The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The Princess and the Frog will certainly be remembered years later as not only a pioneer Disney movie, but also one that allowed audiences to never let go of their dreams and that with love anything is possible, no matter your age or color.
The sweet finale ensures that the whole thing ends on a positive note, admittedly, but it's simply not enough to compensate for The Princess and the Frog's otherwise lackluster, overly familiar sensibilities.
If the film boasts any advantages over digital, it's in the pastel richness of its colours and the elasticity of its characters, who enjoy a degree of comic flexibility and range of expressions we still don't get from computers.
The Princess and the Frog is never boring, and that's a bad thing. Once it gets going, it rarely slows down, as though doing so would mean parting ways with kids' attention spans -- or shine light on what's a pretty thin storyline.