Black Swan (2010)
Critic Consensus: Bracingly intense, passionate, and wildly melodramatic, Black Swan glides on Darren Aronofsky's bold direction -- and a bravura performance from Natalie Portman.
Black Swan Photos
Watch it now
People Who Like this movie also like
as Nina Sayers/The Swan Queen
as Lily/The Black Swan
as Thomas Leroy/The Gentleman
as Erica Sayers/The Queen
as Beth MacIntyre/The Dying Swan
as David/The Prince
as Veronica/Little Swan
as Galina/Little Swan
as Madeline/Little Swan
as Mr. Fithian/Patron
as Mrs. Fithian/Patron
as Mr. Stein/Patron
as Mrs. Stein/Patron
as Costumer Georgina
as Stage Manager Sebastian
as Sexy Waiter Scott
as Administrator Susie
as Uncle Hank
as Physical Therapist
as Understudy for Siegfried
as Jaded Piano Player
as Piano Player
as Violin Player
as Lady in the Lane
as Man in Stall
as Rich Gent
News & Interviews for Black Swan
Critic Reviews for Black Swan
Director Darren Aronofsky's darkly enthralling entertainment makes the perfect antidote to too many sugary holiday Nutcrackers.
Black Swan succeeds, but only as horror. If only the women's characters had been as fully thought through as the camera angles, it might have soared much higher.
Portman hasn't been this good since her early performances in The Professional and Heat, and is deservedly attracting intense Oscar buzz. Kunis brings to Lily a savvy sexiness, and Cassel is entertainingly smarmy.
Practice makes perfectly insane in Black Swan, a tale of one ballerina's psychosexual freakout.
Portman, saddled with the near-impossible role of an impenetrable heroine we must care for without ever coming close to understanding, delivers career-high work here...
Audience Reviews for Black Swan
Portman is dragged into insanity in what is for sure one of the most extraordinary performances of her career, and this is a spectacular (and fantastically directed) film that dives into the psyche of a disturbed character with a lot of symbolism and an incredible intensity.
This may be a movie, that in time grows on me more and more times after i watch it just to fully appreciate this movie. It is a very intriguing and mesmerising movie all round with great performances, fantastic cinematography and great direction. Although at first i wasn't sure if i wanted to watch this movie as it is about ballet even if it is a psychological thriller, however it truly won me over, i think Natalie Portman delivers a stunning and top of the form performance that is truly worthy of the oscar. She certainly delivers a fantastic performance that could possibly persuade me to go and see and actual ballet production. The storyline and script are beautifully written and is a very interesting concept that i very much enjoyed. The story of a ballet dancer striving for perfection but also needing to find that balance between perfection and relaxing so that the emotion of the dance comes through in the dance. I liked that the story concentrated on the difficulty of striving for that perfection when competing against other determined/driven dancers. It really is a great psychological thriller that has a border line between sanity and insanity. A very good movie and does have its moments of pure horror as well! I loved the final scene from where the white swan turns into its opposite and becomes the black, i thought that Natalie Portman did an excellent and exhilarirating performances that i didnt think that you could actually pick on the change between the white swan who is a kind of conscientous, timid and frigid kind of character whereas the black swan is the alto ego of letting go and becoming an intense and maybe scary character and Portman gives and portrays that performance beautifully in that one dance. Very well down and really worth the watch even if you aren't a ballet fan.
Much like Aronofsky's "The Wrestler," which shows how much damage wrestling wreaks on a human body, despite it being staged, "Black Swan" exposes the emotional and physical tolls of ballet, despite it being so pretty and ladylike. Natalie Portman's performance is painful to watch - in a good way. She's painfully withdrawn, painfully giddy, painfully lithe, and painfully sensual. The masturbation scene is sexy, but it's not meant to be just that. It's guarded at first, then freeing, then painfully embarrassing. Much of the pain, I suppose, comes from the audience knowing that fit is gonna hit the shan at any moment. Upon first viewing, I thought the movie broke its own set of supernatural rules because all throughout, we're supposed to believe that what Nina sees, feels, and does are figments of her imagination - sprouting swan wings, shanking a bitch. Nina doesn't REALLY sprout wings. Her ankles don't REALLY collapse in on themselves. She doesn't REALLY kill Lily, and as a corollary, she doesn't REALLY stab herself. No other character in the movie can see these psychotic delusions, yet the one that they do see (the bloody gash from aforementioned shanking) just happens to be caused by the only delusion that the filmmakers don't even show the audience (Nina killing herself, apparently, when she thought she was killing Lily). However, I bought the fantasy-becoming-reality climax more this time for no real reason other than perhaps wanting a believable resolution that mirrors the sacrificial suicide in the plot of "Swan Lake."
Black Swan Quotes
|Lilly:||I can't believe he calls her that. It's so gross.|
|Nina:||I think it's sweet.|
|Lilly:||Little princess? I mean he probably calls every girl that.|
|Nina:||No way. That's just for Beth.|
|Lilly:||Well, I bet he'll be calling you little princess any day now.|
|Nina:||I don't know about that.|
|Lilly:||Oh, sure he will. Just gotta let him lick your pussy!|
|Erica Sayers/The Queen:||Take off your shirt.|
|Beth MacIntyre/ The Dying Swan:||Me? I'm nothing. Nothing! Nothing! Nothing!!!|