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Critics list

Zhuo-Ning Su

Tomatometer-approved critic

Reviews

Movies TV Shows
Bugonia (2025) 88% EDIT “The result is a sleeker (if slightly paler) version of a truly bonkers film. ” – The Film Stage Aug 28, 2025 Full Review La Grazia (2025) 81% EDIT “The style-substance ratio here is still not ideal, but the film offers enough of both for an appealing, intellectually, and emotionally tickling experience.” – The Film Stage Aug 27, 2025 Full Review Resurrection (2025) 89% EDIT “Narratively and stylistically chameleonic, it’s a sci-fi-flavored, century-spanning cinematic collage and profound invitation to dream. ” – The Film Stage May 23, 2025 Full Review A Private Life (2025) 81% EDIT “This up-tempo comedic murder mystery is a breezy, fun means of showcasing delicious chemistry between legendary actors.” – The Film Stage May 21, 2025 Full Review Pillion (2025) 100% EDIT “Lighton has made a truly provocative anti-romance that’s funny, honest, strangely touching. It’s an exceptional balance act that makes Pillion the unlikeliest crowd-pleaser. ” – The Film Stage May 19, 2025 Full Review The Mysterious Gaze of the Flamingo (2025) 95% EDIT “A finely crafted, deeply affecting tribute to love and community––a piece of proudly, vitally queer art.” – The Film Stage May 17, 2025 Full Review Enzo (2025) 86% EDIT “It’s refreshing to see a film address queerness not just within the context of sexuality, but a broader sense of alienation, of not feeling at home in one’s own life. This is a topic that still has endless potential for stories. ” – The Film Stage May 15, 2025 Full Review Leave One Day (2025) 57% EDIT “Unfolds with such beat-by-beat familiarity it’s hard to feel excited about anything it’s trying to say.” – The Film Stage May 14, 2025 Full Review Girls on Wire (2025) 58% EDIT “Without a compelling story that conveys what’s at stake, the film struggles to inspire some emotional response when the protagonists finally decide to go their own way.” – The Film Stage Feb 17, 2025 Full Review Harvest (2024) 74% EDIT “A nightmarish parable for the horrors of fascism, xenophobia and what happens when good people stand by and do nothing.” – Awards Daily Sep 16, 2024 Full Review Joker: Folie à Deux (2024) 31% EDIT “Gaga doesn’t have as much to work with, but her Grammy-winning vocals do help propel the biggest set pieces to explosive heights.” – Awards Daily Sep 16, 2024 Full Review April (2024) 95% EDIT “There’s great mystery to April. You don’t understand it so much as intuit or inhabit it. Kulumbegashvili’s storytelling is based on a visual language all her own, for me the true mark of a great director. ” – Awards Daily Sep 16, 2024 Full Review Queer (2024) 77% EDIT “By turns sexy, heartbreaking, and extraordinarily trippy, the film mutates in front of our eyes in its exploration of this strange, strange thing called love... Queer is a triumph.” – Awards Daily Sep 3, 2024 Full Review The Room Next Door (2024) 80% EDIT “Fans can breathe a sigh of relief that that rare mix of intelligence and unabashed emotions which makes [Pedro Almodóvar's] films so special didn’t get lost in translation here. The Room Next Door enchants.” – Awards Daily Sep 3, 2024 Full Review The Brutalist (2024) 93% EDIT “Nothing could have prepared us for The Brutalist, a film so layered in meaning, staggering in craftsmanship and -- despite its length and book-like structure -- so magically uncluttered, you feel like you’re watching a classic. ” – Awards Daily Sep 1, 2024 Full Review Three Friends (2024) 90% EDIT “A rewarding, if not downright cathartic watch for all who have suffered for love.” – Awards Daily Aug 31, 2024 Full Review Babygirl (2024) 76% EDIT “With un-moralistic candor and plenty of zest, Reijn made an insightful, exciting film that eschews cheap payoff at every turn” – Awards Daily Aug 31, 2024 Full Review Maria (2024) 76% EDIT “Bless Larraín for continuing to give complex, fascinating women the unconventional, individually tailored cinematic treatment that they deserve.” – Awards Daily Aug 29, 2024 Full Review Beetlejuice Beetlejuice (2024) 75% EDIT “After a series of massive Disney misfires, [Tim Burton]’s got his creative juices flowing again by going back to his roots. All the ghosts and undead corpses notwithstanding, nothing he’s put out has felt so wildly alive in a long time. ” – Awards Daily Aug 28, 2024 Full Review All We Imagine as Light (2024) 100% EDIT “All We Imagine as Light dazzles with its lyrical, quietly moving dissection of womanhood and the immigrant experience in Mumbai today.” – Awards Daily Jun 12, 2024 Full Review Grand Tour (2024) 91% EDIT “Hypnotically strange and beautiful, Grand Tour travels across borders of time and space, fiction and documentary, reality and dream, and ends on an appropriately poetic note. ” – Awards Daily Jun 12, 2024 Full Review Caught by the Tides (2024) 99% EDIT “Its free-flowing, image-driven form will no doubt alienate many viewers, but those willing to just let its singular cinematic language wash over them would be rewarded with something barely articulated yet quietly profound.” – Awards Daily Jun 12, 2024 Full Review Anora (2024) 93% EDIT “Written and directed with an infectious, propulsive energy and featuring a star-making performance by Mikey Madison, it’s one wild joyride you don’t want to miss.” – Awards Daily Jun 12, 2024 Full Review The Apprentice (2024) 82% EDIT “A sometimes funny, sometimes sobering character study that never veers into comedy/thriller territory.” – Awards Daily Jun 12, 2024 Full Review Armand (2024) 73% EDIT “Some of its themes and plot devices feel déjà vu, but that doesn’t make this intense, strikingly stylistic first film any less impressive.” – Awards Daily Jun 12, 2024 Full Review
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