La Graine et le Mulet (The Secret of the Grain) (Couscous)2007
La Graine et le Mulet (The Secret of the Grain) (Couscous) (2007)
Critic Consensus: A complex portrait of an immigrant family, The Secret of the Grain is a sprawling, intimate film with many fine performances.
La Graine et le Mulet (The Secret of the Grain) (Couscous) Photos
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as '''Slimane Beiji'''
Critic Reviews for La Graine et le Mulet (The Secret of the Grain) (Couscous)
Never sagging, it unfolds over 2 1/2 hours. Nothing is overexplained. Indeed, it takes us time to suss out Slimane's various familial relationships.
Time stretches out to the limits of endurance, Slimane's and ours, and there are moments toward the conclusion of this picture when you will want to scream and throw things at the screen, but it's mesmerizing. When it does end, suddenly, it feels a little
A ponderous tragedy about put-upon manhood? A verite snoop into cultures that are sexually mingled but publicly uneasy? A pill to be swallowed in the name of serious filmgoing? Maybe all of these.
The Secret of the Grain takes one man, his children, their spouses and babies, his ex-wife, his girlfriend, her daughter, and his friends and turns it all into a masterpiece about the strange power of food -- to heal, unite, exasperate.
Rather than observing this family, we feel we are part of it, and that draws us in as nothing else can.
Audience Reviews for La Graine et le Mulet (The Secret of the Grain) (Couscous)
An intimate invitation into the lives of a French-Arab family, THE SECRET OF THE GRAIN is a long and complex drama that reveals multiple aspects of familial relationships by utilizing various dynamics that reflect its characters' emotions without the need to overly express. Abdel Kechiche's film features performances from its large ensemble cast that are impressive, natural, and always believable, as well as a story that builds gradually and effectively before reaching an abrupt but satisfying climax. Shot entirely hand-held, the film's visual style places us right next to the family members as they eat, argue, converse, and panic as if we were included in their small community. In doing so, Kechiche has crafted a film that is both intricate and genuine - one that never feels long and is subtly riveting til the very end.
What an incredible experience! A quiet, very dignified man, Slimane (Habib Boufares), a Turkish immigrant to this southern port city in France, pursues his dream after getting laid off at the job he has held for 35 years. He buys an old hulk of a boat and converts it to a couscous restaurant. Helping him to realize his dream is as varied a cast of characters as one could ever hope for. Hafsia Herzi is stunning as Rym, the daughter of the woman he now lives with and the person who most believes in him. She definitely goes on this viewer's watch list. I want to see more of her! Slimane's family is a noisy, fractious bunch that includes several grown children and their spouses who gather at their mother's house for Sunday dinners. The conversation flows freely and one instantly feels a part of the bonhomie. At two and a half hours, it runs long, but even so, it never seems to drag. The emotions are intense, the story compelling, the frustrations of swimming against the cultural tide are palpable and the heroic dignity of Slimane makes this a superb view into this community.
A very good film that I almost turned off 40 minutes in. I'm very glad I didn't, the ending alone is worth sticking it out for. Aside from the over-long exposition, La Graine et le Mulet is a film that is really, really interesting to think about after watching it, as it tells a story of one family finding its place in its adopted homeland. It's very hard to summarize the story without ruining the drama, but suffice to say that Claude Berri plays into stereotypes very well, and over the course of the film turns you for and against his protagonists very easily. I think this film is meant to expose the viewer's pre-conceived notions and make you question yourself: if you're French and happen to be a little xenophobic, you'll see it very differently than if you're an immigrant to France from North Africa... and if you're a neutral Canadian like me? It's an eye-opener to a variety of discrimination that's generally not seen here, and a good film to watch for that reason. The movie's a bit on the long side, but all in all it is worth sticking it out for enjoyable and poignant second half.
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