Tim Cogshell
Tomatometer-approved critic
http://CinemaINmind.com
Movies reviews only
| Rating | T-Meter | Title | Year | Review |
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Way of a Gaucho (1952) |
It didn't make a dime, but it's a beautiful movie. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 25, 2023
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Gods of Mexico (2022) |
It will blow you away. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 25, 2023
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The Lost King (2022) |
It's sweet and nice, but it didn't need the extra stuff. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 25, 2023
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Rodeo (2022) |
A very difficult film, but a slice of life I didn't know before. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 25, 2023
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Tori and Lokita (2022) |
Whenever [Jean-Pierre and Luc Dardenne] turn their camera to the black African population, it's very important because what they are saying is "these are French folk, and we're including them in our narrative canon." - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 25, 2023
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Jacir (2022) |
An excellent social drama. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 25, 2023
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A Good Person (2023) |
The reason it doesn't become a rambling mess is because Morgan Freeman and Florence Pugh are so damn good. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 24, 2023
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John Wick: Chapter 4 (2023) |
It's too long... [But] I love these films, and I love this film. It's fantastic. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 24, 2023
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Children of the Corn (2023) |
The little evil girl gives a pretty solid performance in this terrible movie. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 15, 2023
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Transfusion (2023) |
What I like about this movie is the nature of Sam Worthington's character... It's a fresh take. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 15, 2023
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Unseen (2023) |
You still have to sit through the young woman being viciously brutalized throughout the film. Sorry, I ain't gonna do it. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 15, 2023
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Blueback (2022) |
A lovely, sweet family film. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 15, 2023
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Hunt Her, Kill Her (2022) |
I don't care to endure the vicious attacks on women in these kind of films. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 15, 2023
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Pacifiction (2022) |
Very good and unsettling. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 15, 2023
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A Little White Lie (2023) |
I kept thinking to myself "This is a stupid movie -- but it got me." - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 15, 2023
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What We Do Next (2022) |
I reject the bottom line of what is basically a morality play. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 15, 2023
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Creed III (2023) |
Solid installment!... Pretty pedestrian, but goes places I really like. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 15, 2023
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88 (2022) |
Brandon Victor Dixon's quite good in this movie that's not very good. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 03, 2023
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The First Fallen (2021) |
Very moving and powerful. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 02, 2023
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A Radiant Girl (2021) |
It's very uncomfortable while also being extremely beautiful. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 02, 2023
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Heart of a Champion (2023) |
A mediocre -- but not bad -- family drama... I just adored every moment of it. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 02, 2023
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Emily (2022) |
I thoroughly enjoyed this film -- which looks and feels a lot like Wuthering Heights. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 02, 2023
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Return to Seoul (2022) |
Extraordinary in every way. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Mar 02, 2023
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Ant-Man and The Wasp: Quantumania (2023) |
Jonathan Majors is just outstanding. He's in a different movie, giving a Shakespearean performance in what is otherwise... well, it's Ant-Man. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Feb 28, 2023
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Emily (2022) |
O’Connor’s Emily overcomes her quirks, engages her desire, and fulfills her passions—and then some. - AV Club
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| Posted Feb 17, 2023
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Life Upside Down (2023) |
[Small-budget films made during COVID] will peter out soon, I think this'll be close to one of the last ones -- and that'll be good. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Feb 11, 2023
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The Man in the Basement (2021) |
Very interesting... A thriller about how easily Holocaust denial can be insinuated in one's mind. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Feb 11, 2023
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Kompromat (2022) |
It's about the people themselves, and I appreciated that about the film. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Feb 11, 2023
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Infinity Pool (2023) |
It wants to say something about society. It's trying, but it doesn't get there. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Feb 11, 2023
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The Quiet Epidemic (2022) |
I wish some folks from the other side [of the debate] were able to participate, but as it is, this is what we have. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Feb 11, 2023
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Pamela, a Love Story (2023) |
She's a consequential figure, and this movie tells us why. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Feb 10, 2023
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You People (2023) |
It's so funny. I don't know if it'll change race relations, but it'll make you laugh. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Feb 10, 2023
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Close (2022) |
It heightens the dramatic attention in a way that makes it less authentic than it ought to be. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Feb 10, 2023
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One Fine Morning (2022) |
Léa Seydoux is quietly radiant in a bittersweet character study. - AV Club
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| Posted Jan 24, 2023
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Joyride (2022) |
Tugs at your heartstrings, but you know nothing bad is really going to happen. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Jan 18, 2023
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Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb (2022) |
Great stuff over the last 40 years. I really enjoyed it. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Jan 18, 2023
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Alice, Darling (2022) |
Not bad at all. More drama than thriller, although it has both modes to it. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Jan 18, 2023
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Broker (2022) |
You wouldn't think a movie about selling babies would be funny -- but it's funny. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Jan 18, 2023
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Corsage (2022) |
A very powerful story that's smushing a couple things together that might not necessarily go together, but worked for me anyway. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Jan 18, 2023
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Women Talking (2022) |
Plays like a fable... But it's sharp, and it's biting. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Jan 18, 2023
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Living (2022) |
I love this film. Probably one of my favorites of the year. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Jan 18, 2023
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A Man Called Otto (2022) |
If you were to start [this remake and the original] at the exact same moment, I promise it wouldn't make any difference which one you looked at. But you know why? Because all the scenes were working in the first movie, too. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Jan 18, 2023
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Babylon (2022) |
I didn't buy one second of it, for one moment. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Jan 18, 2023
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Hunt (2022) |
All of these things were huge [historical] events during that period, if you know all of this stuff, this movie is way better.
- FilmWeek (KPCC - NPR Los Angeles)
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| Posted Dec 06, 2022
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Spoiler Alert (2022) |
Reaches for humor without jokes... once in a while a few films achieve that, and this is one of them. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Dec 06, 2022
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All the Beauty and the Bloodshed (2022) |
Two incomplete movies. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Dec 06, 2022
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Lowndes County and the Road to Black Power (2022) |
Very powerful film. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Dec 06, 2022
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EO (2022) |
It's clever, but not particularly original. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Dec 06, 2022
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Lady Chatterley's Lover (2022) |
Very very hot. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Dec 06, 2022
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The Eternal Daughter (2022) |
Very slow, very methodical, very moody and you do feel like you're in a ghost story... but it has a sense of dissatisfaction. - FilmWeek (KPCC - NPR Los Angeles)
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| Posted Dec 06, 2022
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