3 Women (1977)
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Critic Reviews for 3 Women
Throughout, Duvall is brilliant: she coins a brand-new caricature of the confident yet clueless single female, then suggests a real person underneath.
Like a dream, it is most mysterious and allusive when it appears to be most precise and direct, when its images are of the recognizable world unretouched (as happens in the film from time to time) by camera filters or lab technicians.
I have seen it many times, been through it twice in shot-by-shot analysis, and yet it always seems to be happening as I watch it. Recurring dreams are like that.
A spectacular artistic success.
A gauzy, perfectly executed vacation in Doppelgänger-burg.
Audience Reviews for 3 Women
2nd time watching this, still can't claim to understand the ending, but wow, such a good movie. Really enjoyed the relationship between these two women. The third in the end is too seldom in the movie to have any real impact. I also lean towards the theory that Millie and Pinkie are the same person, but hard to say.
Wide-eyed Pinky (Sissy Spacek) latches onto delusional Millie (Shelly Duval) until an accident causes a radical personality shift. Fascinating, subtly unnerving psychological mystery that provides a bridge between PERSONA (1966) and LOST HIGHWAY (1997).
'She tries not to shatter, kaleidoscope style Personality changes behind her red smile Every new problem brings a stranger inside Heplessly forcing one more new disguise.'
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