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Critics Consensus: A paradigm-shifting classic of American cinema, Bonnie and Clyde packs a punch whose power continues to reverberate through thrillers decades later.
Critic Consensus: A paradigm-shifting classic of American cinema, Bonnie and Clyde packs a punch whose power continues to reverberate through thrillers decades later.
All Critics (56) | Top Critics (12) | Fresh (49) | Rotten (7) | DVD (13)
A hybrid, an ambivalence, an alternation of achievements and collapses, an attempt to have both ways something not clearly enough seen in either.
Destined to be among the year's most discussed, honored and profitable.
Bonnie and Clyde don't really know that killing kills. The film does -- unlike the run of movies about violence now, which mostly know that killing sells.
Bonnie and Clyde is the most excitingly American American movie since The Manchurian Candidate. The audience is alive to it.
Considered New Hollywood's moment of arrival, tipping square critic Bosley Crowther into retirement (The New York Times, they were a-changin').
Like Bonnie and Clyde themselves, the film rides off in all directions and ends up full of holes.
Faye Dunaway glides, drifts like a vertical sashay. She goes into the movie at one end, comes out the other, leaving a graceful, faint, unengaged wake behind her.
There's a feeling, thanks to the director's consciously oblique angle of vision, both of turning over fading newspaper files for over-romantic press stories, and of watching something alive and immediate.
With the myth, one approaches some truth about America, and even if one never quite gets there, the effort is bracing.
I have some doubt that Bonnie and Clyde were quite the hallucinated children that Penn makes them, but in retrospective fiction they legitimately become so.
'Bonnie and Clyde' moves between comedy and drama, making an energetic portrait of an America sunk in the depression, made in another vital period, in which the cinema changed to forced marches. [Full review in Spanish]
[VIDEO ESSAY] a seamless balancing act. Equal parts true-crime exposé, dysfunctional love story, and Depression-era think piece, the picture underscores American police departments' longstanding proclivity for short cuts to justice, i.e. murder.
Heavy on the French New Wave influences, this surprisingly modern film showcases a compelling, dysfunctional romance amidst a decent amount of generic, albeit well executed pulpy crime tropes.
Super Reviewer
Clyde Barrow: This here's Miss Bonnie Parker. I'm Clyde Barrow. We rob banks. "They're young. They're in love. They rob banks." Bonnie and Clyde is a loosely made, American classic that tells the story of the two bank robbers from their first meeting to their ultimate peril. Sure there are some easy to spot errors and omissions, but this is a brilliantly made, fun, crime film. There's not much to complain about with this one. The movie is quick moving and never leaves Bonnie and Clyde. A lot of movies like this like to show a subplot where detectives, FbI, or whatever else scheme to find the bad guys. In Bonnie and Clyde, we don't see that; and I love it for that reason and many others. Plot is kind of secondary here as the story is known. Meet Bonnie and Clyde, they rob banks. We watch as they tour the country, picking up C.W., Clyde's brother, Buck and his wife Blanche. Along the way, they rob and occasionally kill when they have to. The film makes us sympathize with Bonnie and Clyde. We see them with each other and how they act to each other. It makes us see their nice side, and that pretty much forces us to sympathize with their ultimate demise at the hands of some one they trusted. This movie works as well as it does for more than one reason, but the biggest is the chemistry between Warren Beatty and Faye Dunaway. The two are as perfect a bank robbing duo as you could hope for. Beatty is... well Beatty. So you know you're going to get a phenomenal performance from him. And Dunaway is the sexy, blonde that can win our hearts and she does it with amazing grace, turning in one of her most memorable roles as Bonnie. There's a good supporting cast as well with Gene Hackman, Michael J. Pollard, and Estelle Parsons rounding up the Barrow Gang. The movie may be most notable for its depiction of violence. At the time, it was more than just groundbreaking; it was shocking. Now, we're used to being shown violence in over the top kind of ways and that makes watching this even more believable. The violence is depicted in a realistic way, making the movie more authentic because of it. Needless to say, this is an absolute much watch. Watching Dunaway and Beatty as Bonnie and Clyde is fun, emotional, and a cinematic pleasure. I don't know how many movies there are out there that are about Bonnie and Clyde, but I haven't seen or heard about any, and there's a good reason for that. We don't need any.
Telling the story of notorious armed robbers Bonnie Parker and Clyde Barrow, this Oscar nominated script was actually offered to both Truffaut and Godard, but even they could not have done a better job. Warren Beatty's awkward and impotent Clyde who sees himself as some kind of self styled Robin Hood is perfectly matched with Faye Dunaway's Bonnie, who sees him as a way out of her dreary small town existence. Their dysfunctional relationship is far more interesting than the usual Hollywood sappiness and there is plenty of warmth and humour as they cut a swathe through a wonderfully reconstructed depression era America, making their inevitably brutal demise all the more shocking and powerful. One of the best crime dramas of the sixties and the template for the likes of True Romance and Natural Born Killers. And Faye is surely a better cure for impotence than Viagra...
Bonnie and Clyde is one of the great American classics. This is a near perfect film, but it lacks somewhat in its authenticity. The film however boasts a strong cast of talented actors, and each is wonderful in the roles they play. I really enjoyed the chemistry between Warren Beatty and Faye Dunaway; they really brought something unique to the screen. The film has some decent robbery sequences, but where the film delivers is when the Barrows Gang has a few shootouts with the Law. Bonnie and Clyde is a thrilling crime film that's definitely a classic of film, and one of the best gangster action films of the 60's. If you're looking for great thrills, then Bonnie and Clyde most certainly does just that. Where Bonnie and Clyde falls short is like I said its authenticity. The gang were mostly armed with Browning Automatic Rifles (BAR) and how the died is not really what happened in the film. The real Bonnie and Clyde were driving at high speed as officers opened fire, in the film they stopped on the side of the road and the officers opened fire, killing them. A good ending, but it would've nice if they would have filmed it the way they actually got shot up. The gang also was portrayed as somewhat friendly as well, yet they were hardened killers in real life. Aside from these points, I thought this was an awesome and effective crime film, and is one of the essential must see classics of the genre.
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