The Big Combo

Critics Consensus

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Total Count: 13


Audience Score

User Ratings: 2,198
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Movie Info

The Big Combo is a nervous, claustrophobic gangster picture directed by the always fascinating Joseph H. Lewis. Cornel Wilde is an honest 90-buck-per-week cop who runs afoul of mob boss Richard Conte. Failing to bribe Wilde into laying off, Conte has the cop beaten up by his thugs. Wilde persists, even daring to pay attention to Conte's mistress Jean Wallace. Wilde eventually comes by the evidence he needs to bring the law down of Conte's operation. The best scene in the film -- indeed, one of the best sequences in all of film noir -- is the murder of mob flunkey Brian Donlevy, whose assassins thoughtfully turn off his hearing aid before administering the fatal shots (the scene is played in utter silence!) The most interesting aspect of The Big Combo is that, while Richard Conte is despicable through and through, he behaves throughout as if he is being victimized, managing to stir up a tiny bit of audience sympathy in the process.

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Cornel Wilde
as Police Lt. Leonard Diamond
Brian Donlevy
as Joe McClure
Richard Conte
as Mr. Brown
Jean Wallace
as Susan Lowell
Jay Adler
as Sam Hill
John Hoyt
as Dreyer
Roy Gordon
as Audubon
Steve Mitchell
as Bennie Smith, Boxer
Baynes Barron
as Young Detective
James McCallion
as Lab Technician
Tony Michaels
as Photo Technician
Bruce Sharpe
as Detective
Michael Mark
as Fred - Hotel Clerk
Donna Drew
as Miss Hartleby
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Critic Reviews for The Big Combo

All Critics (13) | Top Critics (4)

Audience Reviews for The Big Combo

  • Aug 18, 2018
    A vicious underworld kingpin (Richard Conte)(and the best thing in the movie) likes his job okay, especially the killing whoever I want part. Cornel Wilde plays the cop out to stop him, while Lee Van Cleef and Earl Holliman are (of course, cause they always are) the evil unthinking henchmen. This saga, while it looks good, lacks pep, vim, and vigor. Time to get that Saturday afternoon nap in.
    Kevin M. W Super Reviewer
  • Oct 24, 2012
    The characters in "The Big Combo" aren't well-drawn or well-acted and there lies one of the film's biggest problems. While the script does have some interesting twists, it's flimsy and thinly written. Richard Conte provides a somewhat memorable performance, but the rest of the characters are instantly forgettable. "The Big Combo" works well when it comes to passing an hour and a half, but there's nothing about it that'll make you want to watch it again.
    Stephen E Super Reviewer
  • Jun 30, 2008
    Cornel Wilde stars as detective in love with society girl and gangster's moll Jean Wallace whose suicide attempt gives him the name "Alicia"; the clue that could be the break he needs to bring the sinister kingpin down. The Big Combo is the kind of Film Noir that feels like it's trying a bit TOO hard to be Film Noir. It has much to admire, mostly from a stylistic standpoint and has some excellent visual moments, but underneath it feels a little stale. The plot is simplistic and rather episodic, it misses the witty, literary dialogue of the best of the genre and Wilde and Richard Conte as his evil nemesis make for rather bland protagonists. What makes the film are some superbly directed scenes of gritty violence that invariably lack these two characterless adversaries; the joy of the film is definitely to be found in the supporting cast. Best of all are the two sexually ambiguous assassins played by a young Lee Van Cleef and Earl Holliman and Wilde's burlesque queen love interest, someone I wished we'd seen a lot more of. If you're a fan of Noir it's well worth it for the highlights and cinematography but if you're new to the genre, there are much better starting points.
    xGary X Super Reviewer
  • May 06, 2007
    The Big Combo left me kind of flustered when it was over for a couple of reasons. First, the story was pretty weak. Cornel Wilde as the worn out and obsessed detective going after the city's kingpin played by the otherwise smug and dull Richard Conte. Throw in a somewhat cute but mostly dopey Jean Wallace for good measure and mix them all together in a script that could've easily been written by Edward D Wood, jr. But at the same time The Big Combo also embodies everything that film noir is from a visual standpoint. It's incredibly atmospheric and beautifully composed courtesy of cinematographer John Alton and brilliantly directed by Joseph Lewis that you just might find yourself forgiving all of it's shortcomings because it looks so damn good. Especially during the execution of... well, you'll see. And that finale is the stuff that dreams are made of. The Big Combo is the femme fatale of film noir movies--it's incredibly beautiful but on the inside it's pretty much rotten otherwise.
    Michael G Super Reviewer

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