Dear Wendy Reviews

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November 19, 2013
Sadly, the real Thomas Vinterberg appears to be standing up. But for what exactly?
January 22, 2013
January 22, 2013
June 21, 2007
Leave it to the Dogme brothers to do a strange, darkly comedic tale about a posse of dandies that fall in love with their guns.
May 21, 2007
Entre la stira, la fbula y el comentario crtico (...) el inters se pierde y no convencen.
January 23, 2007
The highlight is when a female member of the Dandies bares her breasts, which is about as pointless as the rest of the film.
October 21, 2006
August 25, 2006
Naive, corruptible, lonely young man meets femme fatale, and it all leads, inevitably, absurdly, to destruction.
March 23, 2006
The result is mixed.
March 21, 2006
a private joke for two guys who should know better.
February 24, 2006
We get it, Lars. Actually, we got it some time ago. Guns are bad things. They kill people and Americans are obsessed with them. Can we move on now?
February 24, 2006
The film has the unmistakable imprint of [Lars] von Trier, with its heavy-handed tirade, masquerading as satire, assailing what he perceives to be America's obsessions with guns and violence.
February 24, 2006
Von Trier's caricature of teen angst and Vinterberg's junkyard-chic stylistic flourishes aren't about anything but their loathing of American culture.
January 6, 2006
you won't know whether to laugh, cry, or moon the screen. Von Trier shoots, von Trier scores.
January 6, 2006
If Jamie Bell can't rescue a movie, it's probably not salvageable.
January 5, 2006
The message doesn't come through with any particular wit or metaphoric punch, and it makes such a strong case for the joys of gun ownership that it could serve as a recruiting film for the National Rifle Association.
December 9, 2005
When you have to ask yourself whether this parable is intended as comedic satire or stone-cold-serious moralizing, that's a big sign that you're watching a misfire.
October 20, 2005
A dumb movie that thinks it's smart is the worst kind of awful.
October 20, 2005
Wendy might have a bizarre sense of locale and idolatry, but the imagination of the filmmakers is just enough to help swallow their incredibly condescending posturing.
October 8, 2005
the story makes no sense and depends upon people acting based on some crazed Dane's mental stereotype of Americans rather than actual human beings.
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