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Movie Info
As his marriage rapidly deteriorates, respected New York City director Eddie Israel (Harvey Keitel) leaves his family on the East Coast and journeys to Los Angeles to make a film about a decadent husband and wife in a souring relationship. But Israel begins a love-hate affair with leading lady Sarah Jennings (Madonna), who's also sleeping with starring actor Francis Burns (James Russo). Amidst the drugs, alcohol, tears and promiscuity, reality and filmmaking become dangerously intermingled.
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Rating: R
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Genre: Mystery & thriller
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Original Language: English
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Director: Abel Ferrara
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Producer: Mary Kane
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Writer: Nicholas St. John
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Release Date (Theaters): original
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Release Date (Streaming):
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Box Office (Gross USA): $121.8K
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Runtime:
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Distributor: Metro-Goldwyn-Mayer
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Sound Mix: Stereo
Cast & Crew

Harvey Keitel
Eddie Israel

Madonna
Sarah Jennings

James Russo
Francis Burns

Nancy Ferrara
Madlyn Israel

Reilly Murphy
Tommy

Victor Argo
Director of Photography

Leonard L. Thomas
Prop Guy

Christina Fulton
Roundgirl

Abel Ferrara
Director

Nicholas St. John
Screenwriter

Freddy DeMann
Executive Producer

Ron Rotholz
Executive Producer

Mary Kane
Producer

Joe Delia
Original Music

Ken Kelsch
Cinematographer

Anthony Redman
Film Editing

Randy Sabusawa
Casting

Alex Tavoularis
Production Design

Nathan Crowley
Art Director

Terry Miller
First Assistant Director
Critic Reviews for Snake Eyes
Audience Reviews for Snake Eyes
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Jan 10, 2011I understood the premise of this film (about a filmmaker trying to get more and more out of his actors while fighting his own personal demons) but the movie was too dark, both mentally and production-wise. Madonna actually puts together a halfway-decent performance, as does method-acting extraordinaire Keitel. Not the most interesting or watchable film I've ever seen.
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Aug 02, 2009Mindless, plotless and boring. I'd rather have been trapped in an elevator with an Amway salesman.
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Jan 05, 2008A different type of film, it just didn't pull me in like I expected.
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Nov 19, 2007That's right! I like this film. Very much in fact. Hot on the heels on Ferrara's finest film, Bad Lieutenant, comes what is probably his most challenging one...and most bizarre. A lot of folks who thought Ferrara was on his way up after BL were put in their place by this uncompromising flick that leaves the viewer scratching their noggin. Still, whether you understand it or not (I don't remember it all too well, it's been years since I've seen it) it's entertaining and has all the elements I love in a Ferrara flick.
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