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Critics Consensus: No consensus yet.
Critic Consensus: No consensus yet.
All Critics (21) | Top Critics (5) | Fresh (21) | Rotten (0)
Strikingly photographed in black & white, the film is directed with an eye to realistic detail, an ear for the script's frequently natural dialogue and a knack for building suspense.
Stewart brings real flavor and appeal to the role of Lin, in a lean, concentrated portrayal.
Mann's first film with James Stewart, with whom he was to make a series of classic Westerns, this offers the clearest example of Mann's use of the revenge plot.
A frisky, fast-moving, funny Western in which a rifle is the apple of a cowboy's eye.
The final shoot-out remains a classic study in mise-en-scene, as Mann transforms a jagged landscape into a highly charged psychological battleground.
With such a strong cast, the film almost turns into an ensemble film instead of a star vehicle for Stewart in his first of many collaborations with Mann.
This is a fine, mature work: adult, intelligent and moral, creating a laconic new persona for the admirable Stewart.
Winchester '73 changed the way cinema audiences saw the Western, because it featured a more complex idea of the noble hero of the west -- a man plagued by personal problems and violent impulses.
Atmospheric Western with an unusual look at Dodge City and Wyatt Earp.
Winchester '73 is simply one of the finest Westerns ever made, in a class with the best of Ford and Hawks.
The ruthless scraping of the Western's heroic veneer is Anthony Mann's stroke of genius
Every bit the classic its reputation suggests.
One part Western (the visuals), one part noir (the script), this is one different take on the genre. Rock Hudson as an Indian, Tony Curtis as, well, Tony Curtis, a mythical firearm that drives men crazy, and reheat the Redenbacher's, cause this is good viewing.
Super Reviewer
Winchester 73 is one of those perfect classic Westerns (High Noon, The Searchers, Stagecoach, etc.) that never disappoints or lets up from the moment you pop in the disc. The depth and complexity of James Stewart's performance is the star here, but for me, film noir auteur Anthony Mann's textured, high contrast black and white photography is a runner up, especially in the night scenes, which have the haunting and three dimensional glowing quality of the best film noir classics. Thirdly, the perfectly cast cracker jack supporting players, all hold the screen with the masterful Stewart in his prime, full of veterans like Grandpa Walton (Will Geer), and newcomers circa 1950 like Shelly Winters, Tony Curtis and Rock Hudson. The script is subtle using natural, conversational dialogue. The acting style matches the script to a t, with almost Stanislavski-esque performance 'method' . Don't expect the wacky buddy comedy or over the top cackling villainy of some of the other later day (post WWII) Westerns. It's a well told story that wraps up perfectly and takes its time to make its big shocking revelation, adding resonance to the tragic wrenching conclusion. The 93 minutes fly by with the wall to wall excellence on display here.
Winchester 73 is fine, light-hearted fun. Full of charismatic performances and a simple but functional story, it never fails to please or entertain, even if it's not exactly riveting.
This movie is better than losing your virginityI mean seriously who knew Jimmy Stewart kicked so much ass
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