Laura (1944)



Critic Consensus: A psychologically complex portrait of obsession, Laura is also a deliciously well-crafted murder mystery.

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Movie Info

This adaptation of Vera Caspary's suspense novel was begun by director Rouben Mamoulien and cinematographer Lucien Ballard, but thanks to a complex series of backstage intrigues and hostilities, the film was ultimately credited to director Otto Preminger and cameraman Joseph LaShelle (who won an Oscar for his efforts). At the outset of the film, it is established that the title character, Laura Hunt (Gene Tierney), has been murdered. Tough New York detective Mark McPherson (Dana Andrews) investigates the killing, methodically questioning the chief suspects: Waspish columnist Waldo Lydecker (Clifton Webb), wastrel socialite Shelby Carpenter (Vincent Price), and Carpenter's wealthy "patroness" Ann Treadwell (Judith Anderson). The deeper he gets into the case, the more fascinated he becomes by the enigmatic Laura, literally falling in love with the girl's painted portrait. As he sits in Laura's apartment, ruminating over the case and his own obsessions, the door opens, the lights switch on, and in walks Laura Hunt, very much alive! To tell any more would rob the reader of the sheer enjoyment of watching this stylish film noir unfold on screen. Everything clicks in Laura, from the superbly bitchy peformance of Clifton Webb (a veteran Broadway star who became an overnight movie favorite with this film) to the haunting musical score by David Raskin. Long available only in the 85-minute TV version Laura has since been restored to its original 88-minute running time. ~ Hal Erickson, Rovi
Classics , Mystery & Suspense
Directed By:
Written By:
In Theaters:
20th Century Fox

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Gene Tierney
as Laura Hunt
Dana Andrews
as Det. McPherson
Clifton Webb
as Waldo Lydecker
Vincent Price
as Shelby Carpenter
Judith Anderson
as Mrs. Ann Treadwell
Dorothy Adams
as Bessie
James Flavin
as McAvity
Clyde Fillmore
as Bullitt
Ralph Dunn
as Callahan
Harry Strang
as Detective
Lane Chandler
as Detective
Frank LaRue
as Hairdresser
Terry Adams
as People
Jean Fenwick
as People
Yolanda Lacca
as People
Forbes Murray
as People
Cyril Ring
as People
Kay Linaker
as People
Cara Williams
as People
Gloria Marlin
as People
Beatrice Gray
as People
Kay Connors
as People
Buster Miles
as Office Boy
Jane Nigh
as Secretary
Lee Tung Foo
as Servant
John Dexter
as Jacoby
Cy Kendall
as Inspector
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News & Interviews for Laura

Critic Reviews for Laura

All Critics (59) | Top Critics (9)

Few movies make you feel dirtier, and so perversely grateful for the pleasure.

Full Review… | December 20, 2011
Time Out
Top Critic

A highly polished and debonair whodunit.

Full Review… | April 20, 2009
TIME Magazine
Top Critic

Less a crime film than a study in levels of obsession, Laura is one of those classic works that leave their subject matter behind and live on the strength of their seductive style.

Full Review… | October 23, 2007
Chicago Reader
Top Critic

A hypnotic and deathlessly interpretable experience.

October 23, 2007
Village Voice
Top Critic

Gene Tierney makes an appealing figure as the art executive and Vincent Price is convincing as a weak-willed ne'er-do-well.

Full Review… | October 23, 2007
Top Critic

The plot is deliberately perfunctory, the people deliciously perverse, and the mise-en-scène radical.

Full Review… | June 23, 2006
Time Out
Top Critic

Audience Reviews for Laura


A good whodunit noir that, despite a plot weakened by contrivances (the worst being the detective falling in love with a dead woman's portrait), is memorable mostly because of David Raksin's score and the film's great dialogue (with Clifton Webb, fantastic, getting the most cynical, priceless lines).

Carlos Magalhães
Carlos Magalhães

Super Reviewer

The presumed death of a woman spurs a detective's investigation of her life and his slowly burning affection for the victim. A classic noir story shot in the brilliant shadows of forties noir cinematography with all the snappy dialogue that we come to expect of the genre, Laura is fun to watch. The actors' rapid fire delivery presents quick wits, and I always like how fast these films move. The story is as circuitous as The Third Man, but Laura is clearly not as strong because the relationship between McPherson and Laura is not as well developed as The Third Man and a greater mystique is built around Orson Welles's character; regardless, to be mentioned in the same breath as The Third Man is an achievement. Overall, if you like noir films, then this one delivers.

Jim Hunter
Jim Hunter

Super Reviewer

One of the most classic and iconic of film noirs, "Laura" is oftentimes seen as much as a voyeuristic and tranquil love story as a thriller. This comes from Detective Mark McPherson's (Andrews) infatuation with a portrait of the deceased that hangs in her own apartment. Though there isn't any declaration of love or perverted intentions, there is a subtle and brave performance from Andrews. The woman who is murdered is named Laura, and the social world that revolves around her is explored in depth as much as her life. She rises through the advertising world and finds herself on the arm of the effeminate and lavish Waldo Lydecker (Webb). Detective McPherson shifts though her world and her beaus in order to find her killer, but in a weird twist it becomes a case of cat and mouse as they wait out the next victim. This film is made up of iconic performances from Gene Tierney, Clifton Webb, Dana Andrews, and a very young and wet behind the ears Vincent Price. It's a very chilling and well-paced thriller that not only builds suspense with a well-chosen villain, a thoroughly invigorating plot, supporting characters that are both interesting and significant to the story. These characters are mostly seen through the scope of the detective, the everyman and slight gumshoe. They're elitist and cultured, especially when it comes to the very talented and distinguished Lydecker, and the group's opinions of the case and the sweet Laura are oftentimes candid and yet regal. Laura herself is an enigmatic and keen creature that is portrayed well by Gene Tierney and though beloved by the men around her, she is not shown as a slinky sex kitten nor a glowing goddess, but a humble and yet spunky reporter turned socialite. Every character, every performance proves that this film is about the actors, and they make this film beyond enjoyable.

Spencer S.
Spencer S.

Super Reviewer

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