Blank City


Blank City

Critics Consensus

No consensus yet.



Reviews Counted: 39

liked it

Audience Score

User Ratings: 590


All Critics | Top Critics
Average Rating: N/A
Reviews Count: 0
Fresh: 0
Rotten: 0


Average Rating: 3.6/5

You may have noticed some of the recent changes we have made. To read more about what we’ve been working on behind the scenes, please check out our new RT Product Blog here.

Want to See

Add Rating
My Rating    

Blank City Photos

Movie Info

Before there was HD there was Super 8. Before Independent film there was Underground Cinema. And before New York there was...well, New York. Once upon a pre-Facebook time, before creative communities became virtual and viral, cultural movements were firmly grounded in geography. And the undisputed center of American - some would say international - art and film was New York City. In particular, downtown Manhattan in the late 1970's and 80's was the anchor of vanguard filmmaking. BLANK CITY tells the long-overdue tale of the motley crew of renegade filmmakers that emerged from an economically bankrupt and dangerous period of New York History. It's a fascinating look at the way this misfit cinema used the deserted, bombed-out Lower East Side landscapes to craft daring works that would go on to profoundly influence Independent Film today. Unlike the much-celebrated punk music scene, this era's thrilling and confrontational underground film movement has never before been chronicled. Directed by French newcomer Céline Danhier, BLANK CITY captures the idiosyncratic, explosive energy of the "No Wave Cinema" and "Cinema of Transgression" movements. Stark and provocative, the films drew name and inspiration from the French New Wave; as well as Film Noir, and the works of Andy Warhol and John Waters. Filmmakers such as Jim Jarmusch, Eric Mitchell, Beth B, Charlie Ahear, Lizzie Borden and Amos Poe showcased the city's vibrant grit and bore witness to the rising East Village art and rock scenes and the birth of hip hop. Short, long, color or black-and-white, their stripped-down films portrayed themes of alienation and dissonance with a raw and genuine spirit, at times with deadpan humor blurring the lines between fiction and reality. --(c) Insurgent Media

Watch it now


News & Interviews for Blank City

Critic Reviews for Blank City

All Critics (39) | Top Critics (19)

  • The films emerge as fascinating period pieces filled with too-cool-for-school 70s types; but the most potent figure in the film is New York itself, decrepit but glowering angrily in the background.

    Mar 1, 2012 | Rating: 3/5 | Full Review…
  • Celine Danhier combines talking heads with a flood of Super-8 and 16-millimeter film clips to create this entertaining 2010 documentary about the explosion of punk energy that propelled New York City's art, music, and cinema underground.

    Jul 26, 2011 | Full Review…
  • As maddeningly undisciplined as the movie community she's exploring, but it still stands as a worthy historical document of NYC's recent past and the birth of a new way of making films.

    Jul 15, 2011 | Rating: 2.5/4 | Full Review…
  • As well as unearthing flavourful clips from films only determined cineastes have seen (War Is Menstrual Envy, You Killed Me First), French filmmaker Céline Danhier has reassembled many of the era's crucial players.

    Jul 15, 2011 | Rating: 3/4 | Full Review…
  • This doc is interesting and worthy, but it is unlikely to send you seeking most of the films sampled in it. That was then, this is now, and it was fun while it lasted.

    Jul 10, 2011 | Rating: 3/4 | Full Review…
  • The biggest shortcoming of "Blank City" is that, despite its vivid portrait of the time period, we never get much sense of what the actual movies are like.

    Jun 17, 2011 | Rating: 2/4 | Full Review…

Audience Reviews for Blank City


"Blank City" is a spirited and informative documentary about a group of low budget filmmakers operating in New York City in the 70's and 80's. While I could point out that the documentary could have used a better organizational and chronological structure, I think at the same time that would have clashed with the punk music like aesthetic of the movies that were made using 8mm cameras that were bought, stolen or borrowed.(I'm no legal expert but I am pretty sure that the statute of limitations has expired on all the financing via petty larceny.) Of them, some of the names might seem familiar to the casual observer like Jim Jarmusch and Steve Buscemi. And it admittedly did take a few minutes to remember where I recognized Richard Kern, now mostly known for nude photography, from. So, it is perhaps ironic that success and money killed this nascent movement, especially the gentrifying of the Lower East Side of Manhattan, home turf for so many of these artists.

Walter M.
Walter M.

Super Reviewer

A fascinating look at a New York City that is gone forever..some would say for the better, others for the worse. This is a tale of a City in decay..and the fantastic art motivated by that decay.

John Ballantine
John Ballantine

Super Reviewer


"Blank City" may seem alien to viewers who don't have an affinity with punk culture, but this documentary is an engrossing look at the late-'70s, underground cinema that rose alongside New York's No Wave/CBGB's musical movements. Building on Andy Warhol's "Everybody is a director, everybody is a star" ethic, a clique of rebellious street characters grabbed Super 8 cameras and began making movies. The results were raw, amateurish and often controversial, but had a refreshing directness and lack of artifice. Few of the discussed works are well-known or readily available today (prime exceptions: Susan Seidelman's "Smithereens" and Jim Jarmusch's "Stranger Than Paradise"), so "Blank City" is bound to include fresh information for even hardcore film buffs. Filmmakers like Richard Kern, Eric Mitchell, Amos Poe, Beth B, Nick Zedd, Charlie Ahearn and Vivienne Dick are featured, and participating actors such as Steve Buscemi, Deborah Harry, Lydia Lunch and John Lurie are interviewed. Thurston Moore (inevitably), James Chance, Ann Magnuson, Jim "Foetus" Thirlwell and John Waters add further soundbites.

Eric Broome
Eric Broome

Super Reviewer

Documentary covering the "no-wave" film movement in NYC circa 1977-1984, focusing on Jim Jarmusch, the Cinema of Transgression, and the connections to performance art and punk rock. Very informative if you're not aware of this period; very few of these amateurish art movies are ever screened (after the breakthrough film STRANGER THAN PARADISE, the next most famous example of the genre may just be GEEK MAGGOT BINGO!) Debbie Harry, Steve Buscemi and John Waters (of course) are also interviewed.

Greg S
Greg S

Super Reviewer

Blank City Quotes

There are no approved quotes yet for this movie.

News & Features