Mary Poppins Returns
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All Critics (14)
| Top Critics (3)
| Fresh (7)
| Rotten (7)
Ineffective adaptation of Ian McEwan's intriguing novel
Languidly traverses a climate of moral ambiguity and emotional torpor without spilling any vino on the palazzo's floor.
A compelling and macabre psychological thriller
Odd, unsettling and rather pointless
"The Comfort of Strangers" is hardly groundbreaking. In fact most of the film is so insignificant that without the intriguing ending the film would have simply floated away. Thankfully the acting is top notch (Natasha Richardson, Rupert Everett, Christopher Walken and Helen Mirren) are all well suited to the material. They are skilled actors who do well with Harold Pinter's dialogue. In fact, "The Comfort of Strangers" would make a good companion piece to Pinter's older screenplay "The Servant." This picture is rather easy to read, simply put it's about the death of beauty but it's competently made and has an interesting ending making it worth at least one viewing.
The synopsis of this film makes it sound much more interesting than it actually is. A bizarre story that just never seems to lift into anything remotely exciting, instead a slow, dull watch hoping for a glimpse of excitement, which never appears
A study of how a director can control performances, tone, editing and cinematography to create an overwhelming mood of menace.
Venice is the perfect back drop for this movie about lust and obssession and love?Helen Mirren and Christopher Walken are amazing.
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