Incubus

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Cast & Crew

William Shatner

Marc

Allyson Ames

Kia

Eloise Hardt

Amael

Robert Fortier

Olin

Ann Atman

Arndis

Milos Milos

Incubus

Leslie Stevens

Director

Leslie Stevens

Writer

Antony M. Taylor

Producer

Dominic Frontiere

Original Music

Conrad L. Hall

Cinematographer

William A. Fraker

Cinematographer

Richard K. Brockway

Film Editing

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Critic Reviews for Incubus

Audience Reviews for Incubus

• Dec 03, 2010

  Incubus claws a star and a half out of my hands for the cinematography. This film is gorgeous, I won't fight anyone on that. The high-key lighting gives the settings, simple little locations in some woodsy area of California, the almost mythical appeal that the film strives for; internal sets are shadowy with flickers of that same light, conveying menace where everything else here fails to. The acting, for one thing, is utterly ridiculous. How are you supposed to take these people seriously when they don't even know what they're saying? You may as well be watching a bunch of fools babble for 80 minutes and then superimpose a set of improvised subtitles of your own choosing. Unless you speak Esperanto (and who the fuck does?) what you're hearing and seeing essentially is meaningless. But if you play along with the script, then all you really get is a ludicrously over-the-top war of purity and temptation, senseless and unsatisfying and culminating with a really aggressive goat. If it weren't so pretty and so boring, it could almost pass as camp, what with its profoundly wrongheaded hook and the subsequent commercial disaster it left in its wake. Unfortunately, I fell victim to appearances - Incubus is nowhere near as interesting or as bizarre as it sounds.
  

  Super Reviewer
• Sep 05, 2010

  Why would Star Trek star William Shatner agree to be in an horror movie where he would have to speak Esperanto is beyond me, but for some reason I loved it. It's a very atmospheric, creepy, and unique horror film. If you're intrigued by any of this, I highly recommend checking out this movie.
  

  Super Reviewer
• May 04, 2010

  Move over, Mel Gibson. You weren't the first to make a film in a dead or near dead language. Leslie Stevens got there before you. This film was made in Esperanto, a language that...well, I can't explain how it came about. Look it up. The story concerns a young woman named Kia who is a "Succubus", sent from Hell to lead evil men to their doom with her sexuality. She grows tired of leading bad guys who are going to end up in Hell eventually anyway. She wants to tempt someone pure of heart and soul. Enter Marc, in the manly form of William Shatner...yep, THAT William Shatner, the year before he became Capt. Kirk. Things don't go as planned and she ends up falling in love with him. I was interested in this film because it sounded so campy and bad. But this odd film ended up holding my attention more than I expected it to. Shatner is of course Shatner, even in Esperanto. But the film has a Bergmanesque quality to it, from the lighting, pacing and camerawork, to the religious themes, to even most of the females leads being blonde. I think if Roger Corman had grown up in Sweden, this is the type of film he may have come up with.
  

  Super Reviewer
• May 01, 2010

  Believe it or not, "Incubus" really does have an Ingmar Bergman feel. Conrad Hall's eerie, black-and-white cinematography is more the film's star than either the pre-"Star Trek" William Shatner or his succubus temptress Allyson Ames, as the action floats through plenty of dreamy crossfades, wordless wandering and, of course, the horror genre's inevitable clouds of wispy smoke. Yes, "Incubus" is entirely in Esperanto, though minutes often pass without any dialogue. (The version I saw had rather poor implementation of subtitles -- they were dropped on top of the frame, in large white letters on a black background. Far too much image obscured.) This is a short film (78 minutes) but, even so, it seems light on plot. Ames is a beautiful blond demon who lures mortal men to their deaths. She sets her sights on Shatner's character, but is warned by an elder that he is a good man and thus should be avoided (only corrupted men are susceptible). She pursues him anyway, and nearly ruins herself in the process. Eventually, a male incubus is summoned to settle the score. The ending seems notably abrupt, and hurts the story's overall impact. Dominic Frontiere's music -- mostly female moans and swirling strums of harp -- is somewhat cliched but beautifully mixes with the cinematography, and director Leslie Stevens' past work on "The Outer Limits" obviously figures into the film's tone. As for Shatner, it's surprisingly easy to separate him from his Captain Kirk persona, though his climactic fight with the supernatural goat-man had me giggling about the silly tumbling moves he always pulled in "Star Trek" scuffles.
  

  Super Reviewer