this is probably going to be butter on their bread.
Posted Feb 12, 2022
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Labyrinth of Cinema
(2019)
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Carson Timar
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Labyrinth of Cinema still serves as a justified sendoff for legendary director Nobuhiko Obayashi, even if it wont go down as his magnum opus.
Posted Feb 12, 2022
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Spree
(2020)
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Carson Timar
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Spree walks a fine line, but is able to find the balance, and stand out as a well crafted and inspired effort.
Posted Feb 12, 2022
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Train to Busan Presents: Peninsula
(2020)
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Carson Timar
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Peninsula might not be to the same level of Train to Busan, but still is worth checking out to those faithful to the original film.
Posted Feb 12, 2022
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Sanzaru
(2020)
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Carson Timar
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Despite failing to achieve its goals as a horror film, Sanzaru still is undeniably impressive as a tense drama that features really strong directing and performances.
Posted Feb 12, 2022
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The Bigamist
(1953)
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Carson Timar
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The Bigamist undoubtedly could have been cleaned up here and there, but overall is a worthwhile excursion into a layered and nuanced exploration of love.
Posted Feb 12, 2022
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Kill It and Leave This Town
(2020)
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Carson Timar
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With some of the most captivating visuals of any film this year, a gritty yet undoubtedly cool style, and thematic weight; the film truly stands out as one of the best animated films of 2020 so far.
Posted Feb 12, 2022
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The Reason I Jump
(2020)
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Carson Timar
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The Reason I Jump will clearly connect the most with individuals who have direct ties to the nonverbal autistic community. The film remains impactful and worthwhile for universal audiences.
Posted Feb 12, 2022
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Possessor: Uncut
(2020)
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Carson Timar
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Possessor is a complex film that requires an actively engaging audience, but also gives enough to where the viewing experience will be rewarding rather than frustrating.
Posted Feb 12, 2022
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The Trial of the Chicago 7
(2020)
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Carson Timar
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The Trial of the Chicago 7 might not be the most revolutionary film of the year when it comes to thesis, but its craft and basic effectiveness is undeniable.
Posted Feb 12, 2022
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The Father
(2020)
|
Carson Timar
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Not only is the film absolutely affecting, but the sheer confidence that it carries would be impressive for any film much less a directorial debut.
Posted Feb 12, 2022
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One Night in Miami
(2020)
|
Carson Timar
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To say that One Night in Miami is impressive would be an understatement. This is a film that so easily could have fallen apart if even a single element was not performing to an incredibly high level. Yet every piece of the film is truly inspired.
Posted Feb 12, 2022
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Mank
(2020)
|
Carson Timar
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As it stands, Mank might have to settle for great over legendary.
Posted Feb 12, 2022
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Cryptozoo
(2021)
|
Carson Timar
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Even as the medium of animation grows and it seems like the boundaries of the genre are approaching, a film like Cryptozoo will come along and prove just how important and unique the medium can be.
Posted Feb 12, 2022
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A Quiet Place Part II
(2021)
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Carson Timar
|
A Quiet Place Part II takes all the pieces needed to be a truly great horror sequel and ties them together with a flimsy and disappointing execution, that does the entire project a disservice.
Posted Feb 12, 2022
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Bloodsport
(1988)
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Carson Timar
|
Bloodsport might not be anything even close to a masterpiece, but as a fun 80s action romp it is hard to deny the effectiveness of it.
Posted Feb 12, 2022
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Mr. Roosevelt
(2017)
|
Carson Timar
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Walking a dangerous tightrope between comedy and drama, the film holds its balance and finds a combination of the two that works on nearly every level.
Posted Feb 12, 2022
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Sundown
(2021)
|
Carson Timar
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While Sundown might not be the same type of revelation that New Order was, it is yet another strong outing for Michel Franco.
Posted Feb 12, 2022
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Ghostbusters: Afterlife
(2021)
|
Carson Timar
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Ghostbusters: Afterlife is one of the stronger follow-ups to the original film and the project ends up not just being respectable, but also an overall positive viewing experience.
Posted Feb 12, 2022
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Nightmare Alley
(2021)
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Carson Timar
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While there are clear highlights of del Toros Nightmare Alley that help hold the film together as being far from a disaster, the feature overall is a disappointment from Guillermo del Toro, that feels messy and misguided.
Posted Feb 12, 2022
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Licorice Pizza
(2021)
|
Carson Timar
|
Licorice Pizza is a complex film that comes so close to greatness only to drop the ball in its final few moments.
Posted Feb 12, 2022
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Knives Out
(2019)
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Carson Timar
|
Knives Out might not be the classic whodunit that the marketing suggests, but it remains one of the most entertaining and engaging films of the year.
Posted Feb 12, 2022
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Klaus
(2019)
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Carson Timar
|
Klaus is a perfectly fine holiday animated movie, but it never is able to reach above that.
Posted Feb 12, 2022
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Just Mercy
(2019)
|
Carson Timar
|
Just Mercy is a great companion to the ongoing discussion regarding the death penalty, bringing a relevant and integral view to the topic.
Posted Feb 12, 2022
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The King
(2019)
|
Carson Timar
|
The King a film with a compelling and captivating story that leaves an emotional impact.
Posted Feb 12, 2022
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Star Wars: The Rise of Skywalker
(2019)
|
Carson Timar
|
The Rise of Skywalker might play it safer than its predecessor, The Last Jedi, but it so effective in its messages that it connects and provides a more a very satisfying conclusion.
Posted Feb 12, 2022
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1917
(2019)
|
Carson Timar
|
1917 is a technical masterpiece that comes together with genuine powerful emotion to become a captivating work of art.
Posted Feb 12, 2022
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Little Women
(2019)
|
Carson Timar
|
Coming as the 8th adaptation of the classic novel that so many grew up with, it might be hard to imagine that 2019s Little Women would become something special but it really is.
Posted Feb 12, 2022
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A King in New York
(1957)
|
Carson Timar
|
A King in New York clearly is a unique and defining look at society in America in 1957.
Posted Feb 12, 2022
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