The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
You know you have just witnessed a good musical when you leave the theatre or cinema with one, or more, of its songs still ringing in your head.... But after seeing Chicago, I did not whistle or tap my way home.
While neither Zellweger nor Gere have superior singing voices or terpsichorean skills, they try their best and give likable, effective performances. As for the slinky Zeta-Jones, who can sing and dance, she's pure hubba-hubba.
More and more I'm beginning to suspect that what killed the musical was the introduction of 1960s fast-editing styles. What revs up the energy in a thriller or a modern love story doesn't function as well during a musical number.
Not only for theater aficionados, Chicago is a musical for people who don't even like musicals, weaving its deliriously dark tale with enough cyanide-laced cynicism to win over folks who wouldn't know Oklahoma! from Oh! Calcutta!