Daniel Isn't Real

2019

Daniel Isn't Real

Critics Consensus

Daniel Isn't Real, but the smart, stylish fun waiting for genre lovers in this well-acted suspense thriller is completely genuine.

81%

TOMATOMETER

Total Count: 67

56%

Audience Score

User Ratings: 63
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Movie Info

Troubled college freshman Luke (Robbins) suffers a violent family trauma and resurrects his childhood imaginary friend Daniel (Schwarzenegger) to help him cope. Charismatic and full of manic energy, Daniel helps Luke to achieve his dreams, before pushing him to the very edge of sanity and into a desperate struggle for control of his mind -- and his soul.

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Critic Reviews for Daniel Isn't Real

All Critics (67) | Top Critics (11) | Fresh (54) | Rotten (13)

  • [its] destination often feels undecided, but backed by terrific performances from the entire cast and some nightmarish ideas, Mortimer delivers an initially understated psychological horror that morphs into something much more monstrous.

    February 14, 2020 | Full Review…
  • Adam Egypt Mortimer's second feature ... offers a novel convergence of mental health issues, toxic masculinity and occultish vibes.

    February 13, 2020 | Rating: 4/5 | Full Review…

    Tara Brady

    Irish Times
    Top Critic
  • Miles Robbins flourishes in the role of Luke, switching from vulnerable loner to suave romancer with ease.

    February 11, 2020 | Rating: 8/10 | Full Review…
  • Daniel Isn't Real is a psychological trip that you feel genre cinema has taken before but there are enough stylistic flurries and touches here to make it a memorable film and one that only benefits from repeated viewings.

    February 11, 2020 | Full Review…
  • Daniel Isn't Real, directed by Adam Egypt Mortimer, has a few inventive bits of grisliness in its story of a student plagued by a Tyler Durdenish imaginary friend, but its way of putting a twist on its title is banal.

    February 10, 2020 | Rating: 2/5 | Full Review…
  • The end goes a little off-piste, with much of the sweaty creepiness replaced by silly creature effects. There's enough before that, though, to elevate Adam Egypt Mortimer's film above the bog-standard psychological horror.

    February 10, 2020 | Rating: 3/5 | Full Review…

    Ed Potton

    Times (UK)
    Top Critic

Audience Reviews for Daniel Isn't Real

  • Jan 25, 2020
    One of my favorite movies as a child was DROP DEAD FRED. Aside from the fact that I had horrible taste when I was a small person, Phoebe Cates is hot, and what child doesn't want an unholy hybrid of Jim Carrey and Doctor Who wreaking havoc in their life with whacky hijinks? This is only relevant because I'm pretty sure DANIEL ISN'T REAL is just a gritty remake of that critically panned, spastic cult classic. Just try subbing out the fart/booger kids comedy aesthetic with a synth-infused VHS horror atmosphere à la PHANTASM, IN THE MOUTH OF MADNESS, or HELLRAISER, and that would mostly approximate what we have here. Surpassing similar attempts at capturing the retro-horror vibe like BEYOND THE GATES and THE VOID, DANIEL ISN'T REAL is an efficacious, if not a fair bit cheesy, exercise in psychological thrills and body horror. The poster preamble "From the producers of MANDY" is probably enough of a selling point for fans of last year's phantasmagorical Nic Cage schlockfest to give it a watch at the very least. Perhaps the most surreal aspect of the film lies not in the scenario or visual design but rather the presence of Patrick Schwarzenegger. With both Arnold's facial features and Bobby Kennedy's hair, his mannerisms and vocal inflections come straight out of an uncanny abyss of famous genetics, and it's difficult to disregard this fact every minute he's on screen. Granted, he's still rather amateurish in the acting department, but his screen presence is undeniable. I'm guessing we'll be seeing more of him in future genre outings. For now, the film seems custom made for him and Miles Robbins - two skinny, dapper, emo, poster boys of Hot Topic-branded white privilege. It's so freaking cusp-of-college, pretentious snotty rich kid chic that I can't stand it: it's too real! And yet, it isn't. Anyway, Luke (Robbins) decides to free his imaginary friend/alter ego from the dollhouse he resigned him to years before when his mother's psychosis takes a turn for the worse. Daniel (Schwarzeneggar) is an ace in the hole for unlocking Luke's potential poon-tang prospects that await a sadboi such as he which makes for some really creepy scenes of Ahnode Juniah brooding and leering like a pervert vampire over our protagonist as he totally scores with some hawt, arty alt-chicks. When Daniel starts taking over Luke's body for even more chaotic depravity, Luke starts losing his grip on reality, and some really trippy horror fantasy stuff happens. It looks cool, it's compelling enough to keep your attention, and you can tell a lot of passionate work was put into the set design, makeup, and script resulting in a film that has no right being as good as it is. It's light fare for seasoned horror vets, but a few sequences would have scarred me for life if I'd done a double feature of this with DROP DEAD FRED when I was a little guy.
    Steve L Super Reviewer

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