Blow Out


Blow Out

Critics Consensus

With a story inspired by Antonioni's Blow Up and a style informed by the high-gloss suspense of Hitchcock, DePalma's Blow Out is raw, politically informed, and littered with film references.



Total Count: 46


Audience Score

User Ratings: 11,663
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Movie Info

Brian De Palma's homage to Michelangelo Antonioni's classic art movie Blow-Up (1966) blends suspense and political paranoia when a Philadelphia soundman inadvertently records a murder. Former police technician Jack Terri (John Travolta) makes his living doing sound for slasher flicks. While recording new outdoor effects one night, Jack witnesses a couple's car careen off a bridge into a river, but he can save only the female occupant, Sally (Nancy Allen). Jack begins to suspect something when he learns that her dead companion was a Presidential hopeful. Re-playing his tape over and over, Jack thinks that he hears a gun shot before the crash-causing tire blow-out. When sleazy photographer Manny Karp (Dennis Franz) comes forward with photos of the accident, Jack discovers the real reason that the naïve Sally was in the car -- and also a way to prove his auditory suspicions through motion pictures. Even with all his surveillance talent, however, Jack cannot see (or hear) how dangerous the big picture really is until it's too late. Taking a break from horror films, De Palma turned his interests in technology and voyeurism toward more politically loaded subject matter at the dawn of the Reagan era; the film's red, white and blue mise-en-scène, "Liberty Day" celebration climax, and conspiracy surrounding political "dirty tricks" suggest that American politics are still rotten, seven years after Watergate. Although Blow Out earned some favorable notice, particularly for Travolta's first "adult" performance, De Palma's downbeat film did not go over well with 1981 summer audiences. Rather than blockbuster escapism, Blow Out instead harks back to 1970s political thrillers like The Parallax View (1974), using cinematic fireworks to tell an unsettling story about one man's struggle against unstoppable corruption. ~ Lucia Bozzola, Rovi


News & Interviews for Blow Out

Critic Reviews for Blow Out

All Critics (46) | Top Critics (9)

  • It's a Xerox of a movie that's nowhere near as indelible as the originals it purports to emulate.

    Apr 26, 2018 | Full Review…
  • Perfectly contrasts movies that reveal the truth against those which avoid it - a blood-drenched yet stake-free slasher vs. the far more insidious horrors of all-American living.

    Apr 30, 2011 | Full Review…

    William Goss
    Top Critic
  • This 1981 release is one of Brian De Palma's more interesting and better-made thrillers, though it's even more abjectly derivative than his Hitchcock imitations.

    Mar 27, 2009 | Full Review…
  • With attractive leads and a stylish flair for suspense, De Palma misses sustaining involvement by his distracting allusions to prior films.

    Mar 26, 2009 | Full Review…

    Variety Staff

    Top Critic
  • It's a great movie.

    May 28, 2008 | Full Review…
  • Where Antonioni's images made you think, De Palma's merely make you blink, and the baroque plot confuses as often as it frightens.

    Jun 24, 2006 | Full Review…
    Time Out
    Top Critic

Audience Reviews for Blow Out

  • Aug 08, 2016
    Stunningly shot conspiracy-theory thriller, with fantastic use of (then) current technology and particularly great editing and sound editing. The debts to Hitchcock and the film Blow Out are writ large but hugely enjoyable, and Travolta and Lithgow are very watchable.
    Daniel P Super Reviewer
  • Sep 08, 2013
    From the very opening the normal erocism of DePalma is in full speed. The seeds are all there and I was a little worried before it's revealed to be a crappy slasher film production that Travolta is doing sound work on. This basically sets into motion a thriller from the 80s that like most of DePalmas films throw logic to the wind. The whole coverup is so hilariously silly it is just one thing you need to overcome pretty quickly otherwise this won't work for you. Not the greatest film but it works very well and is one of the better films of DePalmas
    Brendan N Super Reviewer
  • Aug 09, 2013
    A potent thriller from DePalma that borrows from other aspects of cinema to create a visceral experience. Well shot, well acted, and original, 'Blow Out' can find comfort in many film buff's libraries.
    Kase V Super Reviewer
  • Aug 04, 2012
    Jack Terry: So you got your choice. You can be crazy or dead.  "Murder has a sound all of its own!" Classic Brian De Palma and classic John Travolta. Blow Out is up there with some of De Palma's best works, and is only held back by an annoying performance from Nancy Allen. The movie isn't quite as good as Dressed to Kill of Scarface, but just a notch below with movies like Carrie and Carlito's Way.  Jack Terry is out collecting sound for a new horror movie that he is working on. He's a sound man and the director isn't happy with the same old wind sound, so he's out to get a new wind sound. When he's out, he witnesses a car accident that ends up in a river. He jumps in and saves a girl, but another passenger dies. That passenger ends up being a governor and suspected running candidate for the presidency. Everyone is saying it's an accident, but Jack thinks it's more because he swears he heard a gunshot before the blow out. And he has it on tape. Blow Out is an extremely cool and entertaining piece of filmmaking from De Palma. It also feels like more restrained work from him. It isn't a movie that is obsessed with sex and violence(although there are elements of both). He lets the suspense and tension build to a windup. You still won't have trouble noticing all the elements that make De Palma so easy to spot. If only he didn't like Nancy Allen so much.  There's a lot to like about the movie, but I especially loved the usage of the scream scenes from the movie that is getting made within Blow Out. There's a lot of foreshadowing with the movie being made and works extremely well. Also, John Travolta is really, really good here. It's up there with his best stuff like Pulp Fiction. There's never a moment in his performance where he seemed fake or like all this wasn't really happening to him. He makes for an incredible hero and really keeps the tension building right along with De Palma's direction.  Blow Out is another must see film from De Palma. The guy made his share of bad movies for sure, but when he is on his game, he's fucking amazing. I know he is normally a director that you either love or hate, but with this one, I can see even his biggest haters enjoying it. It's just like Lynch's Blue Velvet with me. I despise Lynch, but I really like Blue Velvet. So even if you don't like De Palma, still give this one a look. It may surprise you.
    Melvin W Super Reviewer

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