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Cast

Emilio Echevarría
as El Chivo

Gael García Bernal
as Octavio

Goya Toledo
as Valeria

Alvaro Guerrero
as Daniel

Vanessa Bauche
as Susana

Jorge Salinas
as Luis

Marco Pérez
as Ramiro

Rodrigo Murray
as Gustavo

Humberto Busto
as Jorge

Gerardo Campbell
as Mauricio

Rosa Maria Bianchi
as Aunt Luisa

Dunia Saldivar
as Susana's Mother

Adriana Barraza
as Octavio's Mother

José Sefami
as Leonardo

Lourdes Echevarria
as Maru

Laura Almela
as Julieta

Ricardo Dalmacci
as Andres Salgado

Gustavo Sanchez Parra
as Jarocho

Dagoberto Gama
as Alvaro

Gustavo Muñoz
as El Chispas

Carlo Barnal
as Javier

Rodrigo Obstab
as El Jaibo

Edgar González
as Baby Rodrigo

Hilda González
as Cashier

Patricio Castillo
as Doctor

Roberto Media
as TV Announcer

Ángeles Marín
as TV Announcer

Ana María González
as Nurse

Carlos Samperio
as Man at Junkyard

T. Kazuyo Togawa
as Fat Lady

Adriana Varone
as Luis's Mistress

Bruno Salgado
as Champignon

Adriana Islas
as Lina

Regina Abad
as Jimena

Leoncio Torres
as El Pelon

Luisa Geliz
as Daniel's Secretary

Jean Paul Bierry
as Man at Meeting

Alma Rocío González
as Woman at Meeting

Mauricio Martinez
as Judicial Police Agent

Juan Manuel Ramos
as Policeman

Ernesto Bog
as Man 1

José Luis Barraza
as Man 2

Jorge Arellano
as Boy Caretaker 1

Jonathan Herrera
as Boy Caretaker 2

Heriberto Del Castillo
as Stranger

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News & Interviews for Amores Perros

Critic Reviews for Amores Perros

Audience Reviews for Amores Perros

• May 02, 2013

  Another review that I think magically disappeared from the Flixster vaults. I saw the original Director's cut at the Film Festival which was 3 hours and was in dire need of editing. The current version I assume has that editing and probably accentuates the high action I experienced in this gripping film.
  

  John B Super Reviewer
• Dec 06, 2012

  After a dog-fighter crashes into a supermodel, the film depicts each person's story. Alejandro Gonzalez Inarritu's films never surpassed this, his first effort. An extraordinarily well-told story, Amores Perros reaches the Altman Standard for intersecting stories. Linked by the themes of love and dogs and love of dogs, each story is compelling in its own way, especially the final chapter, which takes advantage of a phenomenal performance by Emilio Echeverria. What I found disappointing was the ending of the second story, which seemed to come to a depressing conclusion without substance. The same can be said of the first story's ending, but the final moments of the film, which conclude the third story, make up for many of the film's deficiencies as a whole. Overall, Amores Perros is a fantastic debut for a rightfully internationally acclaimed filmmaker.
  Jim H Super Reviewer
• Sep 17, 2012

  In my opinion, "Amores Perros" is less comparable to "Pulp Fiction" than it is to, say, "Magnolia." It's a violent flick, but sets aside stylized dialogue and clever scenes for tense, involving drama. Rich performances, a well-defined, multi-layered screenplay, and completely consuming cinematography justify the film's rather cumbersome length, which seems to drag every so often. The stories that bookend the film are seriously involving dramas, while the one in the center feels only slightly contrived. (Luckily, it's the shortest of the three.) Overall, "Amores Perros" is a well-made, thought-provoking, ultimately satisfying ensemble piece.
  Stephen E Super Reviewer
• Feb 09, 2012

  An impressive debut for Alejandro González Iñárritu, who went on to direct movies like Babel and Biutiful, Amores Perros is a dark, unrelenting look at the savage nature of humans. Themes of disloyalty and brutality are frequently conveyed through the relationships the characters have with dogs, relationships that range from affectionate to barbaric. There are a number of graphic dog-fighting scenes, and although no dogs were hurt in the production of the movie, the scenes are incredibly disturbing and intense. Like some of the director's other movies, Amores Perros is divided into three connected stories, the first of which I found to be the best. There are no happy endings though, as each story ends in a darker place than it began. As a whole, the movie is a thought-provoking and consistently engrossing, if a bit overlong, study on human nature, and is an interesting start to the talented director's career.
  

  Joey S Super Reviewer

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