Chinese Roulette (1976) - Rotten Tomatoes

Chinese Roulette (1976)

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Critic Consensus: No consensus yet.

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Critic Reviews for Chinese Roulette

All Critics (12) | Top Critics (2)

Taking one step at a time, Mr. Fassbinder is exploring new methods of cinema narrative that are more original and daring than anything I've yet to see by film makers who call themselves avant-garde.

July 6, 2015 | Full Review…

The camera seems much more interested in exploring the glass and chrome furnishings than in examining the characters, and by the time the film is finished, so is the audience.

July 6, 2015 | Full Review…

Unfortunately, [Fassbinder's] cynical detachment leaves us appalled but unmoved.

July 6, 2015 | Rating: 3/5 | Full Review…

If the premise suggests Noël Coward's Private Lives with an acrid dash of Pinter, Fassbinder is nothing if not winkingly in command of this brittle theatrical idiom.

July 6, 2015 | Full Review…

Rings so true it hurts.

July 6, 2015 | Full Review…

It just doesn't work.

July 6, 2015 | Rating: 3/5 | Full Review…

Audience Reviews for Chinese Roulette

Fassbinder tries to be clever. It doesn't work.

Marcus Woolcott
Marcus Woolcott

Super Reviewer

½

A revealing drama that deserves praise for its exceptional direction, as Fassbinder creates an unsettling atmosphere mostly through an evoking soundtrack and a wonderful camera work that makes every shot look like they could be framed and put on a wall.

Carlos Magalhães
Carlos Magalhães

Super Reviewer

It's fitting that a chess board is prominently displayed in the main set of "Chinese Roulette," because this claustrophobic Fassbinder classic is all about games, strategy and mathematics. Essentially, the story is a jousting tournament of four couples: a husband (Alexander Allerson) and his long-time mistress (Anna Karina, doing her best to stay afloat in a German-language film); his icy wife (stunning Margit Carstensen) and her lover (Uli Lommel); the couple's vicious, crippled daughter (Andrea Schober) and her deaf-mute governess (Macha Meril); and a crabby housekeeper (Brigitte Mira) and her ridiculous son (Volker Spengler). Plenty of Fassbinder regulars among the cast. Perversely, the daughter's handicap draws no sympathy from the other characters or even the audience, because she is so bitter, hateful and ruthless. It is she who sets the conflict in motion, via coldly engineering a surprise meeting between the two philandering couples at a beautiful, getaway mansion. To give more plot would be saying too much, but the film is thoroughly compelling over its brief 84 minutes, and it adds an ambiguous denouement that's bound to cause a discussion with your date.

Eric Broome
Eric Broome

Super Reviewer

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