Ralph Breaks the Internet
Mission: Impossible - Fallout
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All Critics (8)
| Top Critics (2)
| Fresh (8)
| Rotten (0)
Jean-Luc Godard's 1985 deconstruction of film noir has the lightness and comic zip of some of his 60s features, though the mix of elements isn't quite as rich.
You can't afford to miss it if you aren't afraid of a little hard work.
Very rich comedy about the age of video
Drawing upon a multitude of genres and styles, from film noir and crime to slapstick comedy, Détective is a variable but entertaining experiment.
Godard's interest, however, is not in the crime (or even the plot) but in playing with the film medium--sounds, music, dialog, images (both video and film), and the written word.
Vintage Godard with a jumpy storyline and misunderstandings between men and women.
Jean-Luc Godard's hotel-based film noir borders on farce: as conventional as he gets, but still inventive, subversive and darkly comic.
[font=Century Gothic]"Detective" was filmed in 1985 as the video revolution was taking hold. In the film, three people(Laurent Terzieff, Aurelle Doazan & Jean-Pierre Leaud) try to discover who killed the prince in the same hotel room where he died. To help out, they record and view videotapes obsessively. On the videotapes are a pilot(Claude Brasseur) and his wife(Nathalie Baye) who are trying to get money they feel is owed to them by a shady boxing promoter(Johnny Hallyday). This sets up Jean-Luc Godard's thesis of repitition and truth. In other words, how many times do we have to watch something before discovering the absolute truth? [/font]
[font=Century Gothic]So far, so good.[/font]
[font=Century Gothic]But not long into it, Godard gets bored with any kind of plot, and starts indiscriminately moving back and forth not only between the above groups but also a third(including Julie Delpy and Emmanuelle Seigner when they were just starting out), one of whom is just around to try on various outfits. Basically, it feels like the remote is in the control of a five-year old, albeit alternating between the Sundance and Independent Film Channels. So, maybe "Detective" is really about short attention spans. Or it could be a modern take on "The Tempest." Who knows?[/font]
although godard was still experimenting with narrative during this decade, detective is a huge step up from some of his earlier films of the 80's. the telling of the story is still quite choppy, but it makes enough sense to navigate well through the stories of the compelling characters that he has thrown into the mix. a bit of comedy, a bit of neo-noir, the film has intrigue and that godard style that i love so much. still not as good as his earlier work, but a step above his previous few films.
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