Mary Poppins Returns
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All Critics (35)
| Top Critics (13)
| Fresh (32)
| Rotten (3)
Each movie casts light on the others. And after watching all three, a profound blending of the stories percolates in your head.
If On the Run is the most riveting and shocking of the three, and An Amazing Couple the funniest and most engaging, After the Life is the most touching and dramatic.
[Blanc's] performance is as chilling as Lee Remick's in Days of Wine and Roses.
While it functions independently as a sad, ultimately moving portrait of a deeply codependent couple, the film also emerges as the most richly resonant of The Trilogy.
The Trilogy's amazing partnership is Agnès and Pascal's. With After the Life's tango of enabler and addict, Belvaux finally delivers emotional resonance.
If you have committed to the entire project ... this chapter leaves you not only with a sense of completion but of an ascension to a hard-won grace.
If I had to recommend just one film out of the three, it would be this one.
Works well on its own, but it makes the other two films better still by filling in their gaps and thus making the overall series a good deal more interesting.
It's enjoyably messy, melodramatic entertainment.
The most intimate and moving of the three films. What's most compelling about this installment is its frank exploration of a couple mired in co-dependency.
The Trilogy's narrative structure may be considered a gimmick, but it's one that is thoroughly compelling... as all the pieces of the puzzle fall into place.
"After Life," takes a more somber tone than the first two films [in "The Trilogy"]
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