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Movie Info

Anne (Daphné Baiwir) reads her younger sister, Marie-Catherine (Lola Créton), the story of Bluebeard. In 17th-century France, another set of sisters -- also named Anne and Marie-Catherine -- are left impoverished by their father's death. Marie-Catherine dreams of marrying into money, and soon falls for wealthy divorcé Bluebeard (Dominique Thomas). Grateful for the chance at a life of comfort, Marie-Catherine marries Bluebeard -- in spite of rumors that he has made a hobby of murdering his wives.

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Critic Reviews for Bluebeard

All Critics (38) | Top Critics (19) | Fresh (30) | Rotten (8)

  • Quote not available.

    April 4, 2011 | Rating: 3/5 | Full Review…
  • Breillat's ideas owes much to Angela Carter, yet The Bloody Chamber author would surely be depressed by the lack of dynamism on display.

    July 22, 2010 | Rating: 2/5 | Full Review…
  • Complex, comic and discomfiting. So, vintage Breillat...

    July 16, 2010 | Rating: 4/5
  • Breillat's chamber-piece of oblique eroticism is beautifully designed and acted but rendered slightly unsatisfying by a pointless second level of narrative reality.

    July 15, 2010 | Rating: 3/5 | Full Review…
  • What's most surprising about this adaptation is how free of violence it is: rather than embrace its potential for serial-killer bloodlust, [Breillat] has produced a witty, graceful and unusually tender reading of the story.

    July 15, 2010 | Rating: 4/5 | Full Review…
  • Catherine Breillat delivers a new spin on an old tale that doesn't underestimate the female spirit.

    July 15, 2010 | Rating: 3/5 | Full Review…

Audience Reviews for Bluebeard

  • Apr 04, 2012
    In "Bluebeard," two young girls, Catherine(Marilou Lopes-Benites) and Marie-Anne(Lola Giovannetti), wander into an attic that they have not been strictly forbidden from entering but not exactly given permission to enter, either. There, they play games and read the story of Bluebeard again. Marie-Catherine(Lola Creton) and Anne(Daphne Baiwir) are sent home from a private school when their father is killed by a carriage while saving a child. Things are no better at home when all of their belongings are taken away and their mother(Isabelle Lapouge) is left with two daughters she cannot a provide a dowry for. However, Bluebeard(Dominique Thomas), the enormously wealthy lord of a nearby castle, is looking for a new wife since all of his old ones have gone missing. I don't recall specifically how much Catherine Breillat might have changed in adapting the classic fairytale for the screen but regardless she makes it her own. While much more sedate than most of her other movies, it has more than its share of transgressions and forbidden knowledge with her contributing much intelligent thought on the subject of female sexuality.(For this reason and I may be alone on this, I think Catherine Breillat would make a fine director for the next "Twilight" movie.) The girls in the present have their own weird ideas on what marriage is supposed to be and no idea what to expect in the future. On the other hand, Marie-Catherine has no illusions when it comes to marriage and Bluebeard and prepares herself accordingly.
    Walter M Super Reviewer
  • Apr 04, 2012
    A strangely disjointed tale, based on the Bluebeard fairy tale, told as a cautionary tale that leaves the viewer feeling somehow short-changed. One questions the artistic decision to tell the tale as a young girl reading it to her older sister, and then dissolving to the action of the story. The scenery is sumptuous, the costumes are gorgeous, the actors well chosen, but at a mere hour and twenty minutes, the ending seems forced, terribly rushed, and serves no other purpose than to allow the director to say she filmed an ending. The context is somehow missing, at least for this viewer. My favorite Muse calls this Breillat's most accessible film to date, and with that one must concur, but that still isn't saying much. One always comes away with the feeling that one missed something, some cultural reference or some mistranslated line of dialog, that would make the screenplay make more sense. This viewer has been left wanting a clearer message far too many times.
    Mark A Super Reviewer
  • Apr 04, 2012
    An aristocrat with a blue beard marries young girls, who always wind up dead. There are a few startling images near the end that pop out because the rest of the story so flat, but the for the most part the matter-of-fact minimalist style fades the magic and mystery of the fairy tale.
    Greg S Super Reviewer
  • Apr 04, 2012
    Beautifully eerie retelling of the classic tale of Bluebeard, a murderous medieval lord known for killing his wives, and the young bride who must use her cunning to thwart him, as seen through the eyes of two little girls reading the story in their attic. A haunting distillation of childhood fears and anxiety.
    Matthew L Super Reviewer

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