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The hard edges of E.M. Foster novel maybe sanded off, but what we get with A Room with a View is an eminently entertaining comedy with an intellectual approach to love. Read critic reviews
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Movie Info
In this British drama based on the novel by E.M. Forster, Lucy Honeychurch (Helena Bonham-Carter), a young Englishwoman, is touring Italy with her older cousin (Maggie Smith). At a hotel in Florence, Lucy meets the charming and free-spirited George Emerson (Julian Sands). Although intrigued by George, once she's back in England Lucy ponders settling down with the wealthy, staid Cecil Vyse (Daniel Day-Lewis). When George reappears in her life, Lucy must decide between him and Cecil.
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Genre: Drama
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Original Language: English
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Director: James Ivory
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Producer: Ismail Merchant
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Writer: E.M. Forster, Ruth Prawer Jhabvala
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Release Date (Theaters): original
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Release Date (Streaming):
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Box Office (Gross USA): $12.0M
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Runtime:
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Distributor: Warner Home Vídeo, Image Entertainment Inc.
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Production Co: Goldcrest Films International, Merchant Ivory Productions, National Film Finance Corporation
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Sound Mix: Dolby, Surround
Cast & Crew
News & Interviews for A Room With a View
Critic Reviews for A Room With a View
Audience Reviews for A Room With a View
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Helena Bonham Carter has the big big 80s hair and of course the acting ability to match wits with Maggie Smith and Daniel Day Lewis. A Merchant-Ivory period piece yes..but one with some heart to it.
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Lovely movie. Saw it this time on DVD and it was a splendid way to pass a dreary Sunday afternoon. I love Mr. B, the preacher, the best. Helena Bonham Carter is, of course, the coolest with Maggie Smith a close second.
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A young woman falls for a man during her vacation in Italy, but social pressures and his passionate nature make a fop the more socially acceptable choice. Daniel Day-Lewis can play tough, gruff, evil characters like Bill the Butcher and Daniel Plainview and even the sexually voracious Tomas, but can he play an upper-class fop? Yes, he can. The man's range is extraordinary. This film is everything that is good and bad about a Merchant/Ivory production. It's opulent, classic, and essentially British, but it's also occasionally boring, making the most of the most trifling conflicts. Part of this is film's inability as a medium to make compelling commonplace disagreements in a way that is unique to books, but Ivory's direction, distant shots of four or more characters, accentuates the germane nature of the film's tiny conflicts -- about a room with a view, the settling of accounts, and a writer's fictionalizing of a character's dalliance. Overall, if you like Merchant/Ivory films, then you've probably already seen this one, and if you don't, this isn't much different from the rest.
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Nice movie. Not my favorite of this genre, but satisfying. A little slow.
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