Shirley
Da 5 Bloods
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I May Destroy You
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3 Women is a strange, eerie portrait of late-'70s womanhood that upends and then defies all expectations.
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All Critics (31) | Top Critics (7) | Fresh (29) | Rotten (2)
The result is remarkable -- a semi-lucid, feverish tale of female relationships that disintegrates into a kind of woozy, oppressive madness. July 16, 2015 | Rating: 5/5
The result is remarkable -- a semi-lucid, feverish tale of female relationships that disintegrates into a kind of woozy, oppressive madness.
Wendy Ide
Throughout, Duvall is brilliant: she coins a brand-new caricature of the confident yet clueless single female, then suggests a real person underneath. December 15, 2014 | Full Review…
Throughout, Duvall is brilliant: she coins a brand-new caricature of the confident yet clueless single female, then suggests a real person underneath.
Michael Sragow
Like a dream, it is most mysterious and allusive when it appears to be most precise and direct, when its images are of the recognizable world unretouched (as happens in the film from time to time) by camera filters or lab technicians. May 9, 2005 | Rating: 4/5
Like a dream, it is most mysterious and allusive when it appears to be most precise and direct, when its images are of the recognizable world unretouched (as happens in the film from time to time) by camera filters or lab technicians.
Vincent Canby
I have seen it many times, been through it twice in shot-by-shot analysis, and yet it always seems to be happening as I watch it. Recurring dreams are like that. March 5, 2005 | Rating: 4/4 | Full Review…
I have seen it many times, been through it twice in shot-by-shot analysis, and yet it always seems to be happening as I watch it. Recurring dreams are like that.
Roger Ebert
A spectacular artistic success. June 4, 2004
A spectacular artistic success.
Douglas Pratt
A gauzy, perfectly executed vacation in Doppelgänger-burg. June 25, 2002
A gauzy, perfectly executed vacation in Doppelgänger-burg.
Michael Atkinson
[Shelley Duvall's] Millie Lammoreaux is every bit as haunting as Vivien Leigh's Blanch Dubois. October 23, 2019 | Full Review…
[Shelley Duvall's] Millie Lammoreaux is every bit as haunting as Vivien Leigh's Blanch Dubois.
Ruth Batchelor
So what does this film have to say to women? Not a whole lot. And surely nothing new. August 14, 2019 | Full Review…
So what does this film have to say to women? Not a whole lot. And surely nothing new.
Judy Wynn
These three women form an interesting triptych that, following Nashville and MASH, make Robert Altman one of the more current and personal filmmakers of American cinema. [Full Review in Spanish] July 25, 2019 | Full Review…
These three women form an interesting triptych that, following Nashville and MASH, make Robert Altman one of the more current and personal filmmakers of American cinema. [Full Review in Spanish]
Jesús Fernández Santos
One of Altman's most atmospheric films. December 27, 2018 | Full Review…
One of Altman's most atmospheric films.
Michael E. Grost
Altman's signature telephoto framing, omnipresent murals depicting demon-like creatures, and an atonal score add a creeping menace to uncanny California desert settings. July 28, 2015 | Rating: 5/5 | Full Review…
Altman's signature telephoto framing, omnipresent murals depicting demon-like creatures, and an atonal score add a creeping menace to uncanny California desert settings.
Michelle Devereaux
The film is rich in brilliant oddities and juxtapositions, never more so than when Duvall and Spacek are encompassed in the same frame. December 9, 2014 | Full Review…
The film is rich in brilliant oddities and juxtapositions, never more so than when Duvall and Spacek are encompassed in the same frame.
Melissa Anderson
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