A Screaming Man (2011)

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Film Forum is pleased to present the U.S. theatrical premiere of A SCREAMING MAN, written and directed by Mahamat-Saleh Haroun, beginning Wednesday, April 13. Shot in Chad, portraying the psychological fall-out of an endless civil war, A SCREAMING MAN is titled ironically, from a director who credits Ozu as his strongest influence. Adam is a former swimming medalist, now a 60-year-old hotel employee and head "pool man," who maintains this calm oasis as much for his own benefit as for the hotel's Western guests. The tensions between Adam and Abdel, his adult son, are exacerbated when he loses his job to the younger man and their fragile world begins to crumble. Complicating their relationship is the fact that rebel forces are at war with the authorities, and civilians like Adam and Abdel are under pressure to support the government. With subtlety and grace, Haroun's modern fable eschews histrionics for a smart, restrained, yet deeply feeling drama in which personality, politics and place define its characters' reality. A SCREAMING MAN was the winner of the Grand Jury Prize at the 2010 Cannes Film Festival.--(c)Film Movement
Rating:
NR
Genre:
Art House & International , Drama
Directed By:
Written By:
In Theaters:
 limited
On DVD:
Runtime:
Studio:
Film Movement

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Cast

Emile Abossolo-M'bo
as Chef de quartier
Diouc Koma
as Abdel
Li Heling
as Mme Wang
John Mbaiedoum
as Etienne
Sylvain Mbaikoubou
as The New Cook
Abdou Boukar
as The Maitre d'hotel
Fatimé Nguenabaye
as The Neighbor
Gérard Ganda Mayoumbila
as Noncommissioned Officer
Mahamat Choukou
as Soldier at Roadblock
Tourgoudi Oumar
as Soldier at Roadblock
Hadre Dounia
as Young Wounded Soldier
Dioucounda Koma
as Le chef de quartier
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News & Interviews for A Screaming Man

Critic Reviews for A Screaming Man

All Critics (38) | Top Critics (11)

It's an intelligent, good-looking film and one that confirms Haroun as one of Africa's leading filmmakers.

Full Review… | May 10, 2011
Time Out
Top Critic

Director Mahamat-Saleh Haroun's movie... shows the quiet desperation that results from inner and outer conflicts.

Full Review… | April 20, 2011
New York Daily News
Top Critic

[Goes] in a blink from an intriguing personal-breakdown portrait to an all-out social autopsy on life during perpetual wartime.

Full Review… | April 12, 2011
Time Out
Top Critic

The film is quiet and thoughtful, yet forcefully makes its point about the folly of war.

Full Review… | April 12, 2011
New York Post
Top Critic

"A Screaming Man" is a quiet, tender, finally wrenching story of an individual at the intersection of the personal and the political.

April 12, 2011
New York Times
Top Critic

The characterizations never comfortably accommodate Haroun's pat metaphor, though his stoic visual storytelling has an oblique gravity, suggesting a slightly altered meaning to each surveying shot of the poolside patio.

Full Review… | April 12, 2011
Village Voice
Top Critic

Audience Reviews for A Screaming Man

winner of the cannes 2010 grand jury prize this drama deals with the fall out of civil war in chad where this is filmed.

Greg Wood
Greg Wood

Disturbing yet heart wrenching, A Screaming Man is one of the most provocative films to come out of Africa. Real and raw. Prepare for the emotional roller coaster.

John Ballantine
John Ballantine

Super Reviewer

½

With the civil war raging across Chad, Adam(Youssouf Djaoro) and David(Marius Yelolo) have more immediate concerns like possibly losing their jobs at a hotel resort in the upcoming privatization but reassure themselves that they are safe due to their thirty years' service. However, their confidence proves ill-founded when David is fired and Adam is reassigned away from his precious pool and to work as gatekeeper, with his son Abdel(Diouc Koma) becoming the sole pool attendant. As you can imagine, this makes for some awkward family dinners. To make matters worse, Ahmet(Emile Abossolo M'bo), the local chief, informs Adam that he has three days to pay his share of the army tax. "A Screaming Man" is a prime example of economic and sparse filmmaking in the neo-realist tradition. While it might seem more than a little strange to outsiders the importance Adam places on his pool job, it is probably best to remember the high value of water in such an arid country as Chad. It is maybe instead the tourists who should be chided for their partying in a time of war but then they are probably just believing the government propaganda. On another level, this allegorical movie could also said to be about how scary change can be, as we get a couple of reminders that Adam is not quite the person he used to be. Of course, who knows what the future will bring any of us?

Walter M.
Walter M.

Super Reviewer

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