Black Orpheus (Orfeu Negro) (1959)
Critic Consensus: Colorful, atmospheric, and infections, Black Orpheus takes an ancient tale and makes it fresh anew, thanks in part to its bewitching bossa nova soundtrack.
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Critic Reviews for Black Orpheus (Orfeu Negro)
An almost irrationally infectious retelling of the Orpheus-Eurydice chestnut set during carnival and feverish with hip-swiveling hustle, exploding local color, and sleeve-worn heart.
This sort of thing was considered high art not so long ago; now it seems forced and ponderously symbolic.
[The film has] swirling color, the excitement of samba and the accessible joy of a fabled city, not to mention a charming Orpheus in the young Brazilian Breno Mello, and a dazzling Eurydice in the American-born dancer and actress Marpessa Dawn.
Pic is somewhat cerebral, being mainly helped by the fresh playing of the cast.
Audience Reviews for Black Orpheus (Orfeu Negro)
lyricism, magic, love, death, the real flavour of latin american joy for living. A tragedy in vivid colours and heavenly notes.
Mythological love and chaos in the world's grandest carnival, Black Orpheus is a modern adaptation of the timeless tale of Orpheus and Eurydice that feasts on rhythm and visual splendor. Vibrant.
I was skeptical -- I don't watch old movies. There's usually some anachronistic reference or humor that I don't get and then feel bad that I don't get then hate the movie for making me feel bad. And it's not that I LOVED this movie. The beginning is a little slow, some of the Carnival dance scenes are a bit tedious (that's if you're not dancing along at home...which I was so no biggie) and Death is just a guy in a costume. But I was completely mesmerized by the second half of the movie. Without any cheap special effects tricks (they had movies in 1959?), this movie is, in a clichÃ (C)d word, beautiful. The iconic final scene might even bring a tear to your eye. (Thanks Rach!)
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