Jun 05, 2016
Jim Mickle once again proves why he is one of the strongest independent genre directors around with, really, what might be his best film yet with Cold in July. Stylistically speaking, this movie very much reminds me of Blue Ruin, also released in 2014. They just got the same type of tone and approach to its characters. But I think Blue Ruin is a little more simplistic. And I don't mean that as a bad thing, not at all, since Blue Ruin deals with how one little mistake can destroy the lives of two families. It was quite the disturbing story if you watched that film entirely. The difference is that Cold in July is a little more complicated. Perhaps that's not the most accurate word to describe this, but it's a movie that definitely keeps you guessing right until the very end. It's a film that does not play out the way you would originally imagine. First it comes across like more of a 'western' thriller with Sam Shepard's character, Ben, threatening Dane for killing his son in self-defense after a break-in. But, it turns out, that Dane didn't actually kill Ben's son and there's far more variables at play here than you originally expect. It moves onto figuring out why the cops wanted Ben dead and why they used Dane's family as bait. Then it becomes Ben's search for his son to reconnect with him after being out of his life for, basically, the entirety of it. He then calls in a detective friend who served with him in Korea in Jim Bob Luke, Don Johnson, and then it's basically figuring out where Ben's son is, since he's currently in the witness protection program for turning state's evidence against this mafia he used to belong to. When they do finally find Ben's son, or his house, they find out that this guy is into some pretty dark and horrific shit, which I'm not gonna spoil, wherein Ben decides that he's going to kill his son. Perhaps I've given too many details for the movie itself already, but I think it's relevant to the point that I could not have predicted, well I could have if I had read the novel it was based on, where this film was going at any point. And I think that's so much more rewarding, the way they find new twists and turns to keep the story fresh and exciting are really some of the best parts about this film, if not the best. The film is expertly put together, it's really well-written, the score is a really cool, synth-heavy one and the acting is damn good. I know a lot of praised was heaped upon Don Johnson for his performance, and it's well deserved, but I think Sam Shepard steals the film here. Michael C. Hall is also damn good, so no complaints on that front, at all. The film, really, deep down is about fathers and sons and exploring the relationships between them, whether the father is absentee or not. It doesn't, at any time, explicitly explore these themes, but they are very relevant to the overall narrative. And, of course, the climactic act itself is quite bloodied, as it promised to be. It definitely does not disappoint in the slightest. So yea, I thought this was a great genre movie. It's so much more than that though, but I think that's what gonna end up appealing to more people. The film definitely keeps you guessing right until the very end and, as a viewer, that's far more rewarding and enjoyable to me. I'd highly recommend it, it's on Netflix, so you can't really go wrong with this movie.
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