Taylor Antrim
Taylor Antrim's reviews only count toward the Tomatometer® when published at the following Tomatometer-approved publication(s):
Vogue
Movies reviews only
| Rating | T-Meter | Title | Year | Review |
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Infinity Pool (2023) |
I won’t forget Infinity Pool, even though I closed my eyes through a lot of it. - Vogue
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| Posted Jan 27, 2023
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Tár (2022) |
Tár is a movie that defies easy judgments and prompts conversation. Remember when more movies did that? - Vogue
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| Posted Oct 07, 2022
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Watcher (2022) |
Watcher is moody, tense, and surprisingly effective as a slow-burn horror indie. - Vogue
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| Posted Jul 27, 2022
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Fresh (2022) |
Edgar-Jones’s Noa taps hidden reserves of pluck as she fights for her survival against her deranged captor. She’s a horror heroine you root for all the way to the bloody end. - Vogue
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| Posted Jul 27, 2022
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After Yang (2021) |
Slow but emotionally generous and suffused by warmth. - Vogue
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| Posted Jul 27, 2022
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Fire of Love (2022) |
A dazzling, seductive, nature-meets-romance documentary that cuts against the current grain for nonfiction films. - Vogue
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| Posted Jul 07, 2022
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Top Gun: Maverick (2022) |
Did I say the flight sequences are awesome? They are. - Vogue
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| Posted May 27, 2022
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Men (2022) |
Men wants to be a conversation piece. I prefer to think of it as a straight-up nightmare. - Vogue
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| Posted May 19, 2022
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Navalny (2022) |
The other reason to go see Navalny in a theater, if you can, is for its sheer entertainment value, to be properly immersed in the suspenseful story Roher is telling -- recent history and scarcely believable if this were a Jason Bourne sequel. - Vogue
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| Posted Apr 14, 2022
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Bergman Island (2021) |
Bergman Island feels an especially poignant exercise for [Hansen-Løve], examining both what it means to be inspired and how, for a certain kind of creative, making art means exploring the past, present, fantasy, and reality all at the same time. - Vogue
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| Posted Oct 22, 2021
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Stillwater (2021) |
Stillwater never feels sensationalistic or lurid. - Vogue
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| Posted Aug 02, 2021
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The Green Knight (2021) |
I myself masked up and saw it on the big screen, and wouldn't have wanted to experience it any other way. - Vogue
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| Posted Aug 02, 2021
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Nomadland (2020) |
Frances McDormand is in an acting class of her own, able to communicate worry, resilience, loneliness, and the opposite -- with a subtle gesture, a shift of expression, a set gaze. - Vogue
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| Posted Feb 22, 2021
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Tell Me Who I Am (2019) |
You'll watch the last 20 minutes with your heart in your throat. - Vogue
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| Posted May 23, 2020
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Bacurau (2019) |
Bacurau is a warning, and a cry of populist anger. - Vogue
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| Posted Mar 07, 2020
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The Invisible Man (2020) |
Yes, Adrian appears in his optics suit during the climactic finale, but Moss is the one who dominates every scene. This is her story: a story of trauma and what it means to not be believed, and there's not a breath of exploitation on screen. - Vogue
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| Posted Feb 28, 2020
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Uncut Gems (2019) |
It's gleefully anarchic and determined to leave you exhausted. Mission accomplished. - Vogue
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| Posted Dec 12, 2019
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The Irishman (2019) |
It's pretty nimble for such a behemoth and can be extremely funny; Pacino is just a scenery-chewing riot as Hoffa. - Vogue
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| Posted Sep 28, 2019
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Ad Astra (2019) |
Pitt, at 55, is so companionable, so grounded and resolute, that spending two hours with him is like leaning comfortably against a cool slab of granite. - Vogue
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| Posted Sep 19, 2019
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A Beautiful Day in the Neighborhood (2019) |
Flat-footed, saccharine, and dull... - Vogue
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| Posted Sep 10, 2019
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Marriage Story (2019) |
A nuanced, humane, frequently hilarious, but equally painful film. - Vogue
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| Posted Sep 10, 2019
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Just Mercy (2019) |
Somber, modest in look, and, I'm afraid, stiflingly earnest. - Vogue
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| Posted Sep 10, 2019
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The Report (2019) |
Credit goes to a formidably contained Adam Driver...Daniel J. Jones and writer/director Scott Z. Burns for managing to make a story of men and women in conference rooms talking about ethics and policy comprehensible, lucid-and gripping. - Vogue
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| Posted Sep 10, 2019
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The Two Popes (2019) |
Brazilian director Fernando Meirelles gives us sumptuous on-location visuals of the Vatican and the Papal Summer Palace, and the script (by Anthony McCarten) has wit, hilarity, and sophistication. - Vogue
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| Posted Sep 10, 2019
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Ready or Not (2019) |
90 minutes of hilariously grotesque mayhem... - Vogue
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| Posted Aug 22, 2019
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47 Meters Down: Uncaged (2019) |
This is one of those undeniably bad movies that remains unaccountably enjoyable to the bloody, bitter end. - Vogue
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| Posted Aug 16, 2019
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Midsommar (2019) |
I'm thrilled that an original story like Midsommar exists. - Vogue
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| Posted Jul 02, 2019
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The Perfection (2018) |
The Perfection, isn't great cinema. Far from it. But Allison Williams and Logan Browning's cellists-on-a-rampage horror film is also impossible not to careen all the way to the end of-jaw dropped, sort of not quite believing what you're seeing. - Vogue
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| Posted May 30, 2019
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Us (2019) |
It's a funhouse of conflicting narratives... insists that you see it seen again. - Vogue
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| Posted Mar 21, 2019
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High Flying Bird (2019) |
The movie is taut and clever, but it never soars with emotion; it's too busy talking over itself, filling the air with ideas. - Vogue
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| Posted Feb 12, 2019
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Fyre (2019) |
Plays like a thriller. - Vogue
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| Posted Jan 15, 2019
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Suspiria (2018) |
I defy you to take any delight in Suspiria, or to explain what on earth is going on in that final set piece... - Vogue
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| Posted Nov 08, 2018
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22 July (2018) |
A stirring, profoundly moving film and further sign that Netflix is finally taking its original content seriously. - Vogue
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| Posted Oct 10, 2018
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Hold the Dark (2018) |
This is unlike any movie I've seen in some time, an art film that takes risks at every turn, and if Netflix is in the business of financing risk-taking, god bless them. - Vogue
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| Posted Sep 28, 2018
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Mission: Impossible - Fallout (2018) |
The relative lack of CGI, the way bodies run and leap and climb and slam into things in this movie makes you catch your breath. - Vogue
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| Posted Jul 26, 2018
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Won't You Be My Neighbor? (2018) |
The most soothing, joyful, and hope-inducing 90 minutes I've spent in recent memory. It's like sitting in a warm bath of positivity. - Vogue
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| Posted Jun 15, 2018
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American Animals (2018) |
Miraculously American Animals manages to have the pace and tension of a thriller and the empathic fascination of true-crime journalism. - Vogue
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| Posted May 31, 2018
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Ibiza (2018) |
This hilarious trio... have bawdy chemistry, and a kind of hanging-out comedic naturalism. - Vogue
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| Posted May 24, 2018
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Anon (2018) |
Anon has a harebrained plot, scene after scene of actors staring blankly into space (scrolling through their enhanced vision), zero romantic chemistry between the two leads, and a twist of an ending that makes you shrug. - Vogue
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| Posted May 24, 2018
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Cargo (2017) |
An apocalypse film of unusual subtlety and suspense. - Vogue
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| Posted May 24, 2018
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Revenge (2017) |
It's a ludicrously gory, over-the-top, woman-on-a-rampage grindhouse film... and I kind of loved it. - Vogue
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| Posted May 11, 2018
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Ghost Stories (2017) |
Don't be fooled. Ghost Stories is smartly constructed and seriously scary. - Vogue
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| Posted Apr 19, 2018
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Sweet Country (2017) |
Sweet Country is a somber film, but not a didactic or overly worthy one. It has pace and suspense and a kind of visual poetry in its images of the vivid and desolate Australian landscape. - Vogue
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| Posted Apr 10, 2018
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Annihilation (2018) |
Annihilation is sublimely strange...This is one of those movies that will anger literal minded fanboys, and enthrall the rest of us. I can't wait to see it again. - Vogue
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| Posted Feb 21, 2018
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Loveless (2017) |
Though deliberately paced, Loveless keeps you riveted with gorgeously shot sequences of a volunteer search force fanning out through wintry landscapes-suburban woods, an abandoned hotel, an especially grim hospital. - Vogue
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| Posted Feb 14, 2018
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The Disaster Artist (2017) |
The Disaster Artist, which Franco directed and stars in, has to be one of the best and sweetest and funniest films about failure I've ever seen. - Vogue
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| Posted Nov 28, 2017
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American Made (2017) |
To watch American Made is to recall [Tom Cruise's] loose charm from films past-and to think, a little mischievously, that this is one megastar who is very good at playing stupid. - Vogue
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| Posted Sep 28, 2017
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Alien: Covenant (2017) |
Alien: Covenant is pretty good: Two gripping hours of sci-fi dread, horror-movie splatter, and-sure-some fairly goofy myth building. - Vogue
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| Posted May 19, 2017
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Free Fire (2016) |
Free Fire isn't a complicated or a perfect film, but it is self-conscious in a refreshing way. - Vogue
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| Posted Apr 21, 2017
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Raw (2016) |
A humane cannibal film! Leave it to the French. - Vogue
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| Posted Mar 09, 2017
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