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Critics Consensus: With a story inspired by Antonioni's Blow Up and a style informed by the high-gloss suspense of Hitchcock, DePalma's Blow Out is raw, politically informed, and littered with film references.
Critic Consensus: With a story inspired by Antonioni's Blow Up and a style informed by the high-gloss suspense of Hitchcock, DePalma's Blow Out is raw, politically informed, and littered with film references.
All Critics (46) | Top Critics (9) | Fresh (40) | Rotten (6) | DVD (5)
It's a Xerox of a movie that's nowhere near as indelible as the originals it purports to emulate.
Perfectly contrasts movies that reveal the truth against those which avoid it - a blood-drenched yet stake-free slasher vs. the far more insidious horrors of all-American living.
This 1981 release is one of Brian De Palma's more interesting and better-made thrillers, though it's even more abjectly derivative than his Hitchcock imitations.
With attractive leads and a stylish flair for suspense, De Palma misses sustaining involvement by his distracting allusions to prior films.
It's a great movie.
Where Antonioni's images made you think, De Palma's merely make you blink, and the baroque plot confuses as often as it frightens.
... the story lacks the interest of [director Brian de Palma's] latest productions. [Full review in Spanish]
A wonderful thriller, densely plotted and so full of thematic resonance that it's almost incapable of supporting its own weight.
... classic De Palma, with its sinister elegance, meticulous cinematic choreography, voyeuristic obsessions, and fascination with guilt, as well as his most human and mortally vulnerable film.
In a career fixated on the machinations of filmmaking presented through both a carnal and political eye, Brian De Palma's fascinations converged idyllically with Blow Out.
If cynicism were a superhero franchise, Blow Out would be its origin story.
The final moments of Blow Out are among the most shocking and powerful of De Palma's oeuvre, tacking a final note of irony onto a story that is in every other way a straightforward denunciation of power run amok.
DePalma's most well executed tribute to the master of suspense (Alfred Hitchcock), this film features outstanding set pieces, standout performances from Lithgow, Travolta and Franz and maybe the best use of sound design to build tension.
Super Reviewer
A potent thriller from DePalma that borrows from other aspects of cinema to create a visceral experience. Well shot, well acted, and original, 'Blow Out' can find comfort in many film buff's libraries.
Jack Terry: So you got your choice. You can be crazy or dead. "Murder has a sound all of its own!" Classic Brian De Palma and classic John Travolta. Blow Out is up there with some of De Palma's best works, and is only held back by an annoying performance from Nancy Allen. The movie isn't quite as good as Dressed to Kill of Scarface, but just a notch below with movies like Carrie and Carlito's Way. Jack Terry is out collecting sound for a new horror movie that he is working on. He's a sound man and the director isn't happy with the same old wind sound, so he's out to get a new wind sound. When he's out, he witnesses a car accident that ends up in a river. He jumps in and saves a girl, but another passenger dies. That passenger ends up being a governor and suspected running candidate for the presidency. Everyone is saying it's an accident, but Jack thinks it's more because he swears he heard a gunshot before the blow out. And he has it on tape. Blow Out is an extremely cool and entertaining piece of filmmaking from De Palma. It also feels like more restrained work from him. It isn't a movie that is obsessed with sex and violence(although there are elements of both). He lets the suspense and tension build to a windup. You still won't have trouble noticing all the elements that make De Palma so easy to spot. If only he didn't like Nancy Allen so much. There's a lot to like about the movie, but I especially loved the usage of the scream scenes from the movie that is getting made within Blow Out. There's a lot of foreshadowing with the movie being made and works extremely well. Also, John Travolta is really, really good here. It's up there with his best stuff like Pulp Fiction. There's never a moment in his performance where he seemed fake or like all this wasn't really happening to him. He makes for an incredible hero and really keeps the tension building right along with De Palma's direction. Blow Out is another must see film from De Palma. The guy made his share of bad movies for sure, but when he is on his game, he's fucking amazing. I know he is normally a director that you either love or hate, but with this one, I can see even his biggest haters enjoying it. It's just like Lynch's Blue Velvet with me. I despise Lynch, but I really like Blue Velvet. So even if you don't like De Palma, still give this one a look. It may surprise you.
Mixing together Antonioni's Blow-Up and Coppola's The Converation with a bit of (restrained) Argento-esque giallo, Blow Out is Brian De Palma's moody suspenseful political thriller about an average guy caught up in a web of danger following the aftermath of a car crash. Jack Terry is a soundman who works for low-budget slasher/nudie films. one night, as he is out recording sounds for the latest film he's working on, he records a car crah that turns out to be a murder. Thigns get complicated since the victim happens to be a presidential candidate and the lady that was with him (who Jack saves) was there for scandalous reasons. In the aftermath, Jack struggles to bring the truth to light as other seems bound and determined to cover up the situation and eliminate all people and evidence that might bring the unsavoroy elements to light. This is a tight, moody, and well made thriller. There's lots of twists and turns, but it's pretty easy to follow. Besides taking influence from Nixonian-era America and the Ted Kennedy car crash incident, this film is also an absorbing look at a technical side of film art that doesn't get enough credit (sound engineering). Being a De Palma film, there's some of his trademark style and cinematographic hallmarks present, but the film is more restrained than it could have been..and I liked that. It's a good mix of art and exploitation, and it looks and sounds fantastic. Oh yeah, and the performances are great too. Travolta does a wonderful job as the obsessed and troubled Jack, and Nancy Allen is terrific as Sally, the woman Jack saves from the crash. Her scene in the hospital when she's woozy and confused is superb and just a delight to watch. The real force to be reckoned with here though has to be John Lithgow as the "fixer" type of character. Think of Anton Chigurh to a degree, though dialed down just a tad. It's a creepy and nuanced performance, even if there's not much dept hto the character. This is one of De Palma's stand out films, even if it's not the most original. It's entertaining, well made, and even give you some food for thought. In the end, that's hardly something to complain about, even if the script could have been touched up in places.
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